{"id":8767,"date":"2024-08-03T11:00:00","date_gmt":"2024-08-03T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/killing-in-the-name-rage-against-the-machine-2\/"},"modified":"2026-11-09T07:14:11","modified_gmt":"2026-11-09T06:14:11","slug":"killing-in-the-name-rage-against-the-machine-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/killing-in-the-name-rage-against-the-machine-2\/","title":{"rendered":"Rage Against The Machine – Killing in the Name"},"content":{"rendered":"

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Debut Epic 1992 : figure drop-D avant le juron<\/h3>\n

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Killing in the Name<\/em> ouvre l\u2019album \u00e9ponyme de Rage Against The Machine, sorti le 3 novembre 1992 chez Epic apr\u00e8s la formation du groupe \u00e0 Los Angeles en 1991. Tom Morello trouve la figure de guitare en drop D en montrant l\u2019accordage \u00e0 un \u00e9l\u00e8ve ; il interrompt le cours, l\u2019enregistre et l\u2019apporte \u00e0 la r\u00e9p\u00e9. La batterie de Brad Wilk rebondit presque claire au d\u00e9but ; la basse de Tim Commerford ressort sous la caisse claire. Pendant quelques mesures, la pi\u00e8ce pourrait passer pour une f\u00eate. Puis Zack de la Rocha \u00e9nonce une accusation sur des forces qui font des croix, sans d\u00e9corer la phrase.<\/p>\n

Ils \u00e9crivent le morceau avant d\u2019avoir jou\u00e9 un vrai concert. Une bande pr\u00e9coce de Cal State Northridge s\u2019ouvre sur l\u2019instrumental, rebond de Commerford d\u00e9j\u00e0 l\u00e0, paroles pas encore. De la Rocha les ajoute plus tard, dans la chaleur des infos police de Los Angeles cette ann\u00e9e-l\u00e0. Le producteur Garth Richardson et le mixeur Andy Wallace gardent des guitares s\u00e8ches et devant, \u00e0 Sound City et ailleurs sur les sessions. Dur\u00e9e autour de cinq minutes ; la fin est un refus r\u00e9p\u00e9t\u00e9 que les foules live traitent comme un vote.<\/p>\n

En Grande-Bretagne, la radio de jour grimace devant les jurons et passe quand m\u00eame le single ; il devient un pilier durable du rock radio UK. Aux \u00c9tats-Unis, la version expurg\u00e9e am\u00e9ricaine limait le propos et le titre n\u2019a jamais tenu le Hot 100 comme les singles suivants du groupe. Les festivals gardent encore le dernier refrain pour tout le champ. Morello a dit que quitter avant ce cri, c\u2019est rater ce que le morceau dit. La politique est institutionnelle, pas un refus vague d\u2019adolescent : croix, badges et qui a le droit de donner des ordres.<\/p>\n

Morello a plus tard li\u00e9 le refus \u00e0 la phrase de Frederick Douglass : le pouvoir ne c\u00e8de rien sans demande. Sur le disque, la demande est de l\u2019anglais clair sur une figure de guitare trop bonne pour finir le cours. Parmi les singles rock crossover du d\u00e9but des ann\u00e9es 90, celui-ci documente encore comment un rythme qui penche funk peut porter une accusation civile sans ralentir en discours. Compilations et playlists de manif le rangent sous 1992 ; la prise instrumentale Northridge montre encore que le rebond a \u00e9t\u00e9 enregistr\u00e9 d\u2019abord.<\/p>\n

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Fuck you, I won’t do what you tell me, c’est un sentiment universel. M\u00eame si le texte est simple, je pense que c’est une des phrases les plus brillantes de Zack.<\/p>\n<\/blockquote>\n

(Tom Morello, Rolling Stone, 2020)<\/em><\/p>\n

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Killing in the Name a plac\u00e9 une accusation de Los Angeles chez Epic, avec la figure de guitare de la le\u00e7on interrompue de Morello et la diction claire de de la Rocha. La radio de jour britannique l\u2019a pass\u00e9 malgr\u00e9 les jurons. La bande de Northridge montre que l\u2019instrumental \u00e9tait pr\u00eat avant les paroles.<\/p>\n

La batterie rebondit au d\u00e9but. La basse passe sous la caisse claire. Puis le texte \u00e9nonce l\u2019accusation. En concert, le public crie encore la derni\u00e8re phrase.<\/p>\n

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Killing in the Name de Rage Against The Machine (1992) : figure drop-D de Morello, bounce Wilk\/Commerford, premier album Epic, bataille radio UK.<\/p>\n","protected":false},"author":1,"featured_media":8763,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[478,703],"class_list":["post-8767","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-hiphop-rap-fr","tag-rage-against-the-machine-fr","post_format-post-format-video"],"yoast_head":"\nRage Against The Machine - Killing in the Name - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Killing in the Name de Rage Against The Machine (1992) : figure drop-D de Morello, bounce Wilk\/Commerford, premier album Epic, bataille radio UK.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/killing-in-the-name-rage-against-the-machine-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rage Against The Machine - 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