{"id":8599,"date":"2018-07-02T16:00:00","date_gmt":"2018-07-02T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/tainted-love-soft-cell-2\/"},"modified":"2026-11-09T07:11:01","modified_gmt":"2026-11-09T06:11:01","slug":"tainted-love-soft-cell-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/tainted-love-soft-cell-2\/","title":{"rendered":"Soft Cell – Tainted Love"},"content":{"rendered":"

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Non-Stop Erotic Cabaret 1981 : Gloria Jones en synth-pop<\/h3>\n

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Tainted Love<\/em> est \u00e9crit par Ed Cobb et sorti d\u2019abord en 1964 par Gloria Jones en face B que des DJ northern soul, Richard Searling parmi eux, ont plus tard transform\u00e9e en secret. Marc Almond et Dave Ball de Soft Cell, \u00e9tudiants d\u2019art \u00e0 Leeds, veulent un rappel qui n\u2019est pas \u00e0 eux ; Ball, fan de ce circuit, passe le disque de Jones \u00e0 Almond. Ils enregistrent leur version avec Mike Thorne \u00e0 Advision \u00e0 Londres pour l\u2019album Some Bizzare\/Phonogram 1981 Non-Stop Erotic Cabaret<\/em>. Le label entend la d\u00e9mo et demande basse, guitare, batterie, quelque chose de moins bizarre. Ils le sortent quand m\u00eame. Ce sera le plus gros single britannique de l\u2019ann\u00e9e, No. 1 chez eux et il reste sur le classement am\u00e9ricain presque une ann\u00e9e apr\u00e8s avoir travers\u00e9 l\u2019Atlantique.<\/p>\n

Une bo\u00eete \u00e0 rythmes claque ; une basse synth\u00e9 se glisse dessous ; la voix d\u2019Almond arrive d\u00e9j\u00e0 trop, suppliante et exhibitionniste dans le m\u00eame souffle. Le maxi ne finit pas : il passe directement \u00e0 \u201cWhere Did Our Love Go\u201d. Almond a d\u00e9crit le r\u00e9sultat comme une \u00e9lectronique froide portant une voix trop passionn\u00e9e, trop exub\u00e9rante, l\u00e9g\u00e8rement fausse. C\u2019est toute la m\u00e9thode. Jones a plus tard dit qu\u2019elle aimait l\u2019\u00e9motion de sa voix et que la version Soft Cell \u00e9tait meilleure que la sienne. Il a aussi admis avoir un temps d\u00e9test\u00e9 le titre, parce que Soft Cell \u00e9tait plus qu\u2019une reprise, ce qui est vrai, alors que la radio avait d\u00e9j\u00e0 tranch\u00e9 pour programmateurs et danseurs.<\/p>\n

\u00c0 la t\u00e9l\u00e9, Almond en eyeliner et Ball derri\u00e8re un clavier avaient l\u2019air d\u2019une blague que les classements n’\u00e9taient pas pr\u00eats \u00e0 raconter, puis les classements l’ont racont\u00e9e toutes les heures. En club le maxi \u00e9tait le point : les DJ pouvaient vivre dans l\u2019encha\u00eenement, deux chansons sur l\u2019amour rat\u00e9 cousues en une longue sortie. L\u2019original est un disque soul sur l\u2019affection g\u00e2t\u00e9e ; la reprise est un morceau synth\u00e9 clair avec la m\u00eame plainte chant\u00e9e par un homme pr\u00eat \u00e0 pleurer ou rire. Enlevez le riff ou la voix-personnage et le disque s’amincit ; ensemble ils restent un peu rugueux, ce qui allait \u00e0 la synth-pop du d\u00e9but des ann\u00e9es 80 qui voulait encore une accroche.<\/p>\n

Quarante ans plus tard, samples, cris de mariage et gens qui n\u2019ont jamais entendu Gloria Jones gardent la version Soft Cell en circulation. La chanson de Cobb parlait d\u00e9j\u00e0 d\u2019un amour qui tache ; Soft Cell l’a chant\u00e9e sur un synth\u00e9 clair. La dette d\u2019Almond envers Jones et envers le cercle de Marc Bolan via sa seconde vie en northern soul, est dans le jeu, pas dans un discours. Il chante comme si le sentiment \u00e9tait plus grand que les notes et les notes, froides et pr\u00e9cises, refusent de gonfler avec lui. Cet \u00e9cart, fond froid contre une voix qui pousse, c’est le disque et il marche encore quand une bo\u00eete \u00e0 rythmes claque en magasin ou en club.<\/p>\n

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\n

Un m\u00e9lange d’\u00e9lectronique froide et d’une voix trop passionn\u00e9e, trop exub\u00e9rante, l\u00e9g\u00e8rement fausse.<\/p>\n<\/blockquote>\n

(Marc Almond, 1000 UK Number One Hits)<\/em><\/p>\n

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Tainted Love n\u2019a pas invent\u00e9 les reprises synth-pop. Il a plac\u00e9 une face B northern soul sur la radio de 1981 avec une bo\u00eete \u00e0 rythmes et une voix qui refusait le cool. Le No. 1 UK est le chiffre du classement. L’encha\u00eenement du maxi est ce que les clubs ont gard\u00e9. Les DJ s’y fient encore.<\/p>\n

Appuyez sur play pour le claquement et la premi\u00e8re supplique. Gloria Jones a port\u00e9 le secret d\u2019abord. Soft Cell a gard\u00e9 le synth\u00e9 clair et laiss\u00e9 le contraste de voix intact.<\/p>\n

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Tainted Love de Soft Cell (1981) : reprise Gloria Jones, Mike Thorne, Non-Stop Erotic Cabaret, UK No. 1.<\/p>\n","protected":false},"author":1,"featured_media":8595,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[457,1076],"class_list":["post-8599","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-newwave-electro-triphop-fr","tag-soft-cell-fr","post_format-post-format-video"],"yoast_head":"\nSoft Cell - Tainted Love - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Tainted Love de Soft Cell (1981) : reprise Gloria Jones, Mike Thorne, Non-Stop Erotic Cabaret, UK No. 1.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/tainted-love-soft-cell-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Soft Cell - 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