{"id":8089,"date":"2025-12-23T09:00:00","date_gmt":"2025-12-23T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/zombie-the-cranberries-2\/"},"modified":"2026-09-20T00:01:43","modified_gmt":"2026-09-19T22:01:43","slug":"zombie-the-cranberries-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/zombie-the-cranberries-2\/","title":{"rendered":"Zombie – The Cranberries"},"content":{"rendered":"

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Le nom d’un enfant dans la distorsion<\/h3>\n

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La guitare ne scintille pas. Elle grince, un poids que les Cranberries n’avaient pas demand\u00e9 \u00e0 leurs singles de porter, et la voix de Dolores O’Riordan arrive haute puis se casse vers le bas sur un mot qui n’est pas une m\u00e9taphore qu’elle accepte d’adoucir. Zombie. Zombie<\/em>, tir\u00e9e de No Need to Argue<\/em> en 1994, est une protestation qui refuse la tonalit\u00e9 polie de leurs ballades. La batterie frappe comme une porte. La voix tourne autour de la m\u00eame accusation jusqu’\u00e0 ce que l’accusation soit l’accroche. Dans ta t\u00eate, dans ta t\u00eate, ils pleurent. Elle ne changera pas de sujet pour rendre le refrain plus facile \u00e0 vendre.<\/p>\n

Elle l’\u00e9crit apr\u00e8s les attentats de Warrington en 1993, o\u00f9 deux enfants, Johnathan Ball et Tim Parry, ont \u00e9t\u00e9 tu\u00e9s. Elle est loin de l’Irlande, voit les nouvelles, et la col\u00e8re ne se range pas en camps. Le groupe enregistre No Need to Argue<\/em> avec Stephen Street, au Manor dans l’Oxfordshire et au Townhouse \u00e0 Londres, et cette chanson inqui\u00e8te ceux qui les avaient class\u00e9s dans le d\u00e9licat. La guitare de Noel Hogan est l’argument en mat\u00e9riel. Street ne la ponce pas en un autre Linger<\/em>. Le single va en t\u00eate des classements \u00e0 travers l’Europe et l’Australie, une mont\u00e9e plus lente en Grande-Bretagne, un clip d’O’Riordan peinte en or parmi des enfants, dirig\u00e9 d’une fa\u00e7on qui rend la joliesse elle-m\u00eame accusatrice.<\/p>\n

Elle a dit, dans la presse autour du disque, que la chanson parlait de l’enfant et du refus de s’int\u00e9resser au drapeau que portait la violence. Cette nettet\u00e9 est la m\u00e9thode du texte. Il n’y a pas d’\u00e9nigme. Il y a une charge r\u00e9p\u00e9t\u00e9e de ce qu’il y a dans la t\u00eate des gens qui se battent encore. Sur sc\u00e8ne c’est devenu le moment o\u00f9 le set cessait d’\u00eatre nostalgique. Elle pouvait tenir la note jusqu’\u00e0 ce que cela fasse mal, et le groupe ne la sauvait pas avec un accord plus joli. La version de studio est d\u00e9j\u00e0 cette chose de concert, seulement plus pr\u00e8s. On entend le souffle. On entend la d\u00e9cision de ne pas \u00eatre charmante.<\/p>\n

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\n

C’est au sujet d’un enfant mort dans l’attentat de Warrington. Je me fiche que ce soit protestant ou catholique. La violence doit s’arr\u00eater.<\/p>\n<\/blockquote>\n

(Dolores O’Riordan, 1994)<\/em><\/p>\n

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La chanson a surv\u00e9cu \u00e0 l’ann\u00e9e et, terriblement, \u00e0 la chanteuse. Les foules la crient encore en retour, parfois comme un rugissement g\u00e9n\u00e9ral, ce qui honore la m\u00e9lodie et risque d’oublier les noms. Le disque lui-m\u00eame ne g\u00e9n\u00e9ralise pas. Il garde le mot zombie pour un engourdissement pr\u00e9cis, celui qui laisse une guerre continuer dans un petit pays pendant que la radio passe quelque chose de plus doux. No Need to Argue<\/em> est plein d’autres temp\u00e9ratures. Ce morceau est celui qui tape sur la table.<\/p>\n

Ce qui reste, c’est le grincement et la note haute, attel\u00e9s expr\u00e8s. Zombie<\/em> est une berceuse qui a ramass\u00e9 une p\u00e9dale de distorsion et n’a pas voulu la reposer. Les enfants sont encore le sujet. Le riff n’est l\u00e0 que pour que vous ne puissiez pas passer dans la pi\u00e8ce d’\u00e0 c\u00f4t\u00e9 en pr\u00e9tendant ne pas avoir entendu.<\/p>\n

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La guitare ne scintille pas.<\/p>\n","protected":false},"author":1,"featured_media":8085,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[788],"class_list":["post-8089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-the-cranberries"],"yoast_head":"\nZombie - The Cranberries - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/zombie-the-cranberries-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zombie - The Cranberries - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"La guitare ne scintille pas.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/zombie-the-cranberries-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-23T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:01:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/027.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Zombie – The Cranberries\",\"datePublished\":\"2025-12-23T08:00:00+00:00\",\"dateModified\":\"2026-09-19T22:01:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/\"},\"wordCount\":667,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/027.jpg\",\"keywords\":[\"The Cranberries\"],\"articleSection\":[\"Chronicles\",\"Tracks\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/zombie-the-cranberries-2\\\/\",\"name\":\"Zombie - 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