{"id":7747,"date":"2022-07-07T09:00:00","date_gmt":"2022-07-07T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/music-john-miles\/"},"modified":"2026-11-09T07:13:11","modified_gmt":"2026-11-09T06:13:11","slug":"music-john-miles","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/music-john-miles\/","title":{"rendered":"John Miles – Music"},"content":{"rendered":"

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Single Decca 1976, Parsons \u00e0 Abbey Road<\/h3>\n

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Music<\/em> est le single Decca 1976 de John Miles, plus tard pi\u00e8ce centrale de son album Rebel<\/em>, enregistr\u00e9 avec Alan Parsons \u00e0 Abbey Road. Miles, encore au milieu de la vingtaine et form\u00e9 au piano, \u00e9crit une pi\u00e8ce qui monte d\u2019une ouverture calme \u00e0 un climax orchestral sans se pr\u00e9cipiter. Les cordes se tiennent autour des guitares \u00e9lectriques et de la batterie et laissent la m\u00e9lodie claire. Les sections passent d’un couplet calme \u00e0 une mont\u00e9e, puis \u00e0 un rel\u00e2chement. Melody Maker l\u2019a appel\u00e9 la force la plus brillante et la plus fra\u00eeche du rock britannique cette ann\u00e9e-l\u00e0 ; Le single est le disque qu\u2019ils avaient en t\u00eate.<\/p>\n

La structure est facile \u00e0 suivre. Entr\u00e9e vocale douce, intensit\u00e9 qui monte, aboutissement de tout l\u2019ensemble, puis contr\u00f4le sur la descente. Radio et sp\u00e9ciales TV ont aim\u00e9 le drame. Les stations classic-rock l\u2019ont plus tard class\u00e9 \u00e0 c\u00f4t\u00e9 d\u2019autres singles rock orchestral qui n\u2019\u00e9taient pas de longues digressions progressives, mais de la pop avec un budget pour les cordes. La voix de Miles reste nette pendant la mont\u00e9e. Il ne crie pas le climax. L\u2019arrangement fait la mont\u00e9e. Le texte reste un hommage simple \u00e0 la musique comme refuge et comme m\u00e9tier.<\/p>\n

La clart\u00e9 Abbey Road de Parsons compte. Les instruments ont de la place. La figure de piano qui ouvre le morceau revient apr\u00e8s le passage le plus fort, la m\u00eame figure que l\u2019ouverture. Musiciens de session et parties d\u2019orchestre sont plac\u00e9s, pas empil\u00e9s. En 1976 les charts rock britanniques faisaient encore de la place \u00e0 des singles longs que la t\u00e9l\u00e9vision pouvait monter avec lumi\u00e8res et cam\u00e9ras. Music<\/em> entrait dans cette voie sans le cadre d\u2019un album-concept. C\u2019est un single pop en trois parties, avec un budget pour les cordes et un chanteur qui se retient.<\/p>\n

Le catalogue plus large de Miles n\u2019a jamais \u00e9gal\u00e9 l\u2019empreinte publique de ce single, ce qui est courant pour les marqueurs de carri\u00e8re \u00e0 une chanson. L\u2019enregistrement reste celui que le public demande. Le disque Decca reste un document clair du m\u00e9tier de studio britannique au milieu des ann\u00e9es 70 : ing\u00e9nierie Parsons, \u00e9criture Miles, rock orchestral destin\u00e9 \u00e0 la radio et \u00e0 la st\u00e9r\u00e9o du salon. Mettez-le apr\u00e8s un single glam ou pub-rock plus court de la m\u00eame ann\u00e9e et la dur\u00e9e fait la diff\u00e9rence. L\u2019\u00e9criture prend son temps. Le climax est plus fort parce que l\u2019ouverture \u00e9tait calme.<\/p>\n

La culture de session \u00e0 Abbey Road \u00e0 cette p\u00e9riode r\u00e9compensait les musiciens capables d\u2019entrer, servir l\u2019arrangement et sortir sans voler la lumi\u00e8re. Music<\/em> utilise cette discipline. La mont\u00e9e orchestrale reste dans la chanson pop. C\u2019est de l\u2019\u00e9criture pop avec assez de budget pour rendre la mont\u00e9e audible. Miles a repris le morceau en live pendant des d\u00e9cennies parce que le public demandait l\u2019arc qu\u2019il connaissait d\u00e9j\u00e0. Cette demande est dans les faits. Le public a continu\u00e9 \u00e0 demander la m\u00eame mont\u00e9e, celle qu\u2019il connaissait d\u00e9j\u00e0.<\/p>\n

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\n

John Miles est la force la plus brillante et la plus fra\u00eeche du rock britannique<\/p>\n<\/blockquote>\n

(Melody Maker, 1976)<\/em><\/p>\n

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Music<\/em> passe encore en fin de soir\u00e9e sur les radios rock : d\u00e9part calme, mont\u00e9e mesur\u00e9e, voix nette, cordes sous la m\u00e9lodie.<\/p>\n

Le single Decca 1976 est celui qui porte le cr\u00e9dit Abbey Road. Miles et Parsons font passer le morceau du piano \u00e0 l\u2019orchestre, puis redescendent.<\/p>\n

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Music de John Miles (Decca 1976) : Alan Parsons \u00e0 Abbey Road, mont\u00e9e piano-orchestre, \u00e9loge Melody Maker.<\/p>\n","protected":false},"author":1,"featured_media":7743,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[758,467],"class_list":["post-7747","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-john-miles-fr","tag-pop-fr-2","post_format-post-format-video"],"yoast_head":"\nJohn Miles - Music - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Music de John Miles (Decca 1976) : Alan Parsons \u00e0 Abbey Road, mont\u00e9e piano-orchestre, \u00e9loge Melody Maker.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/music-john-miles\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"John Miles - 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