{"id":8779,"date":"2026-03-05T11:00:00","date_gmt":"2026-03-05T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/lose-yourself-eminem-2\/"},"modified":"2026-09-19T23:59:31","modified_gmt":"2026-09-19T21:59:31","slug":"lose-yourself-eminem-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lose-yourself-eminem-2\/","title":{"rendered":"Lose Yourself – Eminem"},"content":{"rendered":"

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Un stylo tendu quand on criait action<\/h3>\n

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Une seule note de piano, puis une autre, fine comme un nerf. Le beat sous Lose Yourself<\/em> ne c\u00e9l\u00e8bre pas. Il transpire. Eminem rappe comme si la poche se fermait, les paumes d\u00e9j\u00e0 nomm\u00e9es, l’instant dit avant que l’histoire l’ait m\u00e9rit\u00e9. Le premier couplet est une sc\u00e8ne : un trou, une foule, un bus, un travail qui n’est pas celui-ci. On est dans un \u00e9chec qui n’a pas encore eu lieu, ce qui est le seul temps auquel la chanson croit. Apr\u00e8s, le refrain n’est pas une motivation d’affiche. C’est une menace que le narrateur se fait \u00e0 lui-m\u00eame, une chance, et la musique est d’accord en refusant de se d\u00e9tendre.<\/p>\n

Il l’a \u00e9crit sur le tournage de 8 Mile<\/em>, \u00e0 Detroit, en 2002, entre les prises. Il y avait une caravane avec un studio, s\u00e9par\u00e9e de celle o\u00f9 il dormait et de celle o\u00f9 il s’entra\u00eenait. Quand il n’apprenait pas son texte il avait un stylo. On criait action et il passait le papier \u00e0 quelqu’un avant d’entrer dans la sc\u00e8ne, parce que le film l’avait remis avant le nom, et que les lignes n’attendaient pas. Il a dit dans une interview de novembre qu’il fallait trouver un milieu : le film \u00e9tait Jimmy Smith Jr., pas lui, et une rime qui ne serait que le personnage sonnerait faux, tandis qu’une rime qui ne serait que Marshall ne tiendrait pas dans le cadre. Le tour \u00e9tait de commencer en B-Rabbit et de muter. Jeff Bass et Luis Resto ont b\u00e2ti le morceau avec lui. La chanson n’\u00e9tait pas dans les premi\u00e8res bandes-annonces. Le studio voulait Cleanin’ Out My Closet<\/em>. Il trouvait celle-l\u00e0 trop priv\u00e9e pour un film qui n’\u00e9tait pas un journal, et a \u00e9crit celle-ci \u00e0 la place.<\/p>\n

Mekhi Phifer s’est souvenu qu’on l’avait appel\u00e9 dans la caravane vers deux ou trois heures du matin, entre les plans, pour entendre une chanson qui avait d\u00e9j\u00e0 son nom dedans. Le monde ne l’avait pas encore. La bande originale et le film sont arriv\u00e9s ensemble, et la figure de piano a fait la publicit\u00e9 que les affiches ne pouvaient pas faire. En 2003 elle a gagn\u00e9 l’Oscar de la meilleure chanson originale, le premier disque hip-hop \u00e0 le faire, Bass et Resto sur la sc\u00e8ne avec lui. L’Oscar n’a pas ponc\u00e9 les coins. Le couplet rate encore.<\/p>\n

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Quand je ne r\u00e9p\u00e9tais pas ou que je n’essayais pas d’apprendre mes r\u00e9pliques pour le film, j’\u00e9crivais. J’avais un stylo en main, et quand on criait action, je devais donner le stylo et le papier \u00e0 quelqu’un et entrer dans la sc\u00e8ne.<\/p>\n<\/blockquote>\n

(Eminem, blackfilm.com, 2002)<\/em><\/p>\n

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L’apr\u00e8s a \u00e9t\u00e9 les salles de sport, les pubs, les discours, une culture qui a entendu la chance et ignor\u00e9 la naus\u00e9e. Eminem a v\u00e9cu avec cette lecture parce qu’elle est disponible. La plus \u00e9troite est sur la bande : un personnage et un interpr\u00e8te partageant une panique, \u00e9crite pendant que la panique \u00e9tait utile. Detroit n’est pas un d\u00e9cor. C’est la ligne de bus et le loyer. Enlevez \u00e7a et vous avez un slogan. Laissez-le et vous avez la raison pour laquelle le slogan tremble.<\/p>\n

Ce qui reste, c’est la passe du stylo. Lose Yourself<\/em> est une chanson sur le fait de capturer une mesure avant la cam\u00e9ra, puis de d\u00e9couvrir que la mesure \u00e9tait plus grande que la sc\u00e8ne. Le piano n’a pas vieilli en confort. Il sonne encore comme quelqu’un qui pourrait ne pas avoir une autre chance, ce qui est le seul tempo auquel le disque fait confiance.<\/p>\n

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