{"id":8761,"date":"2026-08-11T09:00:00","date_gmt":"2026-08-11T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/interstate-love-song-stone-temple-pilots-2\/"},"modified":"2026-09-19T23:59:29","modified_gmt":"2026-09-19T21:59:29","slug":"interstate-love-song-stone-temple-pilots-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/interstate-love-song-stone-temple-pilots-2\/","title":{"rendered":"Interstate Love Song – Stone Temple Pilots"},"content":{"rendered":"

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Une guitare \u00e0 vingt-cinq dollars, et un mensonge propre depuis Atlanta<\/h3>\n

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Le riff tinte puis se fait plus lisse, country dans les doigts, quelque chose de plus fluide dans le refrain, comme si deux chansons avaient accept\u00e9 de partager une voiture. La voix de Scott Weiland tient la ligne entre un accent tra\u00eenant et un d\u00e9fi. Interstate Love Song<\/em> sonne, au premier passage, comme un homme en mouvement \u00e0 qui quelqu’un manque. Restez pour le second couplet et le mouvement est le probl\u00e8me. Il est au t\u00e9l\u00e9phone. Il va bien. Il ne va pas bien. Le groupe joue comme si le soleil faisait partie de la couverture.<\/p>\n

Robert DeLeo a \u00e9crit la musique sur une guitare \u00e0 cordes nylon qui co\u00fbtait vingt-cinq dollars, pendant la tourn\u00e9e de Core<\/em>, dans une chambre d’h\u00f4tel puis dans la remorque derri\u00e8re le Winnebago, appelant les autres au talkie-walkie quand les accords sonnaient vrai. \u00c7a commen\u00e7ait en bossa-nova, une forme \u00e0 la Antonio Carlos Jobim dont il ne croyait pas qu’un public rock la garderait. Il a ajout\u00e9 une figure country. Quand Weiland l’a entendue, il a fredonn\u00e9 la m\u00e9lodie de l’intro jusqu’\u00e0 en faire un refrain. Les mots sont venus plus tard, \u00e0 Atlanta, o\u00f9 le groupe a enregistr\u00e9 Purple<\/em> en 1994 avec Brendan O’Brien aux Southern Tracks. La fianc\u00e9e de Weiland, Jannina Castaneda, \u00e9tait rest\u00e9e en Californie. Elle s’\u00e9tait \u00e9loign\u00e9e de l’h\u00e9ro\u00efne. Pas lui. Chaque soir il lui disait qu’il avait d\u00e9croch\u00e9. Le texte imagine qu’elle lit le silence. Il a chant\u00e9 la voix en une prise.<\/p>\n

Le clip de Kevin Kerslake a rendu le mensonge visible avec un nez de Pinocchio, un slapstick de film muet sur une chanson qui ne plaisantait pas. \u00c0 la radio le twang a gagn\u00e9. Interstate Love Song<\/em> est devenu le morceau qui a surv\u00e9cu \u00e0 la dispute sur le fait de savoir si Stone Temple Pilots \u00e9taient une copie de Seattle, parce qu’il ne sonnait pas comme Seattle. Il sonnait comme une autoroute et une mauvaise promesse. En concert, Weiland pouvait en faire du th\u00e9\u00e2tre ou une confession, selon l’ann\u00e9e et le sang. DeLeo a dit qu’il aimerait encore l’enregistrer, un jour, en bossa-nova, comme elle \u00e9tait.<\/p>\n

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Il y a plusieurs th\u00e8mes. L’honn\u00eatet\u00e9, le manque d’honn\u00eatet\u00e9, ma nouvelle relation avec l’h\u00e9ro\u00efne. Tout le temps o\u00f9 j’\u00e9tais \u00e0 Atlanta, je lui disais que j’avais d\u00e9croch\u00e9.<\/p>\n<\/blockquote>\n

(Scott Weiland, Blender, 2005)<\/em><\/p>\n

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Weiland, dans une conversation de 2005 avec Blender<\/em> et plus tard dans les m\u00e9moires Not Dead & Not for Sale<\/em>, a cess\u00e9 de laisser le soleil tenir debout. Les th\u00e8mes \u00e9taient l’honn\u00eatet\u00e9 et son absence, une nouvelle relation avec l’h\u00e9ro\u00efne, les semaines \u00e0 Atlanta pass\u00e9es \u00e0 jurer qu’il \u00e9tait clean. La main dans la honte rouill\u00e9e n’est pas une m\u00e9taphore de route. C’est un homme qui s’entend mentir et \u00e9crit le c\u00f4t\u00e9 de l’autre au bout du fil. La production d’O’Brien garde les guitares assez claires pour qu’on puisse manquer \u00e7a. La clart\u00e9 n’est pas un accident. C’est ainsi que l’appel sonnait pour la personne qui voulait le croire.<\/p>\n

Ce qui reste, c’est l’accord de la guitare bon march\u00e9, encore en voyage. Interstate Love Song<\/em> permet de chanter le hook sans l’h\u00e9ro\u00efne, puis refuse, si l’on lit, que le hook ne soit qu’un hook. L’interstate est la distance qu’il faut au mensonge pour marcher. On raccroche, et le riff continue.<\/p>\n

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Le riff tinte puis se fait plus lisse, country dans les doigts, quelque chose de plus fluide dans le refrain, comme si deux chansons avaient accept\u00e9 de partager une voiture.<\/p>\n","protected":false},"author":1,"featured_media":8757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[855],"class_list":["post-8761","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-stone-temple-pilots"],"yoast_head":"\nInterstate Love Song - Stone Temple Pilots - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/interstate-love-song-stone-temple-pilots-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interstate Love Song - 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