{"id":6375,"date":"2025-05-30T11:20:47","date_gmt":"2025-05-30T09:20:47","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/two-months-off-underworld\/"},"modified":"2025-05-30T11:27:18","modified_gmt":"2025-05-30T09:27:18","slug":"two-months-off-underworld","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/two-months-off-underworld\/","title":{"rendered":"Two Months Off &#8211; Underworld"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Danser avec les fant\u00f4mes du futur<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\" data-start=\"115\" data-end=\"722\">\u00c0 l\u2019arriv\u00e9e de <em data-start=\"130\" data-end=\"140\">Emerging<\/em> en 2002, <em data-start=\"150\" data-end=\"166\">Two Months Off<\/em> avait d\u00e9j\u00e0 confirm\u00e9 la place d\u2019Underworld en tant qu\u2019alchimistes de l\u2019\u00e9lectronique. <em data-start=\"251\" data-end=\"270\">Born Slippy .NUXX<\/em> avait offert aux ann\u00e9es 1990 son hymne \u00e0 la descente chimique, incarnant \u00e0 la fois les sommets et le vide qui suivait. Pourtant, ce morceau ne na\u00eet ni de l\u2019\u00e9puisement ni de la joie. Il surgit bien plus loin, d\u2019une phase de regroupement. Darren Emerson avait quitt\u00e9 le groupe. Rick Smith et Karl Hyde avaient \u00e9t\u00e9 s\u00e9par\u00e9s un temps. Ce qui revient est quelque chose de plus chaleureux, plus l\u00e2ch\u00e9, mais toujours vibrant, caress\u00e9 par la lumi\u00e8re du soleil.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\" data-start=\"724\" data-end=\"1223\">Comme un syst\u00e8me qui se remet en ligne, le morceau d\u00e9bute en douceur. Des arp\u00e8ges d\u2019attente montent, mais sans se presser, superpos\u00e9s avec parcimonie. La voix de Karl Hyde semble \u00eatre une transmission venue d\u2019un endroit juste hors de port\u00e9e, intime mais fragment\u00e9e. \u00ab You bring light in \u00bb, r\u00e9p\u00e8te-t-il, moiti\u00e9 observation, moiti\u00e9 mantra. Comme toujours avec Underworld, les paroles sont plus impressionnistes que narratives : pas des r\u00e9cits, mais des aper\u00e7us d\u2019exp\u00e9riences. Un sc\u00e9nario sans \u00e9motion.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\" data-start=\"1225\" data-end=\"1807\">Il y a ici un \u00e9quilibre qui le distingue des \u0153uvres pr\u00e9c\u00e9dentes. Bien que jamais agressifs, les rythmes sont nets. Les lignes synth\u00e9tiques inspirent profond\u00e9ment. La mont\u00e9e est patiente. Elle s\u2019ouvre plut\u00f4t qu\u2019elle n\u2019explose. C\u2019est de la musique de danse, oui, mais pas pour un coin obscur d\u2019entrep\u00f4t. C\u2019est de la musique en plein air, pour la clart\u00e9 et le mouvement. On avance, on marche vers l\u2019avant plut\u00f4t que de fuir quelque chose. <em data-start=\"1661\" data-end=\"1677\">Two Months Off<\/em> est une le\u00e7on de mod\u00e9ration et de tonalit\u00e9, apr\u00e8s des ann\u00e9es marqu\u00e9es par l\u2019extravagance plus brute de la techno ou de la trance.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Nous voulions cr\u00e9er une musique qui ressemble \u00e0 la sensation du soleil sur ton visage apr\u00e8s une longue nuit dehors.<\/p>\n<\/blockquote>\n<p><\/p>\n<p style=\"text-align: right;\"><em>(Karl Hyde, The Face, 2002)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Le contraste a toujours \u00e9t\u00e9 excellent chez Underworld, entre ordre et anarchie, entre rythmes entra\u00eenants et po\u00e9sie abstraite. Ce morceau capture cela parfaitement. On dirait une composition consciente du temps \u00e9coul\u00e9, du pouvoir chang\u00e9, mais dont le battement reste pr\u00e9sent. En concert, au casque, dans les rues de la ville, la chanson est rapidement devenue populaire. Elle semblait contemporaine sans suivre les modes, nostalgique sans tomber dans le clich\u00e9.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\">C\u2019est pr\u00e9cis\u00e9ment cette retenue \u00e0 crier qui a permis \u00e0 Two Months Off de trouver sa connexion \u00e0 son \u00e9poque. Elle offrait une lib\u00e9ration sans drame. Elle montrait que la musique \u00e9lectronique pouvait vieillir, r\u00e9fl\u00e9chir, respirer. Underworld a d\u00e9couvert une fr\u00e9quence diff\u00e9rente durant une ann\u00e9e marqu\u00e9e par le bruit, la m\u00e9fiance, et la surproduction. Et ils nous ont rappel\u00e9 que le silence est parfois le son le plus puissant, m\u00eame dans la musique dance.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>\u00c0 l\u2019arriv\u00e9e de Emerging en 2002, Two Months Off avait d\u00e9j\u00e0 confirm\u00e9 la place d\u2019Underworld en tant qu\u2019alchimistes de l\u2019\u00e9lectronique. Born Slippy .NUXX avait offert aux ann\u00e9es 1990 son hymne \u00e0 la descente chimique, incarnant \u00e0 la fois les sommets et le vide qui suivait.<\/p>\n","protected":false},"author":1,"featured_media":6368,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"give_campaign_id":0,"footnotes":""},"categories":[287,293],"tags":[417,554],"class_list":["post-6375","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-techno-house-dance-fr","tag-underworld-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Two Months Off - Underworld - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/two-months-off-underworld\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Two Months Off - Underworld - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"\u00c0 l\u2019arriv\u00e9e de Emerging en 2002, Two Months Off avait d\u00e9j\u00e0 confirm\u00e9 la place d\u2019Underworld en tant qu\u2019alchimistes de l\u2019\u00e9lectronique. 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