{"id":8299,"date":"2026-06-06T09:10:00","date_gmt":"2026-06-06T07:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/top-10-des-duos-improbables-devenus-classiques\/"},"modified":"2026-11-09T07:15:01","modified_gmt":"2026-11-09T06:15:01","slug":"top-10-des-duos-improbables-devenus-classiques","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-duos-improbables-devenus-classiques\/","title":{"rendered":"Top 10 des duos improbables devenus classiques"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dix duos improbables rest\u00e9s dans les classements apr\u00e8s la semaine de sortie.<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>Lil Nas X and Billy Ray Cyrus : \u201cOld Town Road\u201d<\/strong> Le remix 2019 pose banjo, couplet rap et refrain country sur le Billboard Hot 100 pendant 19 semaines. Le duo ressemblait \u00e0 un m\u00e8me. Il s&rsquo;est comport\u00e9 comme un standard. Les d\u00e9bats de genre ne l&rsquo;ont pas sorti du classement. Le titre est rest\u00e9 n\u00b01.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Jay-Z and Linkin Park : \u201cNumb\/Encore\u201d<\/strong> Sur <em>Collision Course<\/em> (2004), Mike Shinoda et Jay-Z cousent un refrain nu-metal \u00e0 un couplet victory lap. \u00c7a aurait pu rester une poign\u00e9e de main promotionnelle. Les salles en ont fait un final de concert. Le collage a tenu sur sc\u00e8ne.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>Tony Bennett and Amy Winehouse : \u201cBody and Soul\u201d<\/strong> Enregistr\u00e9 pour <em>Duets II<\/em> de Bennett en 2011, parmi les derniers studio de Winehouse. Un a\u00een\u00e9 du jazz et une chanteuse soul de la moiti\u00e9 de son \u00e2ge se rencontrent sur un standard et les deux chantent droit. La tendresse surprend. L&rsquo;accordage et le phras\u00e9 en font une prise classique.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>Paul McCartney and Michael Jackson : \u201cSay Say Say\u201d<\/strong> Le single 1983 de <em>Pipes of Peace<\/em> : deux auteurs m\u00e9lodiques partagent un sourire pop. Ils avaient d\u00e9j\u00e0 fait <em>The Girl Is Mine<\/em>. Celui-ci est plus l\u00e9ger, plus \u00e9trange, plus dur \u00e0 classer. Il arrive en t\u00eate des classements gr\u00e2ce aux refrains.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Pet Shop Boys and Dusty Springfield : \u201cWhat Have I Done to Deserve This?\u201d<\/strong> En 1987 Neil Tennant et Chris Lowe passent un couplet \u00e0 la voix de <em>Dusty in Memphis<\/em> et laissent les machines briller autour. Le contraste est la chanson. Springfield apporte la voix plus ancienne. Les Pet Shop Boys apportent les machines. Ensemble, top 10 UK et US.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>Nick Cave and Kylie Minogue : \u201cWhere the Wild Roses Grow\u201d<\/strong> Le single 1995 de <em>Murder Ballads<\/em> place une star pop dans une murder ballad et la laisse dans le danger du r\u00e9cit. Minogue chante la victime ; Cave le tueur pr\u00e8s de la rivi\u00e8re. Le clip est mis en sc\u00e8ne comme un tableau. Le disque tient parce que chaque voix reste dans son r\u00f4le.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>Freddie Mercury and Montserrat Caball\u00e9 : \u201cBarcelona\u201d<\/strong> \u00c9crit pour les JO de 1992 et sorti en 1987, le duo oppose une soprano d&rsquo;op\u00e9ra \u00e0 la voix rock de Mercury. \u00c7a aurait pu \u00eatre kitsch. Mercury chante sa partie sans plaisanter. Quand ils touchent le titre, la chanson fait le travail demand\u00e9 par la ville.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Bing Crosby and David Bowie : \u201cPeace on Earth\/Little Drummer Boy\u201d<\/strong> Film\u00e9s \u00e0 Londres en septembre 1977 pour le sp\u00e9cial No\u00ebl de Crosby, semaines avant sa mort, le medley met ce foss\u00e9 de g\u00e9n\u00e9rations dans une m\u00eame harmonie. Bowie aurait d\u00e9test\u00e9 la partie drummer boy. La contre-m\u00e9lodie qu&rsquo;ils b\u00e2tissent \u00e0 la place est la partie qui est rest\u00e9e. \u00c7a revient chaque d\u00e9cembre parce que l&rsquo;\u00e9tranget\u00e9 marchait sur bande.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>Queen and David Bowie : \u201cUnder Pressure\u201d<\/strong> Mountain Studios, Montreux, 1981 : une s\u00e9ance improvis\u00e9e devenue single parce que personne ne quittait la pi\u00e8ce. La basse de Deacon, le cri de Bowie, la mont\u00e9e gospel de Mercury. La tension s&rsquo;entend et le refrain monte. Le riff est rest\u00e9 \u00e0 la radio.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>Run-D.M.C. and Aerosmith : \u201cWalk This Way\u201d<\/strong> Rick Rubin les met en studio en 1986 et force une conversation que la radio rock \u00e9vitait. Le riff de 1975 revient avec un nouvel accent. Le hip-hop entre sur MTV et les charts mainstream avec ce single. Apr\u00e8s \u00e7a, les labels ont gard\u00e9 le duo improbable comme m\u00e9thode de travail, pas seulement comme un coup isol\u00e9.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dix duos improbables rest\u00e9s dans les classements apr\u00e8s la semaine de sortie.<\/p>\n","protected":false},"author":1,"featured_media":8295,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[295,298],"tags":[],"class_list":["post-8299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-musicale","category-tops10-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 10 des duos improbables devenus classiques - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Dix duos improbables rest\u00e9s dans les classements apr\u00e8s la semaine de sortie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-duos-improbables-devenus-classiques\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 10 des duos improbables devenus classiques - 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