{"id":8605,"date":"2018-03-24T16:00:00","date_gmt":"2018-03-24T15:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/dont-go-yazoo-2\/"},"modified":"2026-11-09T07:10:48","modified_gmt":"2026-11-09T06:10:48","slug":"dont-go-yazoo-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/dont-go-yazoo-2\/","title":{"rendered":"Yazoo – Don\u2019t Go"},"content":{"rendered":"

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Upstairs at Eric\u2019s 1982 : face B Mute que la radio n\u2019a pas l\u00e2ch\u00e9e<\/h3>\n

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Don\u2019t Go<\/em> commence comme une face B. Apr\u00e8s Only You<\/em>, Vince Clarke a besoin d\u2019un verso ; il \u00e9crit vite une m\u00e9lodie plus droite, genre Speak and Spell, qu\u2019Alison Moyet courbe avec ce qu\u2019elle appellera plus tard un style Canvey Delta, phras\u00e9 blues sur squelette pop. Ils enregistrent \u00e0 Blackwing dans le sud de Londres avec Eric Radcliffe, souvent d\u00e8s six heures du matin parce qu\u2019un autre acte Mute a la pi\u00e8ce ensuite. Daniel Miller de Mute passe. Le titre atterrit sur l\u2019album Mute 1982 Upstairs at Eric\u2019s<\/em> et passe en face A quand les programmateurs refusent de le laisser au verso.<\/p>\n

Une basse synth\u00e9 saute sous la voix qui n\u00e9gocie de Moyet ; les machines de Clarke restent claires et nettes tandis que sa voix remplit les vides comme une chanteuse de pubs. Dur\u00e9e autour de trois minutes ; le refrain r\u00e9p\u00e8te le titre comme une demande courte. Moyet vient des salles blues de Southend ; Clarke sort de Depeche Mode apr\u00e8s Speak & Spell<\/em>. Don\u2019t Go prouve que le duo bref peut porter la radio dance sans gommer son attaque ni transformer ses machines en fond sonore.<\/p>\n

Au Royaume-Uni le single atteint la 3e place ; en Europe il devient un pilier de club et une carte Mute pour une synth-pop capable de porter une voix ancr\u00e9e soul. Top of the Pops et le clip placent la pr\u00e9sence de Moyet \u00e0 c\u00f4t\u00e9 de la silhouette clavier de Clarke. Les remixes maxi prolongent le club, mais le 45 tours reste la version des radios : basse qui saute, supplique vocale, pas de milieu mou. En live, le morceau marche comme chant collectif m\u00eame quand le duo se fissure.<\/p>\n

Clarke formera Erasure ; Moyet enregistrera des albums solo en gardant le phras\u00e9 blues. Don\u2019t Go reste le document de leur chevauchement : face B \u00e9crite vite, chant\u00e9e fort, pouss\u00e9e jusqu\u2019aux charts. Parmi les singles Mute du d\u00e9but des ann\u00e9es 80, il sonne encore comme une pi\u00e8ce o\u00f9 machine et chanteuse de pub partagent le m\u00eame micro sur le disque. Compilations et DJ de mariage le recyclent ; la prise Blackwing garde peu d’\u00e9cho de la session du matin que certains remixes poliissent trop.<\/p>\n

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\n

Quand nous avions enregistr\u00e9 Only You et d\u00e9cid\u00e9 de le sortir, il nous fallait une face B, alors Vince a \u00e9crit Don’t Go tr\u00e8s vite. La m\u00e9lodie d’origine \u00e9tait beaucoup plus droite, comme une chanson de Speak and Spell, alors je l’ai arrondie avec mon style de Canvey.<\/p>\n<\/blockquote>\n

(Alison Moyet, 2022)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb18134″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790422349{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Don\u2019t Go n\u2019a pas invent\u00e9 la synth-soul. Il a plac\u00e9 une face B Mute sur la radio de jour avec la basse claire de Clarke et le refrain de Moyet. Le No. 3 UK est le chiffre du classement. Les horaires t\u00f4t \u00e0 Blackwing sont ce qui a gard\u00e9 la prise simple.<\/p>\n

Appuyez sur play pour la basse qui saute. Only You a ouvert la porte. Les programmateurs n’ont pas voulu le laisser au verso. Il est pass\u00e9 en face A.<\/p>\n

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Don\u2019t Go de Yazoo (1982) : face B Vince Clarke pour Only You, Alison Moyet, Blackwing\/Mute, UK No. 3.<\/p>\n","protected":false},"author":1,"featured_media":8601,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[457,1078],"class_list":["post-8605","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-newwave-electro-triphop-fr","tag-yazoo-fr","post_format-post-format-video"],"yoast_head":"\nYazoo - Don\u2019t Go - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Don\u2019t Go de Yazoo (1982) : face B Vince Clarke pour Only You, Alison Moyet, Blackwing\/Mute, UK No. 3.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/dont-go-yazoo-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yazoo - 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