{"id":8557,"date":"2025-11-04T09:00:00","date_gmt":"2025-11-04T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/peaches-en-regalia-frank-zappa-2\/"},"modified":"2026-09-19T23:59:09","modified_gmt":"2026-09-19T21:59:09","slug":"peaches-en-regalia-frank-zappa-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/peaches-en-regalia-frank-zappa-2\/","title":{"rendered":"Peaches en Regalia – Frank Zappa"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Une m\u00e9lodie qui a refus\u00e9 un texte<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Un fill de batterie enfonce la porte, clair et presque comique, puis une m\u00e9lodie arrive d\u00e9j\u00e0 habill\u00e9e, empil\u00e9e de couleurs vives, comme si une cour de dessin anim\u00e9 avait engag\u00e9 un orchestre de jazz.<\/p>\n

Peaches en Regalia<\/em> ouvre Hot Rats<\/em>, l’album en grande partie instrumental de Frank Zappa, sorti en octobre 1969. Il l’enregistre cet \u00e9t\u00e9-l\u00e0 aux studios T.T.G. \u00e0 Hollywood et aux Whitney Studios de Glendale, et le produit lui-m\u00eame. Le rythme de base est un petit groupe. La splendeur est de la surimpression. Ian Underwood joue un petit orchestre d’anches et de claviers, partie apr\u00e8s partie. Shuggie Otis, encore adolescent, joue de la basse. Zappa a dit plus tard que cette seule piste avait mang\u00e9 plus de cent heures, parce que jamais plus de quatre personnes ne jouaient en m\u00eame temps et que le reste se construisait en couches. La m\u00e9lodie est gaie d’une fa\u00e7on que sa r\u00e9putation n’autorise pas toujours. Elle marche, elle cligne de l’\u0153il, elle n’explique pas le titre. En concert, pendant des ann\u00e9es, le m\u00eame fill levait le rideau ou fermait la nuit.<\/p>\n

Il a essay\u00e9 d’y mettre des mots et il a \u00e9chou\u00e9, ce qui l’aga\u00e7ait, parce que ce genre d’\u00e9chec \u00e9tait rare. Une syllabe par croche, disait-il, et l’on ne peut pas changer l’air. C’est le jeu, et il l’a perdu expr\u00e8s en laissant la pi\u00e8ce seule. Sur Fillmore East, June 1971<\/em> la m\u00e9lodie revient avec des voix sans paroles. En 1981, sous le nom Peaches III<\/em>, elle porte des synth\u00e9tiseurs. L’enregistrement de 1969 est celui qui sonne encore comme une confiserie \u00e0 armature d’acier. Rien n’y est n\u00e9glig\u00e9. La blague, c’est comme elle semble l\u00e9g\u00e8re.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Peaches en Regalia est la seule pour laquelle je n’ai jamais vraiment r\u00e9ussi \u00e0 \u00e9crire des paroles. J’ai essay\u00e9, mais je ne trouve pas un texte qui fonctionne avec elle.<\/p>\n<\/blockquote>\n

(Frank Zappa, International Times, 1977)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Des guitaristes l’ont trait\u00e9e comme une \u00e9preuve, des big bands comme une partition, et les deux ont raison. L’air est assez solide pour survivre \u00e0 une lecture fid\u00e8le, assez \u00e9trange pour punir une lecture molle. Zappa l’a gard\u00e9e au programme \u00e0 travers des d\u00e9cennies o\u00f9 presque tout le reste tournait. Les publics qui craignaient la satire pouvaient entrer ici. Il n’y a pas de chute \u00e0 redouter, seulement une m\u00e9lodie qui sourit. Les overdubs d’Underwood sont les dents du sourire, pr\u00e9cises, un peu sauvages, jamais brouillonnes.<\/p>\n

Ce qui reste, c’est une \u00e9criture pure qui se trouve n’avoir pas de mots. Le titre sonne comme un dessert et un couronnement, et la musique accepte les deux. Zappa, qui se m\u00e9fiait du joli \u00e0 moins de l’avoir construit lui-m\u00eame, a construit celui-ci jusqu’\u00e0 ce qu’il tienne sans qu’il parle. Le fill de batterie est encore le plus court chemin vers son monde pour qui croit que ce monde n’est que des blagues. Restez pour les saxophones. Ils sont l’argument, et ils s’amusent beaucoup.<\/p>\n

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Un fill de batterie enfonce la porte, clair et presque comique, puis une m\u00e9lodie arrive d\u00e9j\u00e0 habill\u00e9e, empil\u00e9e de couleurs vives, comme si une cour de dessin anim\u00e9 avait engag\u00e9 un orchestre de jazz.<\/p>\n","protected":false},"author":1,"featured_media":8553,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[829],"class_list":["post-8557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-frank-zappa"],"yoast_head":"\nPeaches en Regalia - Frank Zappa - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/peaches-en-regalia-frank-zappa-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peaches en Regalia - 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