{"id":7503,"date":"2022-01-29T19:00:00","date_gmt":"2022-01-29T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/nightcall-kavinsky\/"},"modified":"2026-11-09T07:12:54","modified_gmt":"2026-11-09T06:12:54","slug":"nightcall-kavinsky","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/nightcall-kavinsky\/","title":{"rendered":"Kavinsky – Nightcall"},"content":{"rendered":"

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EP Record Makers 2010 que Drive a transform\u00e9 en signal de nuit<\/h3>\n

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Nightcall<\/em> ouvre l\u2019EP Record Makers 2010 de Kavinsky du m\u00eame nom, puis entre dans la m\u00e9moire globale quand le film Drive<\/em> (2011) de Nicolas Winding Refn l\u2019utilise comme signal signature sur la bande originale. Vincent Belorgey, sous le nom Kavinsky, l\u2019\u00e9crit avec Lovefoxxx (CSS) au chant. \u00c7a d\u00e9marre sur une figure de synth\u00e9 basse et une ligne vocoder avant que sa voix arrive, plus claire que le vocoder. Le rythme reste r\u00e9gulier, sans pr\u00e9cipitation. Les leads sonnent analogiques. Rien n\u2019est con\u00e7u comme un drop de festival.<\/p>\n

L\u2019histoire publique de Belorgey autour du titre est du pur B-movie : un conducteur meurt dans un accident en 1986 et revient faire de la musique, Ferrari Testarossa rouge dans les images. Cette fiction c\u00f4toie un fait studio simple : les cercles \u00e9lectroniques fran\u00e7ais connaissaient d\u00e9j\u00e0 le cut avant Hollywood. \u00c0 la sortie, il a dit que la pression venait surtout de partager un titre li\u00e9 \u00e0 une moiti\u00e9 de Daft Punk, pas de courir apr\u00e8s une sync cin\u00e9ma. Ailleurs, la French Touch avait d\u00e9j\u00e0 transform\u00e9 l\u2019ADN disco en club brillant ; ici le morceau reste plus sombre et plus lent, plus proche d’une route de nuit que d’un show de stade.<\/p>\n

Lovefoxxx garde une voix mince et proche face aux synth\u00e9s brillants. La voix ne cherche pas \u00e0 couvrir les machines. \u00c9diteurs et playlists traitent encore le titre comme outil de longue route : lueur LED, vitesse de croisi\u00e8re, une ambiance qui tient des minutes sans climax de modulation. Apr\u00e8s Drive<\/em>, le titre de l\u2019EP est devenu raccourci pour un certain n\u00e9on du d\u00e9but des ann\u00e9es 2010. L\u2019album plus tardif OutRun<\/em> (2013) \u00e9largit la m\u00eame persona, mais Nightcall<\/em> reste le document single le plus clair de ce monde : courte histoire, tempo fixe, voix et vocoder dans la m\u00eame voie.<\/p>\n

C\u00f4t\u00e9 charts, ce n\u2019\u00e9tait plus un secret de club fran\u00e7ais une fois le film sorti ; radio et streaming reviennent aux m\u00eames trois ou quatre minutes. Des auditeurs qui n\u2019ont jamais suivi Record Makers reconnaissent le grondement et la voix lointaine. C\u2019est rare pour un cut d\u2019EP sur un label \u00e9lectronique sp\u00e9cialis\u00e9. Le morceau fonctionne parce que la production refuse de se pr\u00e9cipiter. Basse et batterie tiennent un chemin calme. Les synth\u00e9s tiennent le fond, sans acc\u00e9l\u00e9rer. La part humaine reste volontairement petite, d\u2019o\u00f9 le sentiment d\u2019\u00e9vidence une fois les monteurs l\u2019ayant entendue.<\/p>\n

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\n

Au moment de la sortie de Nightcall, on ne sentait pas vraiment de pression, sauf le fait qu\u2019on sortait un titre avec une moiti\u00e9 de Daft Punk.<\/p>\n<\/blockquote>\n

(Vincent Belorgey, Mixmag, 2022)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb17937″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790428379{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Mettez Nightcall<\/em> apr\u00e8s un single French house plus fort et \u00e7a sonne tout de suite plus lent, plus sombre. L’histoire d’accident de Belorgey est un cadre de promo. Le mix, lui, est disciplin\u00e9. Pas de fills inutiles. Pas de refrain cri\u00e9. Juste une pulsation de nuit et une voix qui sonne loin expr\u00e8s.<\/p>\n

Le titre ouvre encore les playlists de longues routes. Le film l\u2019a rendu c\u00e9l\u00e8bre. Le tempo fixe et la voix petite l\u2019ont rendu facile \u00e0 r\u00e9utiliser.<\/p>\n

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Nightcall de Kavinsky (Record Makers, 2010), avec Lovefoxxx, est devenu un signal de nuit mondial apr\u00e8s Drive (2011).<\/p>\n","protected":false},"author":1,"featured_media":7498,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[724,457],"class_list":["post-7503","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-kavinsky-fr","tag-newwave-electro-triphop-fr","post_format-post-format-video"],"yoast_head":"\nKavinsky - Nightcall - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Nightcall de Kavinsky (Record Makers, 2010), avec Lovefoxxx, est devenu un signal de nuit mondial apr\u00e8s Drive (2011).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/nightcall-kavinsky\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kavinsky - 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