{"id":8317,"date":"2019-03-05T16:10:00","date_gmt":"2019-03-05T15:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/rhodes-electric-piano-la-chaleur-electrique-des-claviers\/"},"modified":"2026-11-09T07:11:26","modified_gmt":"2026-11-09T06:11:26","slug":"rhodes-electric-piano-la-chaleur-electrique-des-claviers","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/instruments-cultes\/rhodes-electric-piano-la-chaleur-electrique-des-claviers\/","title":{"rendered":"Rhodes Electric Piano \u2013 Piano \u00e9lectrom\u00e9canique \u00e0 lames"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Des kits d\u2019h\u00f4pital WWII \u00e0 Fender\/CBS : lames, micros, ampli Suitcase<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Harold Rhodes construit d\u2019abord des pianos d\u2019enseignement pour aviateurs bless\u00e9s pendant la Seconde Guerre mondiale, avec les mat\u00e9riaux disponibles. Apr\u00e8s la guerre, il poursuit un piano \u00e9lectrique. En 1959, il s\u2019associe \u00e0 Leo Fender ; le Piano Bass (trente-deux touches de grave \u00e9lectrique) arrive en premier chez les musiciens. Ray Manzarek utilise un Piano Bass sur des disques des Doors. Le Rhodes pleine \u00e9tendue suit comme instrument de sc\u00e8ne et de studio sous Fender puis CBS.<\/p>\n<p style=\"text-align: justify;\">M\u00e9caniquement, un marteau frappe une lame m\u00e9tallique asym\u00e9trique coupl\u00e9e \u00e0 une barre de ton ; un micro magn\u00e9tique lit la vibration. Il n\u2019y a pas de table d\u2019harmonie acoustique. Le timbre vient des partiels du m\u00e9tal et des r\u00e9glages pr\u00e9ampli\/ampli. Sur sc\u00e8ne, le mod\u00e8le Suitcase int\u00e8gre souvent amplification et tr\u00e9molo st\u00e9r\u00e9o ; les mod\u00e8les Stage alimentent des amplis externes.<\/p>\n<p style=\"text-align: justify;\">L\u2019entretien fait partie de l\u2019usage : les lames se d\u00e9saccordent entre elles, les silentblocs vieillissent, les micros demandent un alignement. Les techniciens \u00ab voisent \u00bb l\u2019instrument en r\u00e9glant embouts de marteaux et vis de lames. Cette culture d\u2019entretien est document\u00e9e dans les manuels Rhodes et chez des r\u00e9parateurs ind\u00e9pendants dans le monde.<\/p>\n<p style=\"text-align: justify;\">Les meubles Suitcase st\u00e9r\u00e9o et les options de pr\u00e9ampli Janus influencent l\u2019enregistrement, souvent avec profondeur de tr\u00e9molo et panoramique comme effets de production. Les mod\u00e8les Stage dans des amplis guitare ou clavier donnent une image plus s\u00e8che et mono, fr\u00e9quente en sessions rock.<\/p>\n<p style=\"text-align: justify;\">Usagers document\u00e9s en jazz, soul et rock : groupes \u00e9lectriques de Miles Davis fin des ann\u00e9es 1960 et d\u00e9but 1970, Herbie Hancock, Chick Corea, Joe Zawinul, Stevie Wonder, Billy Preston et de nombreux clavi\u00e9ristes de session. Disques et tubes des ann\u00e9es 1970 cr\u00e9ditent r\u00e9guli\u00e8rement un Rhodes (ou Fender Rhodes) quand il faut un piano \u00e9lectrique \u00e0 attaque douce et m\u00e9dium tenu.<\/p>\n<p style=\"text-align: justify;\">Techniques de p\u00e9dale et de volume : swell vers les accords, basse main gauche dynamique sur le Piano Bass, apparaissent dans des m\u00e9thodes et interviews de Manzarek, Wonder et pianistes fusion. Elles sont sp\u00e9cifiques \u00e0 l\u2019instrument : elles d\u00e9pendent de l\u2019attaque des lames et de la r\u00e9ponse continue de la p\u00e9dale de volume, pas d\u2019enveloppes de synth\u00e9.