{"id":8071,"date":"2025-12-09T09:00:00","date_gmt":"2025-12-09T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/losing-my-religion-r-e-m-2\/"},"modified":"2026-09-20T00:01:43","modified_gmt":"2026-09-19T22:01:43","slug":"losing-my-religion-r-e-m-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/losing-my-religion-r-e-m-2\/","title":{"rendered":"Losing My Religion – R.E.M."},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Une mandoline r\u00e9p\u00e9t\u00e9e devant la t\u00e9l\u00e9vision<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

La mandoline n’annonce pas une chanson folk. Elle cliquette, claire et un peu nerveuse, et Michael Stipe r\u00e9pond comme s’il avait \u00e9t\u00e9 surpris en train de penser tout haut. Losing My Religion<\/em>, le single qui a port\u00e9 Out of Time<\/em> en 1991, est une obsession habill\u00e9e en confession. L’expression, dans le Sud am\u00e9ricain, ne signifie pas une crise de foi. Elle signifie qu’on est \u00e0 bout. Stipe la chante ainsi, jaloux, tournant, incapable de poser le sentiment. L’arrangement est toute exposition. La voix n’a nulle part o\u00f9 se cacher.<\/p>\n

Peter Buck avait achet\u00e9 une mandoline et s’apprenait devant une t\u00e9l\u00e9vision, une bande qui tournait, du baseball ou pas grand-chose \u00e0 l’\u00e9cran. Le lendemain, l’essentiel de la cassette \u00e9tait un homme en train d’apprendre un instrument. Au milieu se trouvait la progression devenue la chanson. Il a dit qu’il n’aurait pas trouv\u00e9 ces accords \u00e0 la guitare. Le groupe l’emporte dans les sessions avec Scott Litt pour Out of Time<\/em>, entre Bearsville \u00e0 Woodstock et des pi\u00e8ces plus proches de chez eux en G\u00e9orgie. Stipe se m\u00e9fie d’une voix aussi nue. Mills et Berry tiennent le rythme sans fanfaronnade. Les cordes arrivent plus tard, une politesse dont la mandoline n’avait pas strictement besoin. Le single sort en f\u00e9vrier 1991, avant un album que le groupe ne tournera m\u00eame pas.<\/p>\n

Le clip de Tarsem Singh rend le malaise pictural : Stipe dansant dans une pi\u00e8ce nue, des tableaux emprunt\u00e9s au Caravage, une histoire qui n’accepte jamais tout \u00e0 fait d’\u00eatre racont\u00e9e. Il gagne l’heure de MTV et fixe la chanson dans une d\u00e9cennie qui devait \u00eatre plus bruyante. L’Am\u00e9rique l’envoie au num\u00e9ro quatre, le plus grand tube qu’ils auront. La Grande-Bretagne est plus froide, ce qui convient \u00e0 un morceau qui chuchote sa crise. Sur les rares sc\u00e8nes o\u00f9 ils la jouent, la mandoline m\u00e8ne encore, un petit instrument qui demande \u00e0 une grande foule de se pencher. Le texte ne nomme jamais la personne. Cette omission est le sujet. L’obsession parle d’elle-m\u00eame.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Quand je l’ai r\u00e9\u00e9cout\u00e9e le lendemain, il y avait un tas de choses qui n’\u00e9taient vraiment que moi en train d’apprendre la mandoline, et puis il y avait ce qui est devenu Losing My Religion.<\/p>\n<\/blockquote>\n

(Peter Buck, sur la bande de mandoline)<\/em><\/p>\n

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Le succ\u00e8s les inqui\u00e8te \u00e0 la fa\u00e7on dont le succ\u00e8s inqui\u00e8te des gens qui avaient b\u00e2ti une carri\u00e8re sur le fait de ne pas expliquer. Buck a \u00e9t\u00e9 net avec quiconque changeait d’avis \u00e0 cause d’une chanson. Le disque n’est pas devenu un credo. Il est devenu une pi\u00e8ce que les gens reconnaissent : l’heure o\u00f9 l’on en a trop dit, ou pas assez, et o\u00f9 la nuit ne rend pas la phrase. Out of Time<\/em> s’est vendu dans des chiffres dont leurs albums d’avant n’avaient pas r\u00eav\u00e9. Ce morceau en est la raison, et il a encore l’air g\u00ean\u00e9 de ce fait.<\/p>\n

Ce qui reste, c’est ce tic-tac clair et une voix qui ne jouera pas la confiance. Losing My Religion<\/em> ne parle pas de Dieu, sauf dans la mesure o\u00f9 toute perte de sang-froid peut ressembler \u00e0 une perte d’abri. La t\u00e9l\u00e9vision \u00e9tait allum\u00e9e. La bande tournait. Les mains d’un d\u00e9butant ont trouv\u00e9 une chanson que la radio n’a pas pu refuser. Certains tubes sont construits. Celui-ci a \u00e9t\u00e9 surpris.<\/p>\n

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