{"id":8287,"date":"2026-05-12T09:00:00","date_gmt":"2026-05-12T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/comfortably-numb-pink-floyd-2\/"},"modified":"2026-09-20T00:03:06","modified_gmt":"2026-09-19T22:03:06","slug":"comfortably-numb-pink-floyd-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/comfortably-numb-pink-floyd-2\/","title":{"rendered":"Comfortably Numb – Pink Floyd"},"content":{"rendered":"

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Un m\u00e9decin, un solo, une tr\u00eave<\/h3>\n

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Deux accords, propres et presque gentils, et une voix qui semble r\u00e9pondre de l’autre c\u00f4t\u00e9 d’un mur. Puis le mur s’ouvre. Comfortably Numb<\/em> est une conversation entre un homme qui ne sent plus ses mains et les gens qui essaient de le renvoyer sur sc\u00e8ne. Le premier solo de guitare est une question. Le second ne s’embarrasse pas de questions. Il reste l\u00e0-haut, de longues notes sans urgence, et c’est ainsi que sonne l’engourdissement quand on le joue au lieu de le d\u00e9crire.<\/p>\n

La chanson est sur The Wall<\/em>, sorti le 30 novembre 1979, musique de David Gilmour, texte de Roger Waters, produit par Bob Ezrin avec Gilmour et Waters. Les sessions circulent entre Britannia Row \u00e0 Londres, Super Bear en France et le Producers Workshop \u00e0 Los Angeles. Les mots de Waters viennent d’un concert de 1977 \u00e0 Philadelphie, quand des crampes d’estomac l’emp\u00eachent de jouer jusqu’\u00e0 ce qu’un m\u00e9decin lui fasse une piq\u00fbre et le renvoie, pr\u00e9sent de corps et absent pour le reste. Gilmour voulait le morceau plus nu. Ezrin voulait l’orchestre, et Waters s’est rang\u00e9 du c\u00f4t\u00e9 de l’orchestre, si bien que la partition de Michael Kamen porte une chanson qui avait failli rester un blues. Le fameux second solo n’est pas l’\u00e9clair unique que le mythe pr\u00e9f\u00e8re. Gilmour en enregistre cinq ou six, note les meilleures mesures, et monte un composite. Le sentiment d’un seul souffle est une construction. Cela ne l’emp\u00eache pas d’\u00eatre un souffle.<\/p>\n

Dans le spectacle, la chanson est une sc\u00e8ne m\u00e9dicale : un mur de briques, un m\u00e9decin marionnette, Gilmour sur une tour ou derri\u00e8re les briques, le solo arrivant comme la seule parole honn\u00eate qui reste au personnage. Les tourn\u00e9es suivantes gardent le solo et laissent tomber l’intrigue. Les salles se taisent encore, ce qui est rare \u00e0 cette taille. Le texte parle d’\u00eatre rendu apte au travail. La guitare refuse le traitement.<\/p>\n

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\n

I just went out into the studio and banged out five or six solos. From there I just followed my usual procedure, which is to listen back to each solo and make a chart, noting which bits are good.<\/p>\n<\/blockquote>\n

(David Gilmour, Guitar World, 1993)<\/em><\/p>\n

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La querelle sur l’arrangement fait d\u00e9sormais partie de l’\u00e9coute. On entend la sc\u00e8ne froide de Waters et la chaleur de Gilmour occuper les m\u00eames mesures sans s’accorder. Les cordes d’Ezrin ne rendent pas l’injection sentimentale. Elles agrandissent la distance. La radio a coup\u00e9 le morceau vers un single et n’a pas tout \u00e0 fait tu\u00e9 la dur\u00e9e, parce que la dur\u00e9e est l’endroit o\u00f9 vit le second solo. Sans ces mesures, le titre est le croquis d’une crise. Avec elles, c’est la crise, surv\u00e9cue et non gu\u00e9rie.<\/p>\n

Ce qui reste, c’est un solo auquel les gens font plus confiance qu’\u00e0 l’intrigue. The Wall<\/em> est un r\u00e9cit de prison. Comfortably Numb<\/em> est le moment o\u00f9 le prisonnier est reconnaissant pour la drogue et le guitariste ne l’est pas. Des d\u00e9cennies de reprises, d’hommages et de mariages ont essay\u00e9 d’en faire une ballade de lien. Le disque garde sa lumi\u00e8re clinique. Quelqu’un est pr\u00e9par\u00e9 pour entrer en sc\u00e8ne. Les notes disent qu’il ne devrait pas avoir \u00e0 le faire.<\/p>\n

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Deux accords, propres et presque gentils, et une voix qui semble r\u00e9pondre de l’autre c\u00f4t\u00e9 d’un mur.<\/p>\n","protected":false},"author":1,"featured_media":8283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[513],"class_list":["post-8287","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-pink-floyd"],"yoast_head":"\nComfortably Numb - Pink Floyd - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/comfortably-numb-pink-floyd-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Comfortably Numb - Pink Floyd - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Deux accords, propres et presque gentils, et une voix qui semble r\u00e9pondre de l'autre c\u00f4t\u00e9 d'un mur.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/comfortably-numb-pink-floyd-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-12T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T22:03:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/060.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Comfortably Numb – Pink Floyd\",\"datePublished\":\"2026-05-12T07:00:00+00:00\",\"dateModified\":\"2026-09-19T22:03:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/\"},\"wordCount\":662,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/060.jpg\",\"keywords\":[\"Pink Floyd\"],\"articleSection\":[\"Chronicles\",\"Tracks\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/comfortably-numb-pink-floyd-2\\\/\",\"name\":\"Comfortably Numb - 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