<\/p>\n<p>[\/vc_column_text]<br \/>\n[vc_column_text]<\/p>\n<p style=\"text-align: justify;\">CBS arr\u00eate la production Rhodes dans les ann\u00e9es 1980, quand pianos num\u00e9riques et synth\u00e9s (dont les presets piano \u00e9lectrique du Yamaha DX7) prennent la place en studio. Les instruments vintage restent en service ; la marque Rhodes revient plus tard avec des instruments neufs et des r\u00e9seaux d\u2019entretien. Biblioth\u00e8ques d\u2019\u00e9chantillons et mod\u00e8les num\u00e9riques reproduisent le comportement des lames pour qui n\u2019a pas de piano physique.<\/p>\n<p style=\"text-align: justify;\">Factuellement, le Rhodes se situe entre piano acoustique et synth\u00e9tiseur : g\u00e9n\u00e9ration \u00e9lectrom\u00e9canique, disposition de clavier famili\u00e8re aux pianistes et pr\u00e9sence document\u00e9e en jazz-fusion, soul, funk et rock de la fin des ann\u00e9es 1960 aux ann\u00e9es 1970. Mark I et Mark II d\u00e9signent des s\u00e9ries de production successives avec des diff\u00e9rences de marteaux, lames et meubles.<\/p>\n<p style=\"text-align: justify;\">Quand les cr\u00e9dits indiquent \u00ab Fender Rhodes \u00bb, ils d\u00e9signent en g\u00e9n\u00e9ral ce dessin \u00e9lectrom\u00e9canique plut\u00f4t qu\u2019une \u00e9mulation num\u00e9rique. Distinguer les g\u00e9n\u00e9rations Mark aide \u00e0 faire correspondre photos et feuilles de session \u00e0 la bonne s\u00e9rie de production.<\/p>\n<p>[\/vc_column_text]<br \/>\n[\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Harold Rhodes construit d\u2019abord des pianos d\u2019enseignement pour aviateurs bless\u00e9s pendant la Seconde Guerre mondiale, avec les mat\u00e9riaux disponibles. Apr\u00e8s la guerre, il poursuit un piano \u00e9lectrique. En 1959, il s\u2019associe \u00e0 Leo Fender ; le Piano Bass (trente-deux touches de grave \u00e9lectrique) arrive en premier chez les musiciens. Ray Manzarek utilise un Piano Bass sur des disques des Doors. Le Rhodes pleine \u00e9tendue suit comme instrument de sc\u00e8ne et de studio sous Fender puis CBS.<\/p>\n","protected":false},"author":1,"featured_media":8313,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[295,526],"tags":[1064],"class_list":["post-8317","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-musicale","category-instruments-cultes","tag-rhodes-electric-piano-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rhodes Electric Piano \u2013 Piano \u00e9lectrom\u00e9canique \u00e0 lames - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Harold Rhodes construit d\u2019abord des pianos d\u2019enseignement pour aviateurs bless\u00e9s pendant la Seconde Guerre mondiale, avec les mat\u00e9riaux disponibles. Apr\u00e8s la guerre, il poursuit un piano \u00e9lectrique. En 1959, il s\u2019associe \u00e0 Leo Fender ; le Piano Bass (trente-deux touches de grave \u00e9lectrique) arrive en premier chez les musiciens. Ray Manzarek utilise un Piano Bass sur des disques des Doors. Le Rhodes pleine \u00e9tendue suit comme instrument de sc\u00e8ne et de studio sous Fender puis CBS.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/instruments-cultes\/rhodes-electric-piano-la-chaleur-electrique-des-claviers\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rhodes Electric Piano \u2013 Piano \u00e9lectrom\u00e9canique \u00e0 lames - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Harold Rhodes construit d\u2019abord des pianos d\u2019enseignement pour aviateurs bless\u00e9s pendant la Seconde Guerre mondiale, avec les mat\u00e9riaux disponibles. Apr\u00e8s la guerre, il poursuit un piano \u00e9lectrique. En 1959, il s\u2019associe \u00e0 Leo Fender ; le Piano Bass (trente-deux touches de grave \u00e9lectrique) arrive en premier chez les musiciens. Ray Manzarek utilise un Piano Bass sur des disques des Doors. 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