{"id":8293,"date":"2026-06-13T16:00:00","date_gmt":"2026-06-13T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/somebody-to-love-queen-2\/"},"modified":"2026-09-20T00:03:06","modified_gmt":"2026-09-19T22:03:06","slug":"somebody-to-love-queen-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/somebody-to-love-queen-2\/","title":{"rendered":"Somebody to Love – Queen"},"content":{"rendered":"

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Trois voix qui font semblant d’\u00eatre une \u00e9glise<\/h3>\n

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Le piano \u00e9nonce une figure gospel avec l’impatience d’un groupe de rock, puis le ch\u0153ur arrive, sauf que le ch\u0153ur est trois hommes qui ont d\u00e9j\u00e0 chant\u00e9 la chanson pr\u00e9c\u00e9dente \u00e0 mort et chantent celle-ci comme si Aretha \u00e9tait en r\u00e9gie, prenant des notes. Somebody to Love<\/em> supplie sans s’agenouiller. Le lead de Freddie Mercury est agit\u00e9, il glisse hors du temps comme un pr\u00e9dicateur glisse hors d’un texte, et les r\u00e9ponses reviennent en pile, Brian May et Roger Taylor multipli\u00e9s jusqu’\u00e0 ce que la pi\u00e8ce sonne lou\u00e9e.<\/p>\n

Queen enregistre le morceau pour A Day at the Races<\/em>, sorti le 10 d\u00e9cembre 1976, le single paraissant le 12 novembre. Mercury l’\u00e9crit. Le groupe le produit, Mike Stone \u00e0 l’ing\u00e9nierie, au Manor dans l’Oxfordshire et \u00e0 Wessex \u00e0 Londres. L’id\u00e9e gospel n’est pas un costume. Mercury \u00e9coutait les premiers disques sacr\u00e9s de Franklin et voulait ce ch\u0153ur de mar\u00e9e, la masse de voix derri\u00e8re un lead d\u00e9sesp\u00e9r\u00e9. Queen n’engage pas une assembl\u00e9e. Ils en construisent une \u00e0 coups de overdubs, les m\u00eames trois gorges changeant de parties jusqu’\u00e0 ce que l’harmonie cesse de sonner comme un arrangement rock et commence \u00e0 sonner comme un office \u00e9gar\u00e9 dans un stade. Le titre atteint la 2e place en Grande-Bretagne, coinc\u00e9 derri\u00e8re une chanson moins \u00e9trange que lui.<\/p>\n

Sur sc\u00e8ne, le tour doit redevenir humain. May, Taylor et Mercury se tiennent \u00e0 un micro et essaient d’\u00eatre le ch\u0153ur qu’ils ont peint en studio, la sueur rempla\u00e7ant la bande. \u00c0 Milton Keynes en 1982, la chanson a d\u00e9j\u00e0 l’air d’un hymne que le groupe a m\u00e9rit\u00e9 plut\u00f4t qu’emprunt\u00e9. Dix ans plus tard, au concert hommage, George Michael prend le lead et le London Community Gospel Choir fournit enfin les corps que Mercury avait imagin\u00e9s. L’original gagne encore, parce que l’effort de trois personnes imitant une multitude est l’\u00e9motion.<\/p>\n

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\n

I wish I could sing like her. I sometimes try to do that on a song called Somebody to Love, and that was the gospel element.<\/p>\n<\/blockquote>\n

(Freddie Mercury, interview, 1984)<\/em><\/p>\n

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Mercury dira plus tard, depuis la table d’\u00e9criture plut\u00f4t que le classement, qu’il tenait Somebody to Love<\/em> pour une meilleure composition que Bohemian Rhapsody<\/em>. La phrase n’est pas de la modestie. La rhapsodie est une suite. Cette chanson est une dispute tenue \u00e0 une seule temp\u00e9rature montante : le travail, l’amour, la peur qu’aucun des deux ne r\u00e9ponde. Le texte retrouve la m\u00eame porte ferm\u00e9e. La musique frappe plus fort, et c’est pour cela que la derni\u00e8re minute ressemble \u00e0 une assembl\u00e9e qui a oubli\u00e9 de s’asseoir.<\/p>\n

Ce qui reste, c’est le rare morceau de Queen qui veut la soul plus que le spectacle, et obtient les deux parce que le groupe ne pouvait pas s’emp\u00eacher le spectacle. Les voicings de piano sont d’\u00e9glise. Les guitares sont encore celles de May, harmonis\u00e9es, brillantes, incapables de chuchoter. Entre ces deux instincts la chanson vit, une pri\u00e8re chant\u00e9e par des gens qui savent aussi remplir un stade. Elle ne vieillit pas en kitsch. Elle vieillit en besoin.<\/p>\n

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Le piano \u00e9nonce une figure gospel avec l’impatience d’un groupe de rock, puis le ch\u0153ur arrive, sauf que le ch\u0153ur est trois hommes qui ont d\u00e9j\u00e0 chant\u00e9 la chanson pr\u00e9c\u00e9dente \u00e0 mort et chantent celle-ci comme si Aretha \u00e9tait en r\u00e9gie, prenant des notes.<\/p>\n","protected":false},"author":1,"featured_media":8289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[354],"class_list":["post-8293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-queen"],"yoast_head":"\nSomebody to Love - Queen - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/somebody-to-love-queen-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Somebody to Love - 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