{"id":8659,"date":"2026-05-16T16:00:00","date_gmt":"2026-05-16T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/time-after-time-cyndi-lauper-2\/"},"modified":"2026-09-19T23:59:15","modified_gmt":"2026-09-19T21:59:15","slug":"time-after-time-cyndi-lauper-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/time-after-time-cyndi-lauper-2\/","title":{"rendered":"Time After Time – Cyndi Lauper"},"content":{"rendered":"

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Un titre emprunt\u00e9 \u00e0 un programme t\u00e9l\u00e9<\/h3>\n

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Une batterie douce et une figure de clavier commencent comme une horloge dans une autre pi\u00e8ce, et la voix de Cyndi Lauper entre sans costume, allong\u00e9e, \u00e0 l’\u00e9coute, promettant d\u00e9j\u00e0 de rattraper quelqu’un s’il tombe.<\/p>\n

Elle \u00e9crit Time After Time<\/em> avec Rob Hyman des Hooters \u00e0 la fin des s\u00e9ances de She’s So Unusual<\/em>, au Record Plant de New York, Rick Chertoff \u00e0 la production. Les autres singles, les dr\u00f4les, sont d\u00e9j\u00e0 en bo\u00eete. Chertoff veut une chanson de plus. Hyman s’assoit au piano. Lauper a un titre vu dans TV Guide, un film de science-fiction de 1979, et elle le veut comme bouche-trou, quelque chose \u00e0 chanter en attendant un vrai nom. Chaque fois qu’elle essaie de l’\u00f4ter, la chanson s’effondre. Le texte vient de leurs deux relations bless\u00e9es, une valise de souvenirs, une horloge cass\u00e9e et remplac\u00e9e par une plus bruyante, la trotteuse qui se d\u00e9roule. Hyman joue et chante l’harmonie qu’on entend. Le single sort en 1984 et va au num\u00e9ro un en Am\u00e9rique. C’est la ballade qui emp\u00eache de la classer parmi les gadgets.<\/p>\n

Elle a racont\u00e9 \u00e0 la Biblioth\u00e8que du Congr\u00e8s la magie pratique de la chose. Le titre \u00e9tait un film dans un magazine. Elle ne comptait pas le garder. Puis elle n’a pas pu l’enlever. \u00c0 un moment, a-t-elle dit, c’\u00e9tait comme une main sur l’\u00e9paule, et elle a \u00e9crit la promesse : si tu tombes, je te rattraperai. Hyman se souvient du refrain plus vite au d\u00e9but, presque reggae, qui ralentit en chose douce-am\u00e8re quand les mots arrivent. Le disque est presque une premi\u00e8re prise, ce qu’on entend \u00e0 la fa\u00e7on dont sa voix risque une f\u00ealure et ne la r\u00e9pare pas. Chertoff a laiss\u00e9 la f\u00ealure. La pop de 1984 \u00e9tait pleine d’armures. Cette chanson a retir\u00e9 la sienne.<\/p>\n

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\n

J’avais ce titre, Time After Time. Je l’ai pris dans un TV Guide, le titre d’un film. Je ne comptais pas vraiment m’en servir. Puis je n’ai pas pu l’enlever.<\/p>\n<\/blockquote>\n

(Cyndi Lauper, Biblioth\u00e8que du Congr\u00e8s)<\/em><\/p>\n

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D’autres sont entr\u00e9s ensuite, Miles Davis parmi eux, et ont trouv\u00e9 un standard cach\u00e9 dans un premier album. Les reprises ont tendance \u00e0 le ralentir encore, \u00e0 en faire un night-club. L’original est encore un peu gauche, un peu clair, un studio new-yorkais \u00e0 la fin d’un long disque, deux auteurs qui perdaient quelqu’un. Lauper la chante en concert comme le moment o\u00f9 le spectacle cesse de plaisanter. Les cheveux peuvent \u00eatre de n’importe quelle couleur. La promesse reste. Si tu es perdu, tu peux chercher, et tu me trouveras. C’est une grande promesse. La m\u00e9lodie la rend possible, ce qui est soit un r\u00e9confort soit un beau mensonge, et la chanson est assez adulte pour \u00eatre les deux.<\/p>\n

Ce qui reste, c’est l’horloge. Pas le film de science-fiction, que presque plus personne ne relie au refrain, mais la trotteuse du texte, le temps qui avance pendant que deux personnes n’arrivent pas \u00e0 rester immobiles. La figure de clavier de Hyman est cette aiguille. La voix de Lauper est la personne qui la regarde. Un titre vol\u00e9 \u00e0 une page de programmes est devenu la chose la plus s\u00e9rieuse d’un disque que le public croyait une f\u00eate. Elle a gard\u00e9 les chansons dr\u00f4les. Elle a aussi gard\u00e9 celle-ci, celle qu’elle a failli renommer, et qu’elle n’a pas pu, parce que le nom \u00e9tait d\u00e9j\u00e0 devenu le sentiment.<\/p>\n

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Une batterie douce et une figure de clavier commencent comme une horloge dans une autre pi\u00e8ce, et la voix de Cyndi Lauper entre sans costume, allong\u00e9e, \u00e0 l’\u00e9coute, promettant d\u00e9j\u00e0 de rattraper quelqu’un s’il tombe.<\/p>\n","protected":false},"author":1,"featured_media":8655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[841],"class_list":["post-8659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-cyndi-lauper"],"yoast_head":"\nTime After Time - Cyndi Lauper - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/time-after-time-cyndi-lauper-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Time After Time - 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