{"id":8485,"date":"2021-05-14T16:00:00","date_gmt":"2021-05-14T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/dancing-queen-abba-2\/"},"modified":"2026-11-09T07:12:37","modified_gmt":"2026-11-09T06:12:37","slug":"dancing-queen-abba-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/dancing-queen-abba-2\/","title":{"rendered":"ABBA – Dancing Queen"},"content":{"rendered":"

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Arrival 1976 : single disco de Stockholm qui vide le plancher<\/h3>\n

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Dancing Queen<\/em> est le single d\u2019ao\u00fbt 1976 d\u2019ABBA, tir\u00e9 de l\u2019album Polar\/Atlantic Arrival<\/em>, \u00e9crit par Benny Andersson, Bj\u00f6rn Ulvaeus et Stig Anderson, produit par Andersson et Ulvaeus. Ils enregistrent le backing en ao\u00fbt 1975 au Metronome Studio \u00e0 Stockholm ; le titre de travail \u00e9tait Boogaloo. Le rythme prend un indice chez Rock Your Baby<\/em> de George McCrae et chez la batterie de Gumbo<\/em> de Dr. John, disques am\u00e9ricains filtr\u00e9s par une pi\u00e8ce su\u00e9doise qui aime sa pop exacte. Anni-Frid Lyngstad a dit que quand Benny lui a jou\u00e9 le backing avant la voix, elle a pleur\u00e9 et qu\u2019elle savait que c\u2019\u00e9tait la meilleure chanson qu\u2019ABBA ait jamais faite.<\/p>\n

Le single fini s\u2019ouvre sur un glissando de piano, puis un rythme d\u00e9j\u00e0 en mouvement avant l\u2019entr\u00e9e des voix empil\u00e9es. Agnetha F\u00e4ltskog et Frida se verrouillent en tierces ; le piano de Benny commente ; la guitare de Bj\u00f6rn emp\u00eache la figure de flotter. Dur\u00e9e autour de trois minutes cinquante. Le texte esquisse une fille de dix-sept ans sur un dancefloor comme personnage, pas comme journal : le m\u00e9tier est adulte, c\u2019est pourquoi le ton enjou\u00e9 reste en place. En juin 1976 ils chantent une version pr\u00e9coce \u00e0 un gala pour le roi Carl XVI Gustaf avant la sortie commerciale, une premi\u00e8re sortie \u00e9trange dans une salle de protocole.<\/p>\n

Les classements suivent en Europe, au Royaume-Uni, en Australie et ailleurs ; aux \u00c9tats-Unis c\u2019est le seul No. 1 d\u2019ABBA au Billboard Hot 100. Arrival suit en octobre 1976 et verrouille le pic milieu des ann\u00e9es 70 du groupe \u00e0 c\u00f4t\u00e9 de Mamma Mia et SOS. Sur sc\u00e8ne le glissando devient le signal des lumi\u00e8res ; les tourn\u00e9es plus tardives gardent le titre pr\u00e8s de la fin du set. Les clips TV de l\u2019\u00e9poque montrent peu de chor\u00e9graphie parce que l\u2019harmonie remplit d\u00e9j\u00e0 la pi\u00e8ce.<\/p>\n

Des d\u00e9cennies de placements, karaok\u00e9s et jukebox n\u2019ont pas us\u00e9 l\u2019arrangement. Les gens qui disent ne pas aimer ABBA font souvent une exception ici, autre fa\u00e7on de dire \u00e0 quel point les parties sont serr\u00e9es. Andersson a nomm\u00e9 d\u2019autres titres comme favoris personnels ; les larmes de Frida ont r\u00e9gl\u00e9 le statut de celui-ci dans le groupe. Le dix-sept du texte est encore lu comme autobiographie ; c\u2019est un personnage \u00e9crit pour l\u2019auditeur, pendant environ trois minutes.<\/p>\n

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\n

Je savais que c’\u00e9tait absolument la meilleure chanson qu’ABBA ait jamais faite.<\/p>\n<\/blockquote>\n

(Anni-Frid Lyngstad, The Guardian, 2016)<\/em><\/p>\n

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Dancing Queen a plac\u00e9 la pop exacte d\u2019un studio su\u00e9dois sur les dancefloors du monde, avec un glissando de piano et des voix empil\u00e9es qui ouvrent encore le morceau. Le No. 1 Hot 100 est le r\u00e9sultat am\u00e9ricain. Les premi\u00e8res mesures se reconnaissent encore sans introduction.<\/p>\n

Le glissando ouvre le single. Le rythme est d\u00e9j\u00e0 en mouvement. Les voix entrent par-dessus ce rythme.<\/p>\n

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