{"id":8335,"date":"2025-02-23T13:10:00","date_gmt":"2025-02-23T12:10:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/top-10-des-samples-les-plus-audacieux\/"},"modified":"2026-11-09T07:14:25","modified_gmt":"2026-11-09T06:14:25","slug":"top-10-des-samples-les-plus-audacieux","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-samples-les-plus-audacieux\/","title":{"rendered":"Top 10 des samples les plus audacieux"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css=\u00a0\u00bb.vc_custom_1454690049611{padding-left: 13% !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<h3 style=\"text-align: justify;\">Dix samples rest\u00e9s audibles qui ont quand m\u00eame fait un hit neuf.<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t10<\/span><strong>MC Hammer: \u201cU Can\u2019t Touch This\u201d<\/strong> En 1990 Hammer a boucl\u00e9 <em>Super Freak<\/em> de Rick James jusqu\u2019\u00e0 ce que le riff soit le tube. James a \u00e9t\u00e9 pay\u00e9, finalement. Il est rest\u00e9 furieux. Il a laiss\u00e9 le sample bien audible, sur un disque gai. Il a dans\u00e9 dessus.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t9<\/span><strong>Vanilla Ice: \u201cIce Ice Baby\u201d<\/strong> Le single de 1990 prend la basse d\u2019<em>Under Pressure<\/em>, de Queen et Bowie et pr\u00e9tend d\u2019abord qu\u2019une note de plus le rend original. L\u2019affirmation est tomb\u00e9e. Le disque est souvent cit\u00e9 pour \u00e7a : si la ligne de basse est c\u00e9l\u00e8bre, un tribunal l\u2019entendra aussi.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t8<\/span><strong>The Verve: \u201cBitter Sweet Symphony\u201d<\/strong> Richard Ashcroft a b\u00e2ti le tube de 1997 sur la version orchestrale d\u2019Andrew Loog Oldham de <em>The Last Time<\/em> des Stones. La soci\u00e9t\u00e9 d\u2019Allen Klein a pris l\u2019\u00e9dition. Pendant des ann\u00e9es la chanson des Verve n\u2019\u00e9tait pas l\u00e9galement \u00e0 eux. En 2019 Jagger et Richards ont rendu le cr\u00e9dit. Le cr\u00e9dit est revenu tard.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t7<\/span><strong>M.I.A.: \u201cPaper Planes\u201d<\/strong> Le single de 2007 prend <em>Straight to Hell<\/em> de The Clash et change la guitare en refrain de coups de feu, sur l\u2019immigration et l\u2019argent. L\u2019accroche \u00e9tait facile \u00e0 retenir. Sampler une chanson de protestation pour en faire une autre est un risque. Celui-ci a pass\u00e9 \u00e0 la radio.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t6<\/span><strong>Kanye West: \u201cThrough the Wire\u201d<\/strong> West a enregistr\u00e9 le morceau de 2003 la m\u00e2choire viss\u00e9e apr\u00e8s un accident, rappant entre ses dents sur <em>Through the Fire<\/em> de Chaka Khan. Le sample sert de cadre. Le risque ici est physique : une voix qui n\u2019aurait pas d\u00fb travailler, enregistr\u00e9e quand m\u00eame.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t5<\/span><strong>Beyonc\u00e9: \u201cCrazy in Love\u201d<\/strong> Le tube de 2003 s\u2019ouvre sur <em>Are You My Woman (Tell Me So)<\/em> des Chi-Lites, une salve de cuivres que Jay-Z et Rich Harrison ont chang\u00e9e en fanfare d\u2019un si\u00e8cle nouveau. Le sample dure des secondes. Il porte la chanson. Le sample sert d\u2019accroche enti\u00e8re.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t4<\/span><strong>Jay-Z: \u201cHard Knock Life (Ghetto Anthem)\u201d<\/strong> En 1998 il a pris le ch\u0153ur des orphelins de la com\u00e9die musicale <em>Annie<\/em> et l\u2019a pos\u00e9 sous un rapport de rue. Broadway dans un couplet de rap aurait d\u00fb \u00eatre une blague. C\u2019est devenu un hymne. Les enfants chantent le refrain et les couplets r\u00e9pondent depuis la rue.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t3<\/span><strong>Afrika Bambaataa: \u201cPlanet Rock\u201d<\/strong> Arthur Baker et Bambaataa, en 1982, ont boulonn\u00e9 <em>Trans-Europe Express<\/em> et <em>Numbers<\/em> de Kraftwerk \u00e0 une f\u00eate du Bronx. Des machines allemandes ont fourni le son d\u2019une f\u00eate du Bronx. L\u2019electro commence dans ce montage.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t2<\/span><strong>The Avalanches: \u201cFrontier Psychiatrist\u201d<\/strong> Le single de 2000 est un collage si dense que la chanson est le sampling. Des dizaines de voix, un disque comique, une guitare et elles ne s\u2019alignent pas proprement. <em>Since I Left You<\/em> a \u00e9t\u00e9 b\u00e2ti de milliers de morceaux. Ce titre est le collage qu\u2019on peut encore citer r\u00e9plique par r\u00e9plique.<\/p>\n<p style=\"text-align: justify;\">\n<span class=\"eltdf-dropcaps eltdf-normal\" >\n\t1<\/span><strong>Danger Mouse: \u201cThe Grey Album\u201d<\/strong> En 2004 Danger Mouse a pos\u00e9 <em>The Black Album<\/em> de Jay-Z sur le double blanc des Beatles. EMI a envoy\u00e9 des mises en demeure. Le Grey Tuesday a r\u00e9pondu par une journ\u00e9e de protestation en ligne. Pas de sortie officielle et pourtant le disque ill\u00e9gal le plus c\u00e9l\u00e8bre de la d\u00e9cennie. Le mash-up constituait le disque entier.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dix samples \u00e9vidents qui ont quand m\u00eame fait des hits.<\/p>\n","protected":false},"author":1,"featured_media":8331,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[295,298],"tags":[],"class_list":["post-8335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-musicale","category-tops10-fr"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 10 des samples les plus audacieux - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Dix samples \u00e9vidents qui ont quand m\u00eame fait des hits.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/culture-musicale\/tops10-fr\/top-10-des-samples-les-plus-audacieux\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 10 des samples les plus audacieux - 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