{"id":7320,"date":"2022-01-09T13:00:00","date_gmt":"2022-01-09T12:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/sail-on-the-commodores\/"},"modified":"2026-11-09T07:12:53","modified_gmt":"2026-11-09T06:12:53","slug":"sail-on-the-commodores","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/sail-on-the-commodores\/","title":{"rendered":"The Commodores – Sail On"},"content":{"rendered":"

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Single Motown 1979 de Midnight Magic, Richie vers le country<\/h3>\n

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Sail On<\/em> est une composition de Lionel Richie sur l\u2019album Motown 1979 des Commodores, Midnight Magic<\/em>, produit avec James Anthony Carmichael. Sorti en single le 27 juillet 1979, il atteint No. 4 du Billboard Hot 100, No. 1 Cash Box, No. 8 R&B US et No. 8 au Royaume-Uni. L\u2019arrangement laisse le tempo disco de c\u00f4t\u00e9 : voix pr\u00e8s du micro, basse patiente, Wurlitzer et guitare portent une m\u00e9lodie teint\u00e9e country plut\u00f4t qu\u2019une grosse caisse de piste.<\/p>\n

\u00c0 ce stade le groupe de Tuskegee avait d\u00e9j\u00e0 encha\u00een\u00e9 hits funk et ballades ; Brick House<\/em> et Three Times a Lady<\/em> sont d\u00e9j\u00e0 deux types de tubes du groupe. Sail On<\/em> rel\u00e8ve des singles Motown adultes qui laissent de la place dans l\u2019arrangement. Richie prend son temps sur chaque phrase. La batterie reste discr\u00e8te. Les claviers restent sous la voix sans l\u2019encombrer. \u00c0 mi-course la guitare avance un peu et sa voix monte, sans basculer en cri. Le texte est un adieu net : rendre le nom, chercher un meilleur moment, pas de discours de vengeance.<\/p>\n

La radio am\u00e9ricaine l\u2019a trait\u00e9 comme du pop adulte capable de c\u00f4toyer le crossover country sur les m\u00eames antennes. Les DJs le passaient quand la nuit ralentissait. Richie partirait bient\u00f4t pour une carri\u00e8re solo immense ; les Commodores continuaient. Ce titre garde le poli Motown et la chaleur sudiste. Le texte est un au revoir \u00e9crit avant que Richie parte pour les ann\u00e9es solo.<\/p>\n

Motown sort Sail On comme premier des trois singles de Midnight Magic, avant Still et le reste du trafic ballade de l\u2019album. La production de James Anthony Carmichael garde le champ st\u00e9r\u00e9o large : figures de guitare r\u00e9pondent \u00e0 la voix, claviers tapissent sans encombrer, la section rythmique ne passe pas au double-temps disco. Pour un groupe qui avait tenu les dancefloors avec Brick House, c\u2019\u00e9tait un changement de voie volontaire vers la radio adult contemporary sans l\u00e2cher la chaleur soul sudiste. Cash Box au No. 1 pendant que Billboard plafonne \u00e0 No. 4 montre \u00e0 quel point il tenait sur les formats pop cette ann\u00e9e-l\u00e0.<\/p>\n

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Une ballade \u00e9tonnamment teint\u00e9e de country, avec un accompagnement discret mettant en avant la guitare et les claviers et les inflexions country raffin\u00e9es de la voix de Lionel Richie qui porte la m\u00e9lodie.<\/p>\n<\/blockquote>\n

(Billboard, 1979)<\/em><\/p>\n

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Sail On<\/em> fonctionne encore en single de fin de soir\u00e9e : cinq minutes sur la version album, edit radio plus court, voix tenue \u00e0 l\u2019\u00e9cart du m\u00e9lodrame. Richie l\u2019a repris plus tard avec Tim McGraw sur Tuskegee<\/em> (2012), ce qui souligne \u00e0 quel point l\u2019original touchait d\u00e9j\u00e0 le phras\u00e9 country.<\/p>\n

Mettez-le apr\u00e8s un cut Motown plus fort et le volume baisse. Les Commodores ont marqu\u00e9 la sortie avec de la place, une guitare et un tempo r\u00e9gulier. Entre les hits funk et les ballades solo de Richie, Sail On est le single plus calme de ce virage.<\/p>\n

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