{"id":7957,"date":"2023-05-12T11:00:00","date_gmt":"2023-05-12T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/homogenic-bjork-2\/"},"modified":"2026-11-09T07:13:42","modified_gmt":"2026-11-09T06:13:42","slug":"homogenic-bjork-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/homogenic-bjork-2\/","title":{"rendered":"Homogenic – Bj\u00f6rk"},"content":{"rendered":"

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Studio \u00e0 M\u00e1laga, cordes islandaises, un seul son<\/h3>\n

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Le 22 septembre 1997, One Little Indian sort le troisi\u00e8me album studio de Bj\u00f6rk, Homogenic. Le premier titre est Hunter<\/em>. Il s’ouvre sur des beats qui b\u00e9gaient et des cordes en longues lignes. Elle avait demand\u00e9 une seule saveur. L’album met des batteries \u00e9lectroniques contre des cordes formelles. La voix n’est pas sucr\u00e9e et elle n’est pas noy\u00e9e dans le mix.<\/p>\n

Le choix du studio \u00e9tait pratique. Apr\u00e8s l’attention autour de Post<\/em> et du set de remixes Telegram<\/em>, le batteur de tourn\u00e9e Trevor Morais a propos\u00e9 El Cortijo, son studio pr\u00e8s de M\u00e1laga, \u00e0 San Pedro de Alc\u00e1ntara. Elle devait passer, rencontrer le guitariste flamenco Raimundo Amador et repartir. Elle est rest\u00e9e et a fait le disque l\u00e0, avec du travail plus tard chez elle \u00e0 Londres. Elle a quitt\u00e9 Nellee Hooper, qui avait fa\u00e7onn\u00e9 Debut<\/em> et Post<\/em>. Mark Bell de LFO est devenu le partenaire \u00e9lectronique capable de la surprendre. Guy Sigsworth, Howie B et l’ing\u00e9nieur Markus Dravs sont au g\u00e9n\u00e9rique. La consigne : un seul son, avec un petit groupe de producteurs.<\/p>\n

Les chansons gardent ce son sans recopier un seul arrangement. J\u00f3ga<\/em>, \u00e9crite pour une amie et sortie en premier single le 15 septembre 1997, pose un v\u0153u sur des cordes qui montent. Le clip de Michel Gondry la suit \u00e0 travers l’Islande, avec le paysage dans le cadre. Unravel<\/em> est plus petit : accord\u00e9on et un c\u0153ur d\u00e9crit comme une pelote que le diable ramasse. Bachelorette<\/em>, arrang\u00e9e en partie avec Eumir Deodato \u00e0 la direction l\u00e0 o\u00f9 elle ne s’arrangeait pas elle-m\u00eame, est le grand moment sc\u00e9nique de l’album et elle le chante encore droit. L’Icelandic String Octet joue partout, comme une seconde voix dans l’arrangement.<\/p>\n

All Neon Like<\/em>, 5 Years<\/em>, Immature<\/em>, Alarm Call<\/em>, Pluto<\/em> : la seconde moiti\u00e9 garde les rythmes secs et les cordes formelles, ce qui est le contraste que l’album tient. Nick Knight a photographi\u00e9 la pochette. Alexander McQueen a construit la robe. Le reshoot a retard\u00e9 la sortie. La pochette va avec la musique : aucune des deux ne vise une surface jolie. Homog\u00e8ne, avait-elle dit. Une saveur. La seule saveur qu’elle avait demand\u00e9e s’est r\u00e9v\u00e9l\u00e9e \u00eatre ce contraste, tenu sur un album.<\/p>\n

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\n

Homogenic est son disque le plus \u00e9motionnel, le plus charg\u00e9 et le plus groovy et aussi un triomphe cinglant pour l’esprit d’aventure.<\/p>\n<\/blockquote>\n

(Ted Kessler, NME, 1997)<\/em><\/p>\n

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All Is Full of Love<\/em>, produit avec Howie B, ferme l’album et le morceau reste ouvert \u00e0 la fin. Le clip de Chris Cunningham en 1999, deux robots qui s’embrassent dans un d\u00e9cor blanc vide, est devenu l’image que beaucoup ont vue apr\u00e8s l’album et retenue d’abord. La tourn\u00e9e avait d\u00e9j\u00e0 commenc\u00e9 en septembre 1997, parfois avant que le public connaisse les chansons, avec Mark Bell \u00e0 ses c\u00f4t\u00e9s et, plus tard, les cordes. Une infection r\u00e9nale a annul\u00e9 les dates am\u00e9ricaines cet automne-l\u00e0. En 1998, une s\u00e9rie avec Radiohead a \u00e9t\u00e9 annonc\u00e9e puis abandonn\u00e9e parce que les sc\u00e8nes ne tournaient pas proprement. Le disque a voyag\u00e9 quand m\u00eame.<\/p>\n

Apr\u00e8s Debut<\/em> et Post<\/em>, qui faisaient entrer beaucoup de sons du dehors, elle a fait un disque avec un seul cadre. Les batteries \u00e9lectroniques restent dures \u00e0 c\u00f4t\u00e9 des violons et les violons restent acoustiques. Pitchfork a plus tard trait\u00e9 l’album comme un jalon. Sur J\u00f3ga<\/em> ou Unravel<\/em>, batteries \u00e9lectroniques et cordes sont encore dans le m\u00eame arrangement. Elle a gard\u00e9 cet arrangement du premier titre au dernier. Le contraste du d\u00e9but reste en place sur tout le disque.<\/p>\n

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Homogenic (1997) : studio \u00e0 M\u00e1laga, cordes islandaises contre batteries \u00e9lectroniques.<\/p>\n","protected":false},"author":1,"featured_media":9060,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[288,287],"tags":[1038,457],"class_list":["post-7957","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-homogenic-fr","tag-newwave-electro-triphop-fr","post_format-post-format-video"],"yoast_head":"\nHomogenic - Bj\u00f6rk - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Homogenic (1997) : studio \u00e0 M\u00e1laga, cordes islandaises contre batteries \u00e9lectroniques.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/albums-fr\/homogenic-bjork-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homogenic - 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