{"id":8533,"date":"2026-10-30T16:00:00","date_gmt":"2026-10-30T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-sound-of-silence-simon-garfunkel-2\/"},"modified":"2026-11-09T07:15:08","modified_gmt":"2026-11-09T06:15:08","slug":"the-sound-of-silence-simon-garfunkel-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/the-sound-of-silence-simon-garfunkel-2\/","title":{"rendered":"Simon & Garfunkel – The Sound of Silence"},"content":{"rendered":"

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1964-66 : brouillon dans la salle de bains, puis ajouts \u00e9lectriques<\/h3>\n

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The Sound of Silence<\/em> commence comme une chanson acoustique que Paul Simon termine \u00e0 vingt et un ans, en \u00e9crivant dans la salle de bains de la maison de ses parents \u00e0 Flushing, Queens, lumi\u00e8res \u00e9teintes, robinet ouvert, parce que le carrelage donnait un l\u00e9ger \u00e9cho et l\u2019eau un bruit qu\u2019il aimait. Elle para\u00eet, discr\u00e8te, sur l\u2019album Columbia de Simon & Garfunkel Wednesday Morning, 3 A.M.<\/em> en 1964, produit par Tom Wilson ; l\u2019album \u00e9choue commercialement. En 1965 Wilson, sans le duo dans la pi\u00e8ce, ajoute guitare \u00e9lectrique, basse et batterie au Studio A de Columbia \u00e0 New York et sort la nouvelle version en single. En janvier 1966 elle est No. 1 du Billboard Hot 100 ; l\u2019album Sounds of Silence<\/em> suit et transforme un morceau folk mis de c\u00f4t\u00e9 en fait radio national.<\/p>\n

Deux voix entrent presque sans accompagnement sur la prise folk, assez proches pour \u00eatre un seul instrument ; le single \u00e9lectrique donne au morceau un rythme que la version salle de bains ne faisait qu\u2019impliquer. Le t\u00e9nor d\u2019Art Garfunkel l\u00e8ve la m\u00e9lodie vers le haut tandis que la guitare de Simon et la section rythmique de session gardent une marche r\u00e9guli\u00e8re. Le texte traverse n\u00e9ons et silence, des gens qui parlent sans parler. Garfunkel l\u2019a d\u00e9crit sur sc\u00e8ne comme l\u2019incapacit\u00e9 des gens \u00e0 communiquer, non seulement entre nations mais \u00e0 travers une table. Simon se m\u00e9fie des grandes lectures qui accrochent Kennedy ou toute une d\u00e9cennie au morceau ; ce qu\u2019il a confirm\u00e9, c\u2019est la pi\u00e8ce, le robinet et le plaisir de jouer seul dans le noir.<\/p>\n

Simon et Garfunkel entendent leur propre avenir \u00e0 la radio, arrang\u00e9 par un producteur qui n\u2019avait pas demand\u00e9. En live ils reviennent souvent \u00e0 l’harmonie simple, deux voix et une guitare, comme la chanson est n\u00e9e et comme elle fait encore taire une salle. Le public folk qui aimait le disque calme a d\u00fb accepter la batterie ; le public pop n\u2019a jamais entendu la salle de bains. \u00c0 Central Park en 1981 et sur d\u2019innombrables sc\u00e8nes depuis, la premi\u00e8re phrase calme encore un champ : Hello, darkness. Sur le single hit, la dur\u00e9e d\u00e9passe \u00e0 peine trois minutes, assez pour les voix superpos\u00e9es et assez court pour la rotation AM.<\/p>\n

Des d\u00e9cennies de reprises, de placements et de chorales scolaires ont continu\u00e9 \u00e0 chanter ce salut. Le single \u00e9lectrique est un compromis devenu classique : une chanson folk \u00e0 laquelle des musiciens de session ont ajout\u00e9 une batterie, puis laiss\u00e9e trouver son public. En dessous, on peut encore entendre la pi\u00e8ce carrel\u00e9e si on veut. Un jeune homme \u00e0 Queens, l\u2019eau qui court, qui joue seul parce que le noir lui plaisait. Le silence du titre, dans le r\u00e9cit de Garfunkel, c’est des gens qui n\u2019arrivent pas \u00e0 se rejoindre, sur une m\u00e9lodie qui a coll\u00e9 \u00e0 la radio et n\u2019est jamais vraiment sortie du r\u00e9pertoire d\u2019une protestation \u00e0 voix calme.<\/p>\n

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J’avais l’habitude de m’isoler dans la salle de bains, parce qu’elle \u00e9tait carrel\u00e9e, donc c’\u00e9tait une petite chambre d’\u00e9cho. J’ouvrais le robinet pour que l’eau coule et je jouais. Dans le noir.<\/p>\n<\/blockquote>\n

(Paul Simon, Playboy, 1984)<\/em><\/p>\n

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The Sound of Silence n\u2019a pas invent\u00e9 le folk-rock. Il a plac\u00e9 un brouillon de salle de bains sur le Hot 100 apr\u00e8s qu\u2019un producteur a ajout\u00e9 la batterie sans demander. Le No. 1 est le chiffre du classement. L’histoire du robinet est la fa\u00e7on dont il l’a \u00e9crite et elle explique encore pourquoi l\u2019harmonie semble \u00e0 la fois proche et solitaire.<\/p>\n

Appuyez sur play pour la premi\u00e8re ligne empil\u00e9e. Simon l’a \u00e9crite avec le robinet ouvert. Les ajouts \u00e9lectriques ont fait le hit. La version de la salle de bains est venue d’abord.<\/p>\n

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