{"id":8209,"date":"2011-12-02T11:10:00","date_gmt":"2011-12-02T10:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/top-10-des-albums-concept-les-plus-ambitieux\/"},"modified":"2026-11-09T07:06:55","modified_gmt":"2026-11-09T06:06:55","slug":"top-10-des-albums-concept-les-plus-ambitieux","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-albums-concept-les-plus-ambitieux\/","title":{"rendered":"Top 10 des albums concept les plus ambitieux"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dix albums-concepts qui tiennent une histoire, un lieu ou un personnage jusqu&rsquo;au bout des chansons.<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>Janelle Mon\u00e1e: \u201cThe ArchAndroid\u201d<\/strong> L&rsquo;album Wondaland \/ Bad Boy de 2010 poursuit le r\u00e9cit de l&rsquo;andro\u00efde Cindi Mayweather en suites qui passent du funk au psych-pop. Mon\u00e1e inscrit personnage, costume et intrigue dans la liste des titres, pas un simple th\u00e8me. Ce qu&rsquo;il tient, c&rsquo;est la longueur : une ville racont\u00e9e morceau par morceau.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Kendrick Lamar: \u201cgood kid, m.A.A.d city\u201d<\/strong> Top Dawg \/ Aftermath sort en 2012 une journ\u00e9e \u00e0 Compton avec sayn\u00e8tes, pri\u00e8res et un narrateur ni fiable ni excus\u00e9. Album-concept sans distance d&rsquo;op\u00e9ra-rock. Ce qu&rsquo;il tient, c&rsquo;est le d\u00e9tail : un quartier racont\u00e9 assez net pour parler aussi hors de Compton.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>Green Day: \u201cAmerican Idiot\u201d<\/strong> En 2004 chez Reprise, Billie Joe Armstrong accroche un cycle punk \u00e0 Jesus of Suburbia et un pays en guerre. Les singles tiennent seuls ; l&rsquo;album est fait pour \u00eatre entendu comme l&rsquo;histoire enti\u00e8re. L&rsquo;adaptation Broadway de 2010 prouve que l&rsquo;intrigue voyage hors du disque.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>Frank Zappa: \u201cJoe\u2019s Garage\u201d<\/strong> Zappa Records publie en 1979 un triple album satire de la censure et du mythe rock qui suit quand m\u00eame Joe de la premi\u00e8re guitare \u00e0 la musique interdite. Le groupe joue la blague et l&rsquo;histoire en m\u00eame temps. Une part du projet est de se moquer de la forme tout en la remplissant sur trois disques.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Genesis: \u201cThe Lamb Lies Down on Broadway\u201d<\/strong> Le double album Charisma de 1974 suit Rael dans un New York qui est aussi un r\u00eave. Peter Gabriel \u00e9crit l&rsquo;intrigue ; le reste du groupe r\u00e9siste parfois. Diapos, costumes et dur\u00e9e rendent l&rsquo;ambition visible en tourn\u00e9e comme sur vinyle.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>David Bowie: \u201cThe Rise and Fall of Ziggy Stardust\u201d<\/strong> L&rsquo;album RCA de 1972 invente un groupe, une star et une fin, puis Bowie joue les trois jusqu&rsquo;\u00e0 la retraite de Ziggy \u00e0 Hammersmith en juillet 1973. <em>Five Years<\/em> ouvre l&rsquo;horloge ; <em>Rock \u2019n\u2019 Roll Suicide<\/em> la ferme. Ce concept a aussi tenu sur sc\u00e8ne.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>The Who: \u201cTommy\u201d<\/strong> Le double LP Track \/ Decca de 1969 rend \u00ab rock opera \u00bb utilisable. L&rsquo;histoire du gar\u00e7on sourd, muet et aveugle de Pete Townshend flanche par endroits ; des titres comme <em>Pinball Wizard<\/em> tiennent hors de l&rsquo;histoire. Les chansons se chantent sans garder le livret ouvert.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Pink Floyd: \u201cThe Wall\u201d<\/strong> Le double album Harvest \/ Columbia de 1979 construit le mur de Waters de la guerre \u00e0 l&rsquo;\u00e9cole au stade, puis le fait tomber. Les images de Gerald Scarfe et le film d&rsquo;Alan Parker en 1982 poussent le concept hors du LP. Les shows avec un vrai mur rendent l&rsquo;architecture concr\u00e8te.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>Marvin Gaye: \u201cWhat\u2019s Going On\u201d<\/strong> Le cycle Tamla de 1971, du titre \u00e0 <em>Inner City Blues<\/em>, parle des \u00c9tats-Unis, pas d&rsquo;un h\u00e9ros fictif. Gaye se bat contre Motown pour le sortir en album li\u00e9. Plus discret qu&rsquo;un op\u00e9ra-rock, il sonne encore comme un journal parl\u00e9 avec un groupe soul.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>The Beatles: \u201cSgt. Pepper\u2019s Lonely Hearts Club Band\u201d<\/strong> Le LP Parlophone de 1967, enregistr\u00e9 \u00e0 Abbey Road avec George Martin, fait passer le groupe pour un autre et red\u00e9finit ce qu&rsquo;un album studio peut \u00eatre. Le concept d&rsquo;alter ego est mince si on le presse. Ce qui est rest\u00e9, c&rsquo;est la permission donn\u00e9e \u00e0 tous les albums-concepts suivants.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dix albums-concepts qui tiennent une histoire, un lieu ou un personnage.<\/p>\n","protected":false},"author":1,"featured_media":10569,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[295,298],"tags":[],"class_list":["post-8209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-musicale","category-tops10-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 10 des albums concept les plus ambitieux - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Dix albums-concepts qui tiennent une histoire, un lieu ou un personnage.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-albums-concept-les-plus-ambitieux\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 10 des albums concept les plus ambitieux - 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