{"id":8647,"date":"2026-04-02T11:00:00","date_gmt":"2026-04-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/everybody-wants-to-rule-the-world-tears-for-fears-2\/"},"modified":"2026-09-19T23:59:14","modified_gmt":"2026-09-19T21:59:14","slug":"everybody-wants-to-rule-the-world-tears-for-fears-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/everybody-wants-to-rule-the-world-tears-for-fears-2\/","title":{"rendered":"Everybody Wants to Rule the World – Tears for Fears"},"content":{"rendered":"

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Un shuffle qui a failli mourir de son texte<\/h3>\n

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Deux accords clairs sur une guitare acoustique, un shuffle qui devrait appartenir \u00e0 un groupe plus l\u00e9ger, et la voix de Curt Smith entre comme si le soleil \u00e9tait une couverture pour une phrase plus froide.<\/p>\n

Everybody Wants to Rule the World<\/em> est \u00e9crite par Roland Orzabal, Ian Stanley et le producteur Chris Hughes pour Songs from the Big Chair<\/em>, sorti en 1985. Orzabal arrive avec deux accords et un titre qu’il n’aime pas, Everybody Wants to Go to War<\/em>, un haussement d’\u00e9paules de guerre froide qu’il sait faux. Sa femme Caroline aime la musique. Lui n’aime pas les mots, et une chanson dont l’auteur rejette le texte, a-t-il dit, meurt. Hughes ne la laisse pas mourir. \u00c0 la fin des s\u00e9ances il les fait passer une heure dessus, encore et encore, jusqu’\u00e0 ce qu’Orzabal trouve la figure de guitare et change war en rule. Smith la chante. Le shuffle, \u00e9tranger \u00e0 la pulsation carr\u00e9e de Shout<\/em>, est b\u00e2ti sur des rythmes qu’ils donnaient \u00e0 une LinnDrum, cousins de Waterfront<\/em> de Simple Minds. Hughes a programm\u00e9 l’ossature sur un petit s\u00e9quenceur et a vu la piste presque se mixer toute seule.<\/p>\n

Le single atteint le num\u00e9ro un en Am\u00e9rique et le num\u00e9ro deux en Grande-Bretagne, la chanson d’\u00e9t\u00e9 d’un groupe qu’on croyait s\u00e9v\u00e8re. Smith a dit que les th\u00e8mes sont s\u00e9rieux, le pouvoir, la guerre, la mis\u00e8re de tout cela, habill\u00e9s en promenade vitres baiss\u00e9es. Cet habit est le g\u00e9nie de la production. Rien sur Songs from the Big Chair<\/em> n’est aussi l\u00e9ger, et la l\u00e9g\u00e8ret\u00e9 est ce qui laisse la ligne sur le gouvernement du monde entrer dans une voiture sans le\u00e7on. Orzabal, qui n’en voulait pas, s’est retrouv\u00e9 avec le hook de guitare que les gens fredonnent quand ils ne se souviennent plus du couplet. Hughes a appel\u00e9 l’enregistrement, comme histoire, d’un fade absolu, et c’\u00e9tait un compliment. C’\u00e9tait trop vite fait pour \u00eatre trop travaill\u00e9.<\/p>\n

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Elle s’appelait \u00e0 l’origine Everybody Wants to Go to War, ce que je savais ne pas marcher. Quand on est un auteur qui n’aime pas le texte, la chanson meurt.<\/p>\n<\/blockquote>\n

(Roland Orzabal, Classic Pop)<\/em><\/p>\n

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En concert, Smith la chante encore, et la salle la traite comme une m\u00e9t\u00e9o, bienvenue, attendue, un peu sentimentale. La figure de guitare, haute et claire, est la partie qui se photographie. Dessous le texte ne s’est pas adouci. Tout le monde veut r\u00e9gner. La chanson n’exempte pas le chanteur, ni l’auditeur dans la d\u00e9capotable. Tears for Fears a pass\u00e9 l’album \u00e0 parler de cris primaux et de contr\u00f4le. Cette piste est celle qui a mis le diagnostic \u00e0 la radio entre les pubs, et elle a march\u00e9 parce que le shuffle sourit. Un sermon \u00e0 ce tempo aurait \u00e9chou\u00e9. Un hook avec un couteau dedans, non.<\/p>\n

Ce qui reste, c’est le titre corrig\u00e9. Go to war \u00e9tait trop frontal, un tract. Rule the world est la m\u00eame peur portant une m\u00e9lodie qu’on peut siffler, ce qui est plus dangereux et plus honn\u00eate. L’heure de Hughes en fin de journ\u00e9e, la persistance ennuyeuse d’un producteur, a sauv\u00e9 une chanson que l’auteur avait presque enterr\u00e9e. La voix de Smith, plus l\u00e9g\u00e8re que celle d’Orzabal, est le bon messager. Il a l’air de profiter de l’apr\u00e8s-midi et de vous en dire la v\u00e9rit\u00e9. Les deux sont dans le disque. Le soleil est vrai. La phrase aussi.<\/p>\n

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Deux accords clairs sur une guitare acoustique, un shuffle qui devrait appartenir \u00e0 un groupe plus l\u00e9ger, et la voix de Curt Smith entre comme si le soleil \u00e9tait une couverture pour une phrase plus froide.<\/p>\n","protected":false},"author":1,"featured_media":8643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[651],"class_list":["post-8647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-tears-for-fears"],"yoast_head":"\nEverybody Wants to Rule the World - Tears for Fears - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/everybody-wants-to-rule-the-world-tears-for-fears-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Everybody Wants to Rule the World - 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