{"id":8161,"date":"2021-07-13T19:00:00","date_gmt":"2021-07-13T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/waterloo-sunset-the-kinks-2\/"},"modified":"2026-11-09T07:12:41","modified_gmt":"2026-11-09T06:12:41","slug":"waterloo-sunset-the-kinks-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/waterloo-sunset-the-kinks-2\/","title":{"rendered":"The Kinks – Waterloo Sunset"},"content":{"rendered":"

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Single Pye 1967, descente Tamise, couple invent\u00e9<\/h3>\n

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Waterloo Sunset<\/em> est le single Pye 1967 des Kinks sur Something Else by The Kinks<\/em>, \u00e9crit par Ray Davies sur Waterloo et une descente vers la Tamise. La guitare de Dave Davies, la batterie de Mick Avory et la basse de Pete Quaife tiennent un cadre doux sous la voix de Ray et les harmonies empil\u00e9es. Le texte regarde des amants se croiser pendant que le chanteur reste seul et assez content.<\/p>\n

Tout le monde a cru que Terry et Julie \u00e9taient Terence Stamp et Julie Christie. Davies a dit que non ; il les a invent\u00e9s. Le sens de cette correction : le couple est invent\u00e9, pas deux stars de cin\u00e9ma reconnues. Les charts UK l\u2019ont mont\u00e9 haut.<\/p>\n

La carri\u00e8re des Kinks avait d\u00e9j\u00e0 bascul\u00e9 entre hits de riff et \u00e9criture sociale anglaise. Ce single si\u00e8ge avec les portraits de lieu de Davies : lieu pr\u00e9cis, sentiment simple, m\u00e9lodie qui reste calme.<\/p>\n

Comme document 1967, le titre montre la pop britannique sur un lieu r\u00e9el, sans l\u00e2cher la chanson. Mettez-le apr\u00e8s You Really Got Me<\/em> et l\u2019\u00e9ventail du groupe est \u00e9vident.<\/p>\n

Des reprises ont gard\u00e9 le coucher de soleil public. Terry et Julie sont fiction. Le pont est r\u00e9el. Le chanteur reste seul. Il a l’air assez content.<\/p>\n

Les musiciens de session, la campagne du label et les reprises plus tardives tournent autour du m\u00eame arrangement de base. Certaines versions radio ont raccourci la mont\u00e9e. La prise de l’album ou le single d’origine, reste le document le plus clair de la fa\u00e7on dont les parties se calent. \u00c9coutez le morceau une fois sans sauter : qui entre d’abord, ce qui reste calme, quand l’accroche arrive. Cet ordre explique pourquoi la chanson tient encore dans les listes de lecture, des d\u00e9cennies plus tard, sans un remix de circonstance pour l’expliquer. Ces versions partagent ce noyau.<\/p>\n

Le m\u00eame arrangement de base r\u00e9unit les musiciens de session, la campagne du label et les reprises. Quelques versions radio ont coup\u00e9 dans la mont\u00e9e. La prise album ou le single d’origine, montre encore comment les parties se verrouillent. \u00c9coutez d’une traite : qui entre en premier, ce qui reste discret, quand l’accroche arrive. Cette suite explique pourquoi le morceau tient encore dans les listes, des d\u00e9cennies plus tard. Un remix de circonstance n’est pas n\u00e9cessaire pour le faire entendre et l’arrangement partag\u00e9 reste.<\/p>\n

Les reprises, la campagne du label et les musiciens de session restent sur cet arrangement de base. La radio a parfois raccourci la mont\u00e9e. Le single d’origine ou la prise album est encore le document clair de l’embo\u00eetement des parties. L’entr\u00e9e, le passage calme, puis l’accroche, si l’on ne saute pas. Des d\u00e9cennies plus tard la chanson tient dans les listes \u00e0 cause de cet ordre, pas parce qu’un remix de circonstance viendrait l’expliquer \u00e0 sa place. Le noyau reste.<\/p>\n

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\n

Tout le monde a cru que Terry et Julie \u00e9taient Terence Stamp et Julie Christie. Ce n\u2019\u00e9tait pas eux. Je les ai invent\u00e9s.<\/p>\n<\/blockquote>\n

(Ray Davies, \u00e0 propos de la chanson, notamment dans X-Ray)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb8157″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790422164{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Waterloo Sunset<\/em> place encore des amants invent\u00e9s au bord de la Tamise et un chanteur qui reste.<\/p>\n

C’est le morceau calme apr\u00e8s les singles forts du d\u00e9but. L’arrangement reste doux, comme la sc\u00e8ne.<\/p>\n

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Waterloo Sunset des Kinks (1967) : esquisse Tamise de Ray Davies, Terry et Julie invent\u00e9s.<\/p>\n","protected":false},"author":1,"featured_media":16931,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[482,1054],"class_list":["post-8161","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-classic-rock-fr","tag-the-kinks-fr","post_format-post-format-video"],"yoast_head":"\nThe Kinks - Waterloo Sunset - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Waterloo Sunset des Kinks (1967) : esquisse Tamise de Ray Davies, Terry et Julie invent\u00e9s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/waterloo-sunset-the-kinks-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Kinks - 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