{"id":8859,"date":"2017-01-10T19:00:00","date_gmt":"2017-01-10T18:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/hey-boy-hey-girl-the-chemical-brothers-2\/"},"modified":"2026-11-09T07:09:57","modified_gmt":"2026-11-09T06:09:57","slug":"hey-boy-hey-girl-the-chemical-brothers-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/hey-boy-hey-girl-the-chemical-brothers-2\/","title":{"rendered":"The Chemical Brothers – Hey Boy Hey Girl"},"content":{"rendered":"

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Surrender, 21 juin 1999 : intro mince, puis le rythme arrive<\/h3>\n

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Hey Boy Hey Girl<\/em> est un single de l\u2019album des Chemical Brothers Surrender<\/em>, sorti le 21 juin 1999 chez Freestyle Dust et Virgin. Tom Rowlands et Ed Simons le produisent eux-m\u00eames. L\u2019intro reste claire et mince. Une voix appelle d\u00e9j\u00e0 hey boy, hey girl. Puis le rythme entre, avec un poids voulu. Le titre est con\u00e7u pour les festivals et pour tester la m\u00eame \u00e9nergie en voiture le mardi. Dur\u00e9e courante autour de quatre minutes et demie \u00e0 cinq. Le duo a pass\u00e9 les ann\u00e9es 90 \u00e0 montrer qu\u2019un disque dance peut porter un drame rock sans copier le look rock. Ici, la tension est l\u2019\u00e9cart avant la chute.<\/p>\n

Surrender<\/em> est l\u2019album o\u00f9 les morceaux de grande salle et les morceaux pour la maison tiennent dans la m\u00eame suite, \u00e0 c\u00f4t\u00e9 de titres comme Hey Boy Hey Girl<\/em>, Out of Control<\/em> et The Sunshine Underground<\/em>. Des classements suivent au Royaume-Uni et en Europe. Les playlists de club gardent la chute en rotation. Le clip place le cri parmi fus\u00e9es et corps. Il montre \u00e0 quoi sert le morceau. Dans un champ, ceux qui ne connaissent pas l\u2019album connaissent quand m\u00eame la chute.<\/p>\n

Rowlands a dit l\u2019avoir fait pour 2 h du matin le samedi et vouloir la m\u00eame charge un mardi apr\u00e8s-midi. Ce double objectif se voit au montage : combien de temps retenir le rythme, quelle part de voix laisser claire et \u00e0 quel moment la basse prend les notes chant\u00e9es. En concert, le duo utilise encore l\u2019intro pour faire bouger la salle. Les versions radio gardent le cri intelligible. Les maxi allongent l\u2019attente. Parmi les singles big-beat de la fin des ann\u00e9es 90, la rudesse est une d\u00e9cision calcul\u00e9e, pas seulement un accident de volume.<\/p>\n

Des d\u00e9cennies plus tard, les imitateurs ont repris le cri jusqu\u2019\u00e0 en faire une habitude. L\u2019original a encore la demi-seconde d\u2019\u00e9cart avant que le rythme frappe. Compilations et montages sportifs recyclent la chute. Les notes de session pointent encore un outil de club \u00e9crit pour voyager hors du club. Dans le catalogue des Chemical Brothers, il est le visage public de Surrender : un appel clair, un rythme retenu, puis le choc.<\/p>\n

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On a fait Hey Boy Hey Girl pour passer en club \u00e0 2 h du matin un samedi, mais on voulait que quelqu’un ressente la m\u00eame \u00e9nergie dans sa voiture un mardi apr\u00e8s-midi.<\/p>\n<\/blockquote>\n

(Tom Rowlands, NME, 2019)<\/em><\/p>\n

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Hey Boy Hey Girl n\u2019a pas invent\u00e9 la chute de festival. Il a plac\u00e9 une intro mince sur le calendrier Freestyle Dust\/Virgin de Surrender et r\u00e9gl\u00e9 le poids pour le samedi soir et le trafic du mardi. Les classements sont le r\u00e9sultat public. La demi-seconde retenue est dans le montage.<\/p>\n

La ligne claire est encore le d\u00e9but. Le cri a \u00e9t\u00e9 copi\u00e9 souvent. L\u2019original a encore l\u2019\u00e9cart.<\/p>\n

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Hey Boy Hey Girl des Chemical Brothers (Surrender, 1999) : chute Rowlands\/Simons, usage en festival, Freestyle Dust\/Virgin.<\/p>\n","protected":false},"author":1,"featured_media":8855,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,293],"tags":[457,1004],"class_list":["post-8859","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-titres","tag-newwave-electro-triphop-fr","tag-the-chemical-brothers-fr","post_format-post-format-video"],"yoast_head":"\nThe Chemical Brothers - Hey Boy Hey Girl - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Hey Boy Hey Girl des Chemical Brothers (Surrender, 1999) : chute Rowlands\/Simons, usage en festival, Freestyle Dust\/Virgin.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/titres\/hey-boy-hey-girl-the-chemical-brothers-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Chemical Brothers - 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