{"id":8281,"date":"2026-01-24T16:00:00","date_gmt":"2026-01-24T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/gibson-sg-lange-noir-du-rock\/"},"modified":"2026-09-20T00:00:41","modified_gmt":"2026-09-19T22:00:41","slug":"gibson-sg-lange-noir-du-rock","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/musicculture\/gibson-sg-lange-noir-du-rock\/","title":{"rendered":"Gibson SG – L’ange noir du rock"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un diable plus l\u00e9ger que la Les Paul<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

En 1961, Gibson a remplac\u00e9 la Les Paul \u00e0 une seule corne, qui se vendait mal et avait \u00e9t\u00e9 arr\u00eat\u00e9e en 1960, par une guitare solid body \u00e0 double d\u00e9coupe. On l’appelait encore Les Paul. Le corps \u00e9tait en acajou, plus mince, avec des cornes qui montaient vers le manche, et le manche lui-m\u00eame semblait plus rapide. Les Paul a assez d\u00e9test\u00e9 la nouvelle forme pour demander qu’on retire son nom. En 1963 l’instrument est devenu simplement la SG, pour Solid Guitar. L’ange, s’il en fut un, est arriv\u00e9 par une querelle.<\/p>\n

Le sens des d\u00e9coupes, c’\u00e9tait l’acc\u00e8s. On atteignait les frettes aigu\u00ebs sans lutte. La guitare \u00e9tait plus l\u00e9g\u00e8re que l’ancienne Les Paul, ce qui comptait pour qui devait la porter tout un set. Deux humbuckers sur la Standard, un diapason de 24,75 pouces, un chevalet tune-o-matic : la grammaire Gibson dans une silhouette plus s\u00e8che. Elle avait l’air un peu m\u00e9chante. Ceux qui voulaient de la m\u00e9chancet\u00e9 l’ont remarqu\u00e9e.<\/p>\n

Pete Townshend a jou\u00e9 des SG au milieu des ann\u00e9es 1960, puis les a cass\u00e9es, ce qui est une critique en soi. Les lignes de Robbie Krieger avec les Doors sortaient souvent d’une SG, une voix plus mince qu’une Les Paul, plus proche d’un grondement. Frank Zappa en a jou\u00e9 une avant que ses instruments deviennent des sculptures. La SG n’\u00e9tait ni une jazz box ni une folk. C’\u00e9tait une forme rock qui l’assumait, cornes comprises.<\/p>\n

L’histoire de Tony Iommi est soud\u00e9e au mod\u00e8le. Apr\u00e8s un accident de t\u00f4lerie en 1965 qui lui a co\u00fbt\u00e9 le bout de deux doigts de la main gauche, il s’est fabriqu\u00e9 des d\u00e9s, a d\u00e9tendu les cordes, et a trouv\u00e9 un accord plus sombre. Sa SG, plus tard garnie de croix, est le son de Black Sabbath : bas, \u00e9pais, peu press\u00e9. La l\u00e9g\u00e8ret\u00e9 du corps lui a permis des sets qu’une guitare plus lourde aurait punis. Le d\u00e9saccordage a fait le reste. Le metal, comme un poids dans l’air, commence l\u00e0 autant qu’ailleurs.<\/p>\n

Angus Young a fait de la SG un uniforme d’\u00e9colier. D\u00e8s les premi\u00e8res ann\u00e9es d’AC\/DC, la double d\u00e9coupe a \u00e9t\u00e9 sa guitare principale, en canard dans un blazer pendant que le humbucker de chevalet aboyait. Back in Black<\/em>, Highway to Hell<\/em>, les albums live : cette attaque est une SG plus souvent que les photos ne le disent. Il n’avait pas besoin que la guitare ait l’air vintage. Il avait besoin qu’elle coupe un stack Marshall et laisse de la place \u00e0 une voix. Elle l’a fait.<\/p>\n

Gibson a r\u00e9\u00e9dit\u00e9 la SG \u00e0 chaque d\u00e9cennie, parfois en chassant la forme de 1961, parfois en l’adoucissant. Les d\u00e9bats sur le profil du manche importent aux collectionneurs et \u00e0 peine au riff. Ce qui voyage, c’est la silhouette : deux cornes, un corps sombre, un humbucker pr\u00e8s du chevalet. Quand un groupe veut avoir l’air d’un probl\u00e8me et sonner comme un power chord avec des dents, c’est ce dessin qu’il attrape, encore aujourd’hui, sans h\u00e9siter.<\/p>\n

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En 1961, Gibson a remplac\u00e9 la Les Paul \u00e0 une seule corne, qui se vendait mal et avait \u00e9t\u00e9 arr\u00eat\u00e9e en 1960, par une guitare solid body \u00e0 double d\u00e9coupe.<\/p>\n","protected":false},"author":1,"featured_media":8277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[274,525],"tags":[806],"class_list":["post-8281","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicculture","category-iconic-instruments","tag-gibson-sg"],"yoast_head":"\nGibson SG - L'ange noir du rock - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/musicculture\/gibson-sg-lange-noir-du-rock\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gibson SG - 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