{"id":8059,"date":"2025-11-13T11:00:00","date_gmt":"2025-11-13T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/get-it-on-t-rex-2\/"},"modified":"2026-09-20T00:01:43","modified_gmt":"2026-09-19T22:01:43","slug":"get-it-on-t-rex-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/get-it-on-t-rex-2\/","title":{"rendered":"Get It On – T. Rex"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un riff, un sax, et deux voix des Turtles<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

La guitare ne construit pas. Elle \u00e9nonce une petite machine sexy puis laisse le groupe monter dessus. La voix de Marc Bolan est un ronron avec de la poussi\u00e8re dedans, moins une m\u00e9lodie qu’une fa\u00e7on de se tenir trop pr\u00e8s. Get It On<\/em>, le tube d’Electric Warrior<\/em> en 1971, est du glitter avec les lumi\u00e8res un peu fausses, ce qui est la fa\u00e7on dont le glitter reste int\u00e9ressant. La batterie est simple expr\u00e8s. La basse est une hanche. Tout le reste est une invitation. On ne vous demande pas de comprendre. On vous demande de bouger, et le texte s’occupera du reste en refusant d’\u00eatre respectable.<\/p>\n

Tony Visconti la produit pendant que Electric Warrior<\/em> s’assemble entre Londres et des pi\u00e8ces am\u00e9ricaines. Howard Kaylan et Mark Volman, Flo and Eddie, venus des Turtles, empilent les ch\u0153urs en un gospel de cabaret qui ne devrait pas aller \u00e0 un grind de trois accords et lui va parfaitement. Ian McDonald, de King Crimson, joue le saxophone qui barbouille les bords, un luxe sale. Bolan joue le riff comme s’il l’avait trouv\u00e9 sous un coussin et avait d\u00e9cid\u00e9 que c’\u00e9tait une carri\u00e8re. En Am\u00e9rique le single a d\u00fb \u00eatre retitr\u00e9 Bang a Gong (Get It On)<\/em> parce qu’une autre chanson poss\u00e9dait d\u00e9j\u00e0 le nom. La Grande-Bretagne n’a pas besoin d’alias. Cela va au num\u00e9ro un, le son d’une ann\u00e9e qui avait accept\u00e9 d’\u00eatre b\u00eate en paillettes.<\/p>\n

Les mots sont un tas d’images, une voiture, une cape, une d\u00e9esse, dont aucune n’est tenue d’aboutir. C’est la m\u00e9thode. Le glam, dans les mains de Bolan, n’est pas un concept. C’est un tempo et un clin d’\u0153il. Sur sc\u00e8ne il pouvait faire durer le riff, le boa faisant autant de travail que la guitare, le groupe plus serr\u00e9 que le mythe du chaos ne le sugg\u00e9rait. La version de studio est celle que la radio a us\u00e9e, et elle ne s’est pas us\u00e9e en retour. Le mix de Visconti garde la voix dans l’oreille et le sax dans l’embrasure. On entend le plaisir de gens qui savent qu’ils ont un tube et qui ne s’en ennuient pas encore.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Quand j’ai \u00e9crit Get It On, j’essayais simplement de r\u00e9\u00e9crire Little Queenie de Chuck.<\/p>\n<\/blockquote>\n

(Marc Bolan, NME)<\/em><\/p>\n

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Electric Warrior<\/em> est l’album o\u00f9 le chanteur folk pixie finit de devenir la pop star, et ce morceau est le certificat. Les disques suivants de T. Rex ont couru apr\u00e8s le sentiment et l’ont parfois rattrap\u00e9. Ils n’en avaient pas besoin. Un riff, deux choristes d’une d\u00e9cennie plus propre, un saxophoniste d’un groupe plus s\u00e9v\u00e8re, et un producteur qui comprenait que le sexe sur bande est surtout du rythme et du cran. Le titre am\u00e9ricain est une blague qui est rest\u00e9e. Le britannique est l’instruction.<\/p>\n

Ce qui reste, c’est le grind, encore ind\u00e9cent, encore gai. Get It On<\/em> ne s\u00e9duit pas en \u00e9tant myst\u00e9rieux. Il s\u00e9duit en \u00e9tant \u00e9vident et jou\u00e9 avec un soin sale. Les paillettes ont \u00e9t\u00e9 copi\u00e9es pendant cinquante ans. La poche, celle de Visconti, celle de Bolan, n’a pas \u00e9t\u00e9 am\u00e9lior\u00e9e. Ou vous montez, ou vous restez dans l’embrasure, et le sax rira dans les deux cas.<\/p>\n

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La guitare ne construit pas.<\/p>\n","protected":false},"author":1,"featured_media":8055,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[336],"class_list":["post-8059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-t-rex"],"yoast_head":"\nGet It On - T. Rex - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/get-it-on-t-rex-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Get It On - T. 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