{"id":7945,"date":"2020-01-22T09:00:00","date_gmt":"2020-01-22T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/glory-box-portishead-2\/"},"modified":"2026-11-09T07:11:58","modified_gmt":"2026-11-09T06:11:58","slug":"glory-box-portishead-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/glory-box-portishead-2\/","title":{"rendered":"Portishead – Glory Box"},"content":{"rendered":"

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Single Dummy 1994, boucle Isaac Hayes, demande de Gibbons<\/h3>\n

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Glory Box<\/em> ferme l\u2019album Go! Beat 1994 de Portishead, Dummy<\/em> et est devenu l\u2019un des singles qui ont fait conna\u00eetre l\u2019album. Geoff Barrow, Beth Gibbons et Adrian Utley b\u00e2tissent un titre autour d\u2019une boucle d\u00e9j\u00e0 us\u00e9e et un peu ab\u00eem\u00e9e \u00e0 l\u2019\u00e9coute, tir\u00e9e de Ike\u2019s Rap II<\/em> d\u2019Isaac Hayes. Ils gardent cette usure dans l\u2019arrangement. Platines, guitare et figure de batterie lente laissent de la place \u00e0 la voix de Gibbons, pr\u00e8s du micro et fatigu\u00e9e. \u00c0 Bristol, au milieu des ann\u00e9es 90, ce disque plus calme sortait \u00e0 c\u00f4t\u00e9 de singles club plus durs.<\/p>\n

Gibbons a dit \u00e0 The Independent on Sunday que la ligne cl\u00e9 parlait de se pousser et de laisser de la place aux femmes, parce qu\u2019elle sentait les femmes prises pour acquises. Elle chante la demande d’une voix s\u00e8che, pr\u00e8s du micro. La guitare d\u2019Utley r\u00e9pond en tra\u00een\u00e9es courtes, pas en solos. Les scratches et le placement sample de Barrow gardent la boucle Hayes hypnotique sans faire du mix une d\u00e9monstration de mat\u00e9riel. Les cr\u00e9dits prod et ing\u00e9nierie autour de Dummy<\/em> montrent que le studio entre dans l\u2019arrangement.<\/p>\n

Des hits UK ont suivi, avec l\u2019attention du Mercury Prize pour l\u2019album, puis une longue pr\u00e9sence au cin\u00e9ma et dans les playlists. Glory Box<\/em> a \u00e9t\u00e9, pour beaucoup d\u2019auditeurs, la rencontre avec l\u2019\u00e9tiquette trip-hop, alors que le disque est plus pr\u00e9cis que l\u2019\u00e9tiquette. Un sample soul, une voix lente et une nappe \u00e9lectronique partagent un tempo lent. En live, Portishead a souvent reconstruit le morceau avec une autre intensit\u00e9 ; la prise studio garde la boucle ab\u00eem\u00e9e.<\/p>\n

Sur ce single de 1994, une boucle ab\u00eem\u00e9e porte une phrase politique sans discours autour. Le mix reste sombre, la basse reste grave et la batterie reste lente. Gibbons chante la demande sans ornement. \u00c0 c\u00f4t\u00e9 d\u2019un single dance de Bristol plus clair des m\u00eames ann\u00e9es, le tempo et la voix se d\u00e9tachent. Portishead a tenu le morceau bas, avec une demande dans le texte.<\/p>\n

La campagne Go! Beat et Island a pouss\u00e9 Dummy<\/em> \u00e0 l\u2019international ; la radio alternative US et les cr\u00e9neaux MTV tardifs ont aid\u00e9 le clip \u00e0 voyager. Les auditeurs qui ne connaissaient le groupe que par des compilations chill entendent ici un choix de studio pr\u00e9cis : un sample us\u00e9, une voix qui demande de la place, une guitare tenue en arri\u00e8re. Les imitateurs plus tardifs ont copi\u00e9 l\u2019atmosph\u00e8re et rat\u00e9 la phrase du milieu. Cette phrase est : laissez-nous de la place. La boucle la porte jusqu\u2019au fondu.<\/p>\n

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La ligne cl\u00e9 de la chanson, vraiment, c\u2019est poussez-vous et laissez-nous de la place, parce que je pense que les femmes sont vraiment prises pour acquises.<\/p>\n<\/blockquote>\n

(Beth Gibbons, The Independent on Sunday, 1994)<\/em><\/p>\n

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Glory Box<\/em> reste le morceau de cl\u00f4ture le plus net de Dummy : boucle Hayes laiss\u00e9e us\u00e9e, demande de Gibbons, guitare d\u2019Utley en retrait, machine lente de Barrow.<\/p>\n

L\u2019usure de la boucle fait partie de l\u2019arrangement. Gibbons pose la demande et ne la r\u00e9p\u00e8te pas comme une supplique.<\/p>\n

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Glory Box de Portishead (Dummy, 1994) : boucle Isaac Hayes, demande de Beth Gibbons, guitare Utley, machines Barrow.<\/p>\n","protected":false},"author":1,"featured_media":7941,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[457,1034],"class_list":["post-7945","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-newwave-electro-triphop-fr","tag-portishead-fr","post_format-post-format-video"],"yoast_head":"\nPortishead - Glory Box - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Glory Box de Portishead (Dummy, 1994) : boucle Isaac Hayes, demande de Beth Gibbons, guitare Utley, machines Barrow.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/glory-box-portishead-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portishead - 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