{"id":8053,"date":"2025-11-20T11:00:00","date_gmt":"2025-11-20T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/rid-of-me-pj-harvey-2\/"},"modified":"2026-09-20T00:01:42","modified_gmt":"2026-09-19T22:01:42","slug":"rid-of-me-pj-harvey-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/rid-of-me-pj-harvey-2\/","title":{"rendered":"Rid of Me – PJ Harvey"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

La pi\u00e8ce, laiss\u00e9e laide expr\u00e8s<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

La guitare n’est presque pas l\u00e0, un grattement, puis elle est la seule chose au monde. Polly Jean Harvey ne demande pas. Elle \u00e9nonce les termes d’une obsession si compl\u00e8te qu’elle est devenue \u00e0 la fois une menace et une supplique. Rid of Me<\/em>, le titre de l’album de 1993, commence dans un chuchotement qui est d\u00e9j\u00e0 violent. L\u00e8che-moi les jambes, je br\u00fble. La ligne n’est pas une m\u00e9taphore qu’on peut ranger. Le groupe, Rob Ellis et Steve Vaughan, attend dans le calme puis frappe comme si le calme avait \u00e9t\u00e9 un d\u00e9fi. Il n’y a pas de refrain qui vous sauve. Il y a une exigence, r\u00e9p\u00e9t\u00e9e, jusqu’\u00e0 ce que l’exigence soit la forme.<\/p>\n

Ils l’enregistrent au Pachyderm Studio de Cannon Falls, dans le Minnesota, \u00e0 l’hiver 1992, Steve Albini \u00e0 la console dans le r\u00f4le qu’il pr\u00e9f\u00e9rait, pas un \u00e9dulcorant, un t\u00e9moin. Les m\u00eames pi\u00e8ces tiendront In Utero<\/em> de Nirvana quelques semaines plus tard. Harvey est rentr\u00e9e dans le Dorset apr\u00e8s le choc de Dry<\/em>, et les chansons qu’elle apporte ne s’int\u00e9ressent pas \u00e0 \u00eatre aim\u00e9es par les gens qui avaient aim\u00e9 le premier disque pour de mauvaises raisons. Albini microte la pi\u00e8ce de pr\u00e8s et laisse le laid. On entend l’ampli, l’air, la voix au bord de ce qu’une gorge peut faire sans devenir un style. L’album sort en mai 1993 et divise les auditeurs qui voulaient une autre menace jolie. Cette menace n’est pas jolie. Elle est exacte.<\/p>\n

Le texte parle de possession, le souhait d’\u00eatre d\u00e9barrass\u00e9 de quelqu’un et le souhait d’\u00eatre dans sa bouche, les deux vrais, aucun r\u00e9solu. Elle a d\u00e9crit la p\u00e9riode comme un isolement et une \u00e9criture qui ne cillait pas. Sur sc\u00e8ne la chanson pouvait \u00eatre plus longue, le calme plus long, le coup plus dur. La version de studio est le document qu’Albini avait \u00e9t\u00e9 engag\u00e9 pour faire : trois personnes dans une pi\u00e8ce, pas de vernis pour s’excuser du volume quand il arrive. La batterie d’Ellis est \u00e9norme puis absente. La basse de Vaughan est un poids. La guitare de Harvey est une d\u00e9cision. Rien dans le mix ne vous demande de la trouver de bon go\u00fbt.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Je voulais que cela sonne comme la pi\u00e8ce, pas comme un disque qui essaie d’\u00eatre aim\u00e9. Les chansons parlaient de vouloir quelqu’un au-del\u00e0 du point d’\u00eatre d\u00e9cent.<\/p>\n<\/blockquote>\n

(PJ Harvey, 1993)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Le morceau a \u00e9t\u00e9 repris, notamment avec plus de th\u00e9\u00e2tre, et les reprises prouvent combien l’original est le refus du th\u00e9\u00e2tre. Elle ne joue pas un personnage qui fera un clin d’\u0153il. Elle joue le sentiment jusqu’\u00e0 ce que le sentiment soit embarrassant, ce qui est le sujet de l’obsession. L’album Rid of Me<\/em> est une suite de tels sentiments. La chanson-titre est la porte qu’il faut franchir, en chuchotant, avant que le reste de la maison parle.<\/p>\n

Ce qui reste, c’est le saut de presque rien \u00e0 trop, ce qui est la fa\u00e7on dont le d\u00e9sir fonctionne vraiment. Rid of Me<\/em> ne s\u00e9duit pas. Elle coince. Albini a gard\u00e9 le coin net. Harvey a emp\u00each\u00e9 le texte de devenir une pose. Vous pouvez quitter la pi\u00e8ce. La chanson ne croit pas que vous le ferez.<\/p>\n

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