{"id":8437,"date":"2026-06-02T09:00:00","date_gmt":"2026-06-02T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/try-a-little-tenderness-otis-redding-2\/"},"modified":"2026-09-20T00:03:12","modified_gmt":"2026-09-19T22:03:12","slug":"try-a-little-tenderness-otis-redding-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/try-a-little-tenderness-otis-redding-2\/","title":{"rendered":"Try a Little Tenderness – Otis Redding"},"content":{"rendered":"

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Une ballade de 1932 apprend \u00e0 crier<\/h3>\n

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Cela commence comme un conseil, presque courtois, un homme qui dit \u00e0 d’autres hommes d’\u00eatre doux, les cuivres immobiles comme des ouvreurs. Puis la baguette d’Al Jackson lance un double clic qui ne double pas tant le temps qu’il le pr\u00e9vient, et le conseil devient une supplique, et la supplique un cri qui a oubli\u00e9 le salon o\u00f9 la chanson est n\u00e9e. Try a Little Tenderness<\/em> est un standard de 1932 tra\u00een\u00e9 dans une pi\u00e8ce de Memphis qui ne fait pas de standards \u00e0 moins qu’ils saignent. Otis Redding n’interpr\u00e8te pas le texte. Il le d\u00e9passe.<\/p>\n

La chanson, de Jimmy Campbell, Reg Connelly et Harry Woods, avait \u00e9t\u00e9 une pi\u00e8ce de crooner, Sam Cooke parmi d’autres, avant Stax. Redding n’en voulait pas. Les amis et le label l’ont us\u00e9. En 1966, aux studios Stax de McLemore Avenue, Booker T. and the M.G.’s jouent, Isaac Hayes travaille l’arrangement, Steve Cropper \u00e0 la guitare, Duck Dunn, Booker, Jackson. Les producteurs sont cr\u00e9dit\u00e9s entre Jim Stewart, Hayes et les M.G.’s, ce qui est la fa\u00e7on de Memphis de signer une pi\u00e8ce plut\u00f4t qu’un patron. Cropper a d\u00e9crit le cross-stick de Jackson comme un doublement du temps qui n’en est pas vraiment un, et sa propre figure de guitare comme une attaque latine qui a disparu d\u00e8s que Redding a commenc\u00e9, parce que tout le reste devenait insignifiant. Le morceau ferme Complete and Unbelievable: The Otis Redding Dictionary of Soul<\/em>. Le single entre dans le classement pop. La chanson devient la sienne.<\/p>\n

\u00c0 Monterey, en juin 1967, la mont\u00e9e devient une combustion publique, des mois avant l’avion. Cette prise live est celle que les \u00e9tudiants en cin\u00e9ma connaissent. La prise studio est plus s\u00e9v\u00e8re, le cri gagn\u00e9 mesure par mesure plut\u00f4t que jet\u00e9. Les deux sont vraies. Redding meurt en d\u00e9cembre. La tendresse du titre n’est pas ce que la fin fait entendre. La fin sonne comme un homme qui a essay\u00e9 la version douce et a trouv\u00e9 qu’elle ne suffisait pas \u00e0 la taille du sentiment.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Nobody will ever sing Try a Little Tenderness like Otis sang it. When we actually got into the recording, everything else was sort of insignificant.<\/p>\n<\/blockquote>\n

(Steve Cropper, Dreams to Remember)<\/em><\/p>\n

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L’arrangement est une le\u00e7on de patience que la pop supporte rarement. Pas vraiment de batterie tant que la chanson n’a pas demand\u00e9 poliment. Puis le groupe cesse de demander. La partition de Hayes, avec son clin d’\u0153il au sentiment de cordes de A Change Is Gonna Come<\/em> de Cooke dans les cuivres, donne \u00e0 Redding un escalier. Il le prend trois marches \u00e0 la fois et touche quand m\u00eame les paliers. La phrase de Cropper, qu’on n’a plus besoin d’\u00e9couter personne d’autre apr\u00e8s \u00e7a, est la vantardise d’un sideman et un fait critique. Les crooners gardent leur \u00e9l\u00e9gance. Ils ne gardent pas la chanson.<\/p>\n

Ce qui reste, c’est la mont\u00e9e, copi\u00e9e depuis par des chanteurs qui croient que le volume est la m\u00eame chose que l’arriv\u00e9e. Ce n’est pas le cas. Le volume de Redding est la derni\u00e8re marche d’une dispute qui a commenc\u00e9 dans un murmure sur la fa\u00e7on de traiter une femme \u00e9puis\u00e9e. Le conseil survit au cri, et c’est le miracle. Try a Little Tenderness<\/em> est encore un manuel et une fusion dans le m\u00eame morceau. On peut se servir de l’un ou de l’autre. Il s’est servi des deux, et ensuite il n’y a pas eu le temps pour une troisi\u00e8me voie.<\/p>\n

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