{"id":8785,"date":"2026-04-18T16:00:00","date_gmt":"2026-04-18T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/99-problems-jay-z-2\/"},"modified":"2026-09-19T23:59:31","modified_gmt":"2026-09-19T21:59:31","slug":"99-problems-jay-z-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/99-problems-jay-z-2\/","title":{"rendered":"99 Problems – Jay-Z"},"content":{"rendered":"

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Un beat rock, et un chien arriv\u00e9 trop tard<\/h3>\n

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La batterie frappe comme une porte. La production de Rick Rubin sur 99 Problems<\/em> ne swingue pas tant qu’elle ne prend son service : un break battu jusqu’\u00e0 devenir un fait, des guitares qui pourraient venir d’une d\u00e9cennie plus dure, Jay-Z qui entre d\u00e9j\u00e0 en plein argument. Le hook est une vantardise qui vous d\u00e9fie d’arr\u00eater d’\u00e9couter au nom. Il sait que vous pourriez. Il a construit la porte ainsi. Si vous restez, le second couplet est un contr\u00f4le routier, une vitesse qui n’est pas un crime, un flic qui a d\u00e9j\u00e0 d\u00e9cid\u00e9 \u00e0 quoi sert la voiture. L’astuce n’est pas une d\u00e9coration. C’est ainsi qu’un homme parle quand les deux parties ont l’habitude d’obtenir gain de cause, et qu’une seule a l’insigne.<\/p>\n

Le morceau est sur The Black Album<\/em>, paru en novembre 2003, dans la saison o\u00f9 Jay-Z annon\u00e7ait une retraite. Rubin a pris la forme du hook d’un disque plus ancien d’Ice-T, une vantardise sur les femmes, et l’a tourn\u00e9e, avec Jay, vers l’autre c\u00f4t\u00e9 du mot probl\u00e8mes. Le beat s’appuie sur le pi\u00e9tinement de The Big Beat<\/em> de Billy Squier, l’habitude de Rubin de faire sonner le hip-hop comme un groupe qui aurait enfonc\u00e9 la porte. Le clip de Mark Romanek, l’ann\u00e9e suivante, a mis en sc\u00e8ne une fusillade et oblig\u00e9 MTV \u00e0 coller un avertissement. La chanson n’avait pas besoin des balles. Le couplet avait d\u00e9j\u00e0 une violence plus pr\u00e9cise : un arr\u00eat sur l’autoroute, de la drogue dans la voiture, une fouille qui n’a pas lieu parce que le chien est ailleurs.<\/p>\n

Jay-Z l’a d\u00e9cortiqu\u00e9 avec Terry Gross sur Fresh Air<\/em> en 2010, et dans Decoded<\/em>. Conduire en \u00e9tant noir suffisait comme motif. Dans la version v\u00e9cue, a-t-il \u00e9crit, ils sont repartis et ont vu l’unit\u00e9 K-9 arriver en sens inverse, \u00e0 quelques secondes d’une autre vie. Dans la chanson il a laiss\u00e9 la fin ouverte, l’\u00e9crivain pr\u00e9f\u00e9rant l’ambigu\u00eft\u00e9 d’un western. Le mot qui vide les salles, a-t-il dit, \u00e9tait une provocation visant ceux qui entendent un mot-signal et s’arr\u00eatent. Dans ce couplet, la bitch est la chienne. Il a dit qu’il n’appelait pas une femme ainsi, et que la premi\u00e8re ligne \u00e9tait l\u00e0 pour entra\u00eener l’auditeur n\u00e9gligent sur le mauvais chemin. Le troisi\u00e8me couplet d\u00e9pense le m\u00eame nom sur un autre l\u00e2che. Le contexte, ou rien.<\/p>\n

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C’\u00e9tait l’\u00e9crivain en moi qui se montrait provocateur, parce que c’est ce que le rap doit \u00eatre parfois. Quand on remet \u00e7a dans le contexte, on comprend que je n’appelais aucune femme, \u00e0 part la chienne, une bitch dans cette chanson.<\/p>\n<\/blockquote>\n

(Jay-Z, NPR Fresh Air, 2010)<\/em><\/p>\n

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La lecture qui a surv\u00e9cu dans la culture est celle qu’il a app\u00e2t\u00e9e : des probl\u00e8mes de filles, aucun. La lecture sur la page est un contr\u00f4le, un peu de droit, un peu de chance. Les deux peuvent se crier. Une seule explique pourquoi le beat a les \u00e9paules si carr\u00e9es, pourquoi Rubin et Jay voulaient la brutalit\u00e9 du rock sous une histoire de qui a le droit d’ouvrir le coffre. La retraite n’a pas dur\u00e9. Le morceau n’en avait pas besoin. Il sonnait d\u00e9j\u00e0 comme un homme qui ferme un livre de comptes et retrouve la m\u00eame ligne encore ouverte.<\/p>\n

Ce qui reste, c’est le chien sur la voie d’en face. 99 Problems<\/em> garde sa blague et son affidavit dans la m\u00eame mesure. Riez du hook et vous avez fait ce que l’\u00e9crivain a dit que vous feriez. Lisez le couplet et la batterie est soudain un marteau, tardif, fort, et pas de votre c\u00f4t\u00e9.<\/p>\n

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