{"id":8467,"date":"2026-05-26T09:00:00","date_gmt":"2026-05-26T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/one-nation-under-a-groove-funkadelic-2\/"},"modified":"2026-09-20T00:03:14","modified_gmt":"2026-09-19T22:03:14","slug":"one-nation-under-a-groove-funkadelic-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/one-nation-under-a-groove-funkadelic-2\/","title":{"rendered":"One Nation Under a Groove – Funkadelic"},"content":{"rendered":"

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Un mix de console devenu un pays<\/h3>\n

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Le groove arrive d\u00e9j\u00e0 souriant, une basse qui roule plut\u00f4t qu’elle ne pique, une guitare qui commente de c\u00f4t\u00e9, un refrain qui sonne comme un serment \u00e9crit par des gens qui viennent de descendre d’un bus. One Nation Under a Groove<\/em> ne recrute pas. Il suppose que vous \u00eates d\u00e9j\u00e0 dedans, et le seul formulaire, ce sont vos pieds. George Clinton voulait de la soie, a-t-il dit, le toucher de Dionne Warwick avec Burt Bacharach, lisse et quand m\u00eame funky. Le r\u00e9sultat est moins une jam qu’une procession. On entend la pi\u00e8ce d\u00e9cider, en temps r\u00e9el, que celle-ci ne sera pas mont\u00e9e jusqu’\u00e0 l’ob\u00e9issance.<\/p>\n

Le titre n’est pas une invention de studio. Apr\u00e8s un concert \u00e0 Washington, deux jeunes femmes, LaTanya et Darlene, sont venues \u00e0 la voiture et ont dit au groupe que cela avait \u00e9t\u00e9 comme une nation sous un groove. Clinton a dit qu’il a su tout de suite que cela devait \u00eatre une chanson. Il avait le hook. En studio il a improvis\u00e9 le reste une fois le rythme assis. Junie Morrison, tout juste arriv\u00e9 des Ohio Players, \u00e9tait dans la jam avec Bernie Worrell, Garry Shider et les autres, sur du mat\u00e9riel qui sortait des cartons Yamaha. Les auteurs du morceau sont Clinton, Morrison et Shider. Clinton produit. Ils ont essay\u00e9 un vrai mix, avec les \u00e9galiseurs et la patience, et il a perdu. Le mix parti \u00e0 la radio \u00e9tait le mix de console, celui sur lequel la pi\u00e8ce s’\u00e9tait d\u00e9j\u00e0 mise d’accord. L’album, One Nation Under a Groove<\/em>, sort en 1978 chez Warner Bros. Le single s’installe num\u00e9ro un du classement R&B. Funkadelic, le jumeau plus sale de Parliament, avait \u00e9crit son disque le plus accueillant et refus\u00e9 de le ranger.<\/p>\n

En concert, le serment est le spectacle. Ready or not, et une foule qui conna\u00eet la r\u00e9ponse. La ligne sur danser pour sortir de ses contraintes est toute la politique, assez petite pour un chant, assez grande pour avoir \u00e9t\u00e9 emprunt\u00e9e par des gens qui n’ont jamais achet\u00e9 l’album. Clinton a pris feet don’t fail me now d’une r\u00e9plique de vieux film et un so high you can’t get over it du gospel en passant par les Temptations. La nation est un collage. C’est pour cela qu’elle va \u00e0 tant de bouches.<\/p>\n

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\n

They said: it was like one nation under a groove. As soon as I heard that, I knew it had to become a song.<\/p>\n<\/blockquote>\n

(George Clinton, The Guardian, 2018)<\/em><\/p>\n

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L’histoire du mix de console compte plus que la mythologie. Un groupe capable de surproduire n’importe quoi a choisi la prise qui gardait l’air. On entend cet air. La voix est dans le groove au lieu d’\u00eatre dessus, et c’est pour cela que le refrain sonne comme une foule m\u00eame quand ce n’est que quelques personnes. L’\u00e9cole Ohio Players de Morrison, les claviers doux, le refus de la panique de Sir Nose, en font l’investiture apr\u00e8s les disques de guerre de Parliament. Flash Light avait coinc\u00e9 l’ennemi. Celui-ci lance la f\u00eate et oublie de fermer la porte.<\/p>\n

Ce qui reste, c’est une constitution que l’on peut danser. One Nation Under a Groove<\/em> sonne encore comme 1978 d\u00e9cidant que l’appartenance serait rythmique ou qu’elle ne vaudrait pas la paperasse. Les filles de Washington ont nomm\u00e9 un pays. Le groupe l’a enregistr\u00e9 avant que quiconque ne transforme le nom en slogan avec un costume. Quand le mix radio est le mix de console, on entend le moment o\u00f9 ils ont su. Ils n’avaient pas besoin d’un second avis. Le groove avait d\u00e9j\u00e0 vot\u00e9.<\/p>\n

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