{"id":7010,"date":"2016-08-03T16:00:00","date_gmt":"2016-08-03T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/down-on-the-street-the-stooges\/"},"modified":"2026-11-09T07:09:45","modified_gmt":"2026-11-09T06:09:45","slug":"down-on-the-street-the-stooges","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/down-on-the-street-the-stooges\/","title":{"rendered":"The Stooges – Down On The Street"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Ouverture de Fun House, Elektra Sound Recorders, mai \u00e0 juillet 1970<\/h3>\n

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Down On The Street<\/strong> ouvre Fun House<\/em>, sorti le 7 juillet 1970 chez Elektra. The Stooges ont enregistr\u00e9 l’album \u00e0 Elektra Sound Recorders \u00e0 Los Angeles entre le 11 et le 25 mai 1970 avec le producteur Don Gallucci, ex-organiste des Kingsmen. Le brief \u00e9tait de prendre le groupe comme si la pi\u00e8ce \u00e9tait un club, pas une session radio. Elektra a pr\u00e9f\u00e9r\u00e9 ce titre en ouverture plut\u00f4t que Loose<\/em>, le choix du groupe. Ron Asheton verrouille une figure de guitare qui se r\u00e9p\u00e8te ; Iggy Pop parle autant qu’il chante ; la batterie de Scott Asheton reste lourde et r\u00e9guli\u00e8re ; la basse de Dave Alexander comble les trous sans se mettre en avant.<\/p>\n

Gallucci a limit\u00e9 les parties ajout\u00e9es apr\u00e8s coup et plac\u00e9 les micros pour capter l’air et le larsen plut\u00f4t que le poli. Sur la prise album, l’arrangement tient un seul pulse et refuse un refrain bien rang\u00e9. Un single mono s\u00e9par\u00e9, avec au verso une version courte de 1970<\/em> (parfois titr\u00e9e I Feel Alright<\/em>), ajoute une ligne d’orgue probablement jou\u00e9e par Gallucci. Cette exception prouve la r\u00e8gle de l’album : la version LP reste brute, deux guitares qui se poussent l’une contre l’autre au lieu d’un mix radio d\u00e9cor\u00e9. L’\u00e9criture est sign\u00e9e Pop, les deux Asheton et Alexander.<\/p>\n

Le personnel du titre, c’est le quatuor Stooges classique. Le saxophone de Steven Mackay arrive plus loin sur le disque ; ici la force vient de la r\u00e9p\u00e9tition et du volume. Hors du Michigan et d’une petite presse rock, Fun House<\/em> s’est d’abord mal vendu et a \u00e9t\u00e9 largement rejet\u00e9. Plus tard, on y a entendu le mod\u00e8le du punk et du garage : un groupe qui traite le studio comme une sc\u00e8ne et laisse le frottement faire l’arrangement. Le coffret Rhino 1999 1970: The Complete Fun House Sessions<\/em> a ensuite document\u00e9 combien de prises ont servi \u00e0 verrouiller cette ouverture.<\/p>\n

Sur le disque, on entend pourquoi l’ouverture tient encore. La figure de guitare ne s’\u00e9tale pas en long solo de d\u00e9monstration. La voix d’Iggy reste dans le rythme. Scott Asheton frappe fort et garde un motif r\u00e9gulier. Rien n’est poli pour la radio de jour. Le morceau pose un tempo et le tient. La prise s’arr\u00eate pendant que les bords restent bruts.<\/p>\n

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\n

L’ouverture ‘Down on the Street’, pas contente d’une seule guitare sur le solo fr\u00e9n\u00e9tique, en a deux qui montent en m\u00eame temps l’une contre l’autre : la mont\u00e9e d’adr\u00e9naline est imbattable.<\/p>\n<\/blockquote>\n

(Jon Smith, Drowned in Sound, 2010)<\/em><\/p>\n

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Plus de cinquante ans plus tard, post-punk et garage continuent d’emprunter l’id\u00e9e qu’une figure dure qui se r\u00e9p\u00e8te peut porter tout un titre. Jouez fort et le son de pi\u00e8ce fait partie de la liste d’instruments. Le single mono avec l’orgue de Gallucci reste une curiosit\u00e9 ; la prise album est la version rest\u00e9e en circulation.<\/p>\n

Down On The Street<\/em> ne s’arr\u00eate pas pour expliquer le riff. Il joue, puis s’arr\u00eate. Appuyez sur play pour la boucle d’ouverture seule, puis remarquez le peu de d\u00e9coration ajout\u00e9e sur la prise Stooges de 1970. Le son de la pi\u00e8ce et le volume font le reste.<\/p>\n

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