{"id":8641,"date":"2017-05-09T11:00:00","date_gmt":"2017-05-09T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/take-on-me-a-ha-2\/"},"modified":"2026-11-09T07:10:06","modified_gmt":"2026-11-09T06:10:06","slug":"take-on-me-a-ha-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/take-on-me-a-ha-2\/","title":{"rendered":"A-ha – Take On Me"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Hunting High and Low 1985 : troisi\u00e8me essai, bo\u00eete \u00e0 rythmes, riff verrouill\u00e9<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Take On Me<\/em> est le single r\u00e9v\u00e9lation du premier album Warner Bros. d\u2019a-ha, Hunting High and Low<\/em> (1985). P\u00e5l Waaktaar-Savoy et Magne Furuholmen \u00e9crivent ; Morten Harket chante le refrain aigu qu\u2019il a refus\u00e9 d\u2019appeler un num\u00e9ro. Une premi\u00e8re version 1984 produite par Tony Mansfield peine \u00e0 classer. Warner les laisse recouper avec Alan Tarney ; cette prise atteint la 2e place au Royaume-Uni et le No. 1 du Billboard Hot 100. Une bo\u00eete \u00e0 rythmes et le riff clavier de Furuholmen se verrouillent d\u00e8s la premi\u00e8re mesure ; la voix de Harket monte en voix de fausset, prise avec peu d’\u00e9cho, assez claire \u00e0 la radio de jour.<\/p>\n

Le clip de Steve Barron, rotoscop\u00e9 par Michael Patterson et Candace Reckinger, fait passer une fille au crayon d\u2019une BD dans un caf\u00e9 en partie tourn\u00e9 au Kim\u2019s Cafe \u00e0 Londres. MTV le diffuse en boucle ; on ne s\u00e9pare pas le hit de cet hybride prise de vue \/ dessin. Dur\u00e9e autour de trois minutes quarante-cinq. L\u2019arrangement reste clair et net : couplet comme invitation, refrain comme le saut que Harket chante plut\u00f4t que d\u2019obtenir par effets. La synth-pop norv\u00e9gienne arrivant tard dans les charts britanniques et am\u00e9ricains du milieu des ann\u00e9es 80 avait besoin d\u2019un visuel pour voyager ; le rotoscope l\u2019a fourni sans noyer le morceau.<\/p>\n

En live, Harket prend encore la note aigu\u00eb comme une mont\u00e9e mesur\u00e9e. Remixes et versions acoustiques montrent la force de la m\u00e9lodie sans la bo\u00eete \u00e0 rythmes, mais les radios reviennent \u00e0 la prise Tarney. Dans la carri\u00e8re, le single ouvre les ar\u00e8nes \u00e0 un trio qui aurait pu rester un acte europ\u00e9en de culte. Hunting High and Low porte aussi The Sun Always Shines on T.V. ; Take On Me reste le titre que la plupart des oreilles entendent d’abord.<\/p>\n

Des d\u00e9cennies de karaok\u00e9s, pubs et m\u00e8mes n\u2019ont pas vid\u00e9 le riff. Les reprises courent souvent apr\u00e8s le fausset et ratent la figure de clavier verrouill\u00e9e qui fait atterrir le refrain. Dans le catalogue a-ha, ce titre documente la persistance : trois essais studio, un No. 1 am\u00e9ricain et un clip qui a appris \u00e0 MTV comment vendre un groupe norv\u00e9gien \u00e0 des salons qui n\u2019avaient jamais entendu de synth-pop d\u2019Oslo.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

La note aigu\u00eb n’\u00e9tait pas un num\u00e9ro. La m\u00e9lodie allait l\u00e0 et moi aussi.<\/p>\n<\/blockquote>\n

(Morten Harket, interview)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00a0\u00bb6570″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790422700{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Take On Me n\u2019a pas invent\u00e9 le saut de refrain synth\u00e9. Il a plac\u00e9 une reprise Tarney et un caf\u00e9 rotoscop\u00e9 sur le Hot 100 apr\u00e8s l\u2019\u00e9chec du premier essai Mansfield. Le No. 1 est le chiffre du classement. Harket a refus\u00e9 d’appeler la note un num\u00e9ro : il dit que la m\u00e9lodie allait l\u00e0.<\/p>\n

Appuyez sur play pour le riff verrouill\u00e9. Le dessin, c’est le clip. Harket suit la m\u00e9lodie jusqu’\u00e0 la note aigu\u00eb.<\/p>\n

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Take On Me d\u2019A-ha (Hunting High and Low, 1985) : prise Alan Tarney, clip rotoscope Barron, Billboard No. 1.<\/p>\n","protected":false},"author":1,"featured_media":10554,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[577,457],"class_list":["post-8641","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-a-ha-fr","tag-newwave-electro-triphop-fr","post_format-post-format-video"],"yoast_head":"\nA-ha - Take On Me - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Take On Me d\u2019A-ha (Hunting High and Low, 1985) : prise Alan Tarney, clip rotoscope Barron, Billboard No. 1.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/take-on-me-a-ha-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A-ha - 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