{"id":8545,"date":"2026-05-30T16:00:00","date_gmt":"2026-05-30T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/mr-tambourine-man-the-byrds-2\/"},"modified":"2026-09-19T23:59:09","modified_gmt":"2026-09-19T21:59:09","slug":"mr-tambourine-man-the-byrds-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/mr-tambourine-man-the-byrds-2\/","title":{"rendered":"Mr. Tambourine Man &#8211; The Byrds"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Une ligne de Bach \u00e0 qui l&rsquo;on a appris \u00e0 danser<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Une guitare \u00e0 douze cordes \u00e9nonce quatre mesures qui brillent puis tiennent, compress\u00e9es jusqu&rsquo;\u00e0 ce que la note semble sonner dans l&rsquo;air m\u00eame de la radio, et alors seulement les voix entrent.<\/p>\n<p style=\"text-align: justify;\">Les Byrds enregistrent <em>Mr. Tambourine Man<\/em> le 20 janvier 1965 aux studios Columbia d&rsquo;Hollywood, Terry Melcher \u00e0 la production. Du groupe, seul Roger McGuinn joue. Le reste de la piste, c&rsquo;est le Wrecking Crew, la batterie de Hal Blaine parmi eux, parce que le groupe n&rsquo;\u00e9tait pas encore assez serr\u00e9 pour la s\u00e9ance. McGuinn, David Crosby et Gene Clark chantent. La chanson est de Bob Dylan, entendue sur une d\u00e9mo longue et instable, en deux-quatre. Crosby disait que ce temps ne vivrait jamais \u00e0 la radio. McGuinn, qui regardait les Beatles, la passe en quatre-quatre et construit l&rsquo;introduction sur quelques notes du <em>Jesu, Joy of Man&rsquo;s Desiring<\/em> de Bach, qu&rsquo;il jouait d\u00e9j\u00e0 \u00e0 douze cordes. La compression de l&rsquo;ing\u00e9nieur Ray Gerhardt donne \u00e0 la Rickenbacker un sustain qu&rsquo;elle n&rsquo;avait pas seule. Le single, en avril 1965, va au num\u00e9ro un des deux c\u00f4t\u00e9s de l&rsquo;Atlantique.<\/p>\n<p style=\"text-align: justify;\">Dylan vient \u00e0 une r\u00e9p\u00e9tition, entend la version dansante, et met un moment \u00e0 reconna\u00eetre sa chanson. Elle lui pla\u00eet. Le texte, une longue adresse \u00e0 un musicien qui pourrait \u00eatre une muse, est r\u00e9duit au refrain et \u00e0 un couplet, ce que les puristes ont reproch\u00e9 et ce que la radio exigeait. Sur l&rsquo;album qui suit en juin, le groupe joue davantage de ses propres instruments. Le single reste l&rsquo;accident qui invente un style : des mots folk, un temps de Beatles, un fragment de Bach, un orchestre de studio qui savait faire des disques de girl groups. La technique de banjo de McGuinn, trois doigts sur douze cordes, est le tintement qui a nomm\u00e9 l&rsquo;hybride de la d\u00e9cennie.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">J&rsquo;ai compris, en entendant les Beatles, qu&rsquo;ils tenaient quelque chose, que tout ce qui avait un temps \u00e0 quatre temps serait un tube. Alors j&rsquo;ai r\u00e9arrang\u00e9 Mr. Tambourine Man.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Roger McGuinn, Guitar Player)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En concert, la douze cordes est tout le spectacle. Les salles attendent ces quatre mesures comme on attend un rideau. La chanson a \u00e9t\u00e9 rendue \u00e0 la forme longue de Dylan par d&rsquo;autres chanteurs, et on l&rsquo;a rejou\u00e9e en valse, et aucune de ces versions n&rsquo;annule le single Columbia. C&rsquo;est de la menuiserie. Melcher voulait un tube. McGuinn voulait que la guitare sonne comme des cloches et comme Bach. Les deux ont eu ce qu&rsquo;ils demandaient, et le folk-rock, comme mot sur lequel on s&rsquo;est disput\u00e9, a commenc\u00e9 sur le dos d&rsquo;une Rickenbacker.<\/p>\n<p style=\"text-align: justify;\">Ce qui reste, c&rsquo;est l&rsquo;invitation. Le joueur de tambourin de Dylan est encore myst\u00e9rieux, une figure qui pourrait \u00eatre un dealer, un sauveur, ou simplement un musicien dans une pi\u00e8ce. Les Byrds ne le r\u00e9solvent pas. Ils le font bouger. La compression sur la guitare est un petit hasard de studio devenu une signature, entendu chez cent groupes qui ont achet\u00e9 le m\u00eame instrument et n&rsquo;ont pas pu acheter Gerhardt. Sous le brillant, une phrase de Dylan survit, coup\u00e9e \u00e0 la taille, qui demande encore qu&rsquo;on l&#8217;emm\u00e8ne. Le voyage, sur cet enregistrement, dure deux minutes et demie, et cela a suffi.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Une guitare \u00e0 douze cordes \u00e9nonce quatre mesures qui brillent puis tiennent, compress\u00e9es jusqu&rsquo;\u00e0 ce que la note semble sonner dans l&rsquo;air m\u00eame de la radio, et alors seulement les voix entrent.<\/p>\n","protected":false},"author":1,"featured_media":8541,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[827],"class_list":["post-8545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-the-byrds"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Mr. Tambourine Man - The Byrds - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/mr-tambourine-man-the-byrds-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mr. Tambourine Man - The Byrds - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Une guitare \u00e0 douze cordes \u00e9nonce quatre mesures qui brillent puis tiennent, compress\u00e9es jusqu&#039;\u00e0 ce que la note semble sonner dans l&#039;air m\u00eame de la radio, et alors seulement les voix entrent.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/mr-tambourine-man-the-byrds-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-30T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T21:59:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/103.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/mr-tambourine-man-the-byrds-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/mr-tambourine-man-the-byrds-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Mr. Tambourine Man &#8211; 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