{"id":7677,"date":"2021-06-03T09:00:00","date_gmt":"2021-06-03T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/just-can-get-enough-black-eyed-peas\/"},"modified":"2026-11-09T07:12:38","modified_gmt":"2026-11-09T06:12:38","slug":"just-can-get-enough-black-eyed-peas","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/just-can-get-enough-black-eyed-peas\/","title":{"rendered":"Black Eyed Peas – Just Can\u2019t Get Enough"},"content":{"rendered":"

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Single The Beginning 2011, texte d\u2019absence en tourn\u00e9e<\/h3>\n

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Just Can\u2019t Get Enough<\/em> arrive en 2011 depuis l\u2019album des Black Eyed Peas The Beginning<\/em>, avec will.i.am, Fergie, Taboo et apl.de.ap alors habitu\u00e9s des charts. Leurs singles passaient en club, en taxi et dans les cuisines. Le titre avance sur un riff de synth\u00e9 contenu et une pulsation \u00e9lectronique. Il ne cherche pas la grosse explosion. Face aux hits plus forts de la p\u00e9riode I Gotta Feeling<\/em>, celui-ci reste plus calme : un texte sur le manque de quelqu\u2019un sur la route et un arrangement l\u00e9ger.<\/p>\n

Taboo a dit \u00e0 MTV que le message \u00e9tait l\u2019absence en tourn\u00e9e : quand on est parti, on n\u2019en a jamais assez de la personne rest\u00e9e et on veut le lui faire savoir. Le groupe avait r\u00e9cemment pass\u00e9 du temps au Japon ; le titre a \u00e9t\u00e9 fini environ une semaine avant le s\u00e9isme de mars 2011. Ce timing a donn\u00e9 \u00e0 la sortie une deuxi\u00e8me lecture non voulue, le contact face \u00e0 une distance soudaine. La m\u00e9canique charts s\u2019appliquait encore (radio, clip, saturation playlist), mais l\u2019ambiance est plus douce que les singles party les plus bruyants des Peas.<\/p>\n

La production de will.i.am ici reste \u00e9lectronique et grand public. L\u2019empilement vocal laisse plus d\u2019espace. Les lignes de Fergie partagent l\u2019espace plut\u00f4t que de concurrencer un cri. Le refrain se r\u00e9p\u00e8te sans cri toutes les huit mesures. Comme single d\u2019\u00e9lectro-pop grand public de 2011, il montre un groupe mondial qui baisse le volume et reste quand m\u00eame \u00e0 l\u2019antenne. L\u2019image publique des Peas, c\u2019\u00e9tait la f\u00eate. Ce morceau parle du calendrier derri\u00e8re : h\u00f4tels, vols et un appel qui ne suffit pas.<\/p>\n

Les radios europ\u00e9ennes et US ont gard\u00e9 le single en rotation pendant le cycle d\u2019album. En live, il servait de pause au milieu du concert, entre des morceaux dance plus lourds. Les fans qui ne voulaient que les hits \u00e0 crier le sautaient parfois ; ceux qui vivaient le planning de tourn\u00e9e entendaient le point tout de suite. L\u2019arrangement reste retenu. Les machines portent le morceau sans climax th\u00e9\u00e2tral. Le groupe \u00e9tait alors associ\u00e9 aux concerts de stade et aux confettis.<\/p>\n

Mettez-le apr\u00e8s The Time (Dirty Bit)<\/em> et l\u2019\u00e9ventail de la campagne s\u2019entend. M\u00eame groupe, morceau plus calme. Just Can\u2019t Get Enough<\/em> parle du manque de quelqu\u2019un pendant que le concert continue ailleurs. Le titre le dit. La production reste au m\u00eame volume.<\/p>\n

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Le message, c\u2019est de savoir que quand tu es loin de quelqu\u2019un, surtout en tourn\u00e9e, tu n\u2019en as jamais assez ou tu penses juste \u00e0 cette personne et tu veux juste lui faire savoir que tu penses \u00e0 elle.<\/p>\n<\/blockquote>\n

(Taboo, MTV News, 2011)<\/em><\/p>\n

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En single radio 2011, Just Can\u2019t Get Enough<\/em> est le morceau plus calme de The Beginning<\/em>. Les Peas remplissaient les pistes avec des singles plus forts. Celui-ci garde le texte sur l\u2019absence, \u00e0 volume de club.<\/p>\n

La note de Taboo \u00e0 MTV en 2011 colle encore au texte sur l\u2019absence en tourn\u00e9e. Le riff de synth\u00e9 reste bas. Les mots parlent de quelqu\u2019un rest\u00e9 \u00e0 la maison.<\/p>\n

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