{"id":8185,"date":"2026-02-10T09:00:00","date_gmt":"2026-02-10T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/lucifer-over-lancashire-the-fall-2\/"},"modified":"2026-09-20T00:01:46","modified_gmt":"2026-09-19T22:01:46","slug":"lucifer-over-lancashire-the-fall-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lucifer-over-lancashire-the-fall-2\/","title":{"rendered":"Lucifer Over Lancashire – The Fall"},"content":{"rendered":"

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Un d\u00e9mon sur la carte du comt\u00e9<\/h3>\n

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Le riff ne s’excuse pas d’\u00eatre un riff. Il tangue, moiti\u00e9 surf et moiti\u00e9 usine, et Mark E. Smith entre d\u00e9j\u00e0 au milieu d’une phrase, comme si l’auditeur \u00e9tait arriv\u00e9 en retard \u00e0 un briefing. Lucifer Over Lancashire<\/em> est cinq minutes de temps du Nord avec un probl\u00e8me de th\u00e9ologie. Le diable n’est pas dans une fosse. Il est au-dessus d’un comt\u00e9, pratique, hip, prenant les haies et les cheerleaders fatigu\u00e9es et le jour le plus chaud. Smith ne raconte pas tant qu’il d\u00e9pose un rapport. Le groupe emp\u00eache le rapport de devenir un discours en refusant de rester assis.<\/p>\n

C’est la face B de Mr. Pharmacist<\/em>, sortie le 1er septembre 1986 chez Beggars Banquet, \u00e9crite par Smith et Steve Hanley, produite par John Leckie le m\u00eame \u00e9t\u00e9 o\u00f9 le groupe est au Studio Two d’Abbey Road pour Bend Sinister<\/em>. Brix Smith \u00e0 la guitare, Craig Scanlon \u00e0 c\u00f4t\u00e9 d’elle, Simon Rogers, Simon Wolstencroft \u00e0 la batterie, la basse de Hanley l’\u00e9pine que la voix de Smith traite comme facultative et dont elle ne peut pas se passer. Leckie a d\u00e9crit des prises pos\u00e9es droit sur la bande, le chanteur allergique au poli qui les aurait fait sonner comme quelqu’un d’autre. Smith voulait la pi\u00e8ce, pas l’effet. Le comt\u00e9 du titre n’est pas un d\u00e9cor. C’est la juridiction. Un diable national aurait \u00e9t\u00e9 trop grand. Un diable local peut \u00eatre v\u00e9rifi\u00e9.<\/p>\n

Le texte empile des images jusqu’\u00e0 ce qu’elles se disputent : six hommes sous une tour, des oiseaux noirs dans les haies, un pr\u00eatre inutile, une lune de travers, le chanteur qui tape, qui brille, qui gagne, un requin qui court. On peut en extraire un sermon sur les m\u00e9dias, le Nord, la chaleur, et l’on aura \u00e0 la fois raison et du retard. La m\u00e9thode des Fall est de garder la langue plus rapide que l’interpr\u00e9tation. Sur le maxi le morceau si\u00e8ge \u00e0 c\u00f4t\u00e9 d’une reprise garage et rend la reprise polie. Des \u00e9ditions et des compilations plus tardives l’ont ramen\u00e9 vers l’album qu’il hantait. Ce n’\u00e9tait jamais la plage polie du 33 tours. C’\u00e9tait celle qui ne restait pas dans l’ombre du single.<\/p>\n

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\n

Certaines des meilleures choses que les Fall ont cr\u00e9\u00e9es pendant mon temps dans le groupe ont \u00e9t\u00e9 enregistr\u00e9es au Studio Two. Mark le sentait certainement.<\/p>\n<\/blockquote>\n

(Brix Smith, sur les sessions d’Abbey Road)<\/em><\/p>\n

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Brix a dit que certaines des meilleures choses que le groupe a faites pendant ses ann\u00e9es \u00e9taient dans ce studio, et que Mark sentait la pi\u00e8ce. On entend un groupe qui sait que la blague et la menace ont la m\u00eame taille. En concert, Smith inqui\u00e9tait le texte jusqu’\u00e0 de nouvelles formes, le comt\u00e9 toujours sous le d\u00e9mon, le d\u00e9mon toujours pas tout \u00e0 fait net. La prise de 1986 est la photographie : la ligne de Hanley, les guitares un peu m\u00e9chantes, la voix un greffier de l’apocalypse qui a perdu le formulaire et en remplit un quand m\u00eame.<\/p>\n

Ce qui reste, c’est le titre, qui est d\u00e9j\u00e0 une chanson compl\u00e8te des Fall avant qu’une note soit jou\u00e9e. Une cosmologie r\u00e9tr\u00e9cie \u00e0 une ligne de bus. Lucifer Over Lancashire<\/em> sonne encore comme une canicule avec des opinions, enregistr\u00e9e par des gens qui pr\u00e9f\u00e8rent donner un coup de pied dans un micro que se cacher derri\u00e8re. Le diable, dans ce r\u00e9cit, fait de la paperasse. Le groupe s’assure que la paperasse swingue.<\/p>\n

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