{"id":8865,"date":"2026-09-10T11:00:00","date_gmt":"2026-09-10T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/all-my-friends-lcd-soundsystem-2\/"},"modified":"2026-09-19T23:59:36","modified_gmt":"2026-09-19T21:59:36","slug":"all-my-friends-lcd-soundsystem-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/all-my-friends-lcd-soundsystem-2\/","title":{"rendered":"All My Friends – LCD Soundsystem"},"content":{"rendered":"

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Un piano qui ne se pose pas, \u00e0 la poursuite d’un gonflement de Joy Division<\/h3>\n

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Deux pianos, ou un piano qui refuse de se r\u00e9soudre, mart\u00e8lent une figure qui tr\u00e9buche puis refuse le tr\u00e9buchement comme excuse pour s’arr\u00eater. La voix n’entre pas avant longtemps. Quand James Murphy chante, il est d\u00e9j\u00e0 au milieu d’une liste : les choses qu’on fait quand on est jeune, les drogues, les nuits, les amis qui \u00e9taient le sujet. All My Friends<\/em> fait sept minutes et demie d’une f\u00eate qui sait qu’elle finit et laisse les lumi\u00e8res quand m\u00eame. La basse et la batterie arrivent comme des gens qui \u00e9taient dans la cuisine. Rien dans le morceau n’est un drop. C’est une accumulation, et l’accumulation est le sentiment qu’il poursuivait.<\/p>\n

Il l’a \u00e9crit, avec Pat Mahoney et Tyler Pope, pour Sound of Silver<\/em>, paru en 2007, depuis les pi\u00e8ces du DFA \u00e0 New York, Murphy \u00e0 la fin de la trentaine et fini de pr\u00e9tendre que la fin de la trentaine \u00e9tait une note en marge. Il a dit \u00e0 Mojo en janvier 2008 qu’il ne savait pas pourquoi la chanson touchait les gens, sauf qu’elle \u00e9tait un peu triste et que les gens sont vieux. Il essayait de poursuivre le sentiment de Transmission<\/em> de Joy Division, une chose qui commence douce et devient \u00e9crasante, la t\u00eate qui explose au moment o\u00f9 la danse est ordonn\u00e9e. Il entendait le m\u00eame d\u00e9sir dans un disque d’Arthur Russell, Go Bang<\/em> de Dinosaur L, le souhait le plus simple : voir tous ses amis d’un coup, avoir la chance de revenir. La r\u00e9p\u00e9tition du piano doit quelque chose au minimalisme, le genre de motif qui a l’air d’une erreur et n’en est pas une. Pitchfork et Mojo ont tous deux appel\u00e9 le morceau le meilleur de l’ann\u00e9e. Les lecteurs du Guardian ont fait quelque chose de proche. Les votes allaient \u00e0 une chanson sur les votes de plus en plus durs \u00e0 rassembler.<\/p>\n

En concert, la figure est un test d’endurance et de sentiment. Murphy crie where are your friends tonight comme si la question \u00e9tait encore ouverte, et les salles r\u00e9pondent en \u00e9tant les amis, gentillesse \u00e0 laquelle le texte ne croit qu’\u00e0 moiti\u00e9. La chanson ne gronde pas la jeunesse. Elle regrette son \u00e9chelle, la voile trop grande pour le bateau, m\u00e9taphore qu’il a utilis\u00e9e ailleurs et que ce morceau n’a pas besoin d’\u00e9noncer. On entend le regret dans le refus du piano de cadencer. Une ballade aurait pleur\u00e9 et fini. Celle-ci maintient la f\u00eate techniquement en cours.<\/p>\n

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\n

Je ne sais pas. C’est un peu triste et les gens sont vieux. J’essayais expr\u00e8s de poursuivre un sentiment que je tenais de Transmission de Joy Division, qui commence si doux et devient si \u00e9crasant.<\/p>\n<\/blockquote>\n

(James Murphy, Mojo, 2008)<\/em><\/p>\n

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Il a dit, plus tard, qu’All My Friends<\/em> est l’une des chansons o\u00f9 il a eu quelque chose de juste, pas forc\u00e9ment la mieux \u00e9crite, celle qui a pos\u00e9 son propos comme un cuisinier pose un poulet. La modestie est exacte. Le propos n’est pas malin. C’est le souhait d’avoir tout le monde dans une pi\u00e8ce avant que la pi\u00e8ce change de fonction. L’\u00e9crire \u00e0 trente-sept ans, sur un piano qui a l’air d’avoir appris sa partie chez Steve Reich et une gueule de bois, \u00e9tait le bon \u00e2ge. Plus jeune, et la tristesse aurait \u00e9t\u00e9 un costume. Plus vieux, et le costume aurait peut-\u00eatre gagn\u00e9.<\/p>\n

Ce qui reste, c’est le non-atterrissage. All My Friends<\/em> ne veut toujours pas s’asseoir. Les amis du titre sont un recensement que le chanteur sait rater, et l’\u00e9chec se danse, il ne se confesse pas dans une chanson plus petite.<\/p>\n

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Deux pianos, ou un piano qui refuse de se r\u00e9soudre, mart\u00e8lent une figure qui tr\u00e9buche puis refuse le tr\u00e9buchement comme excuse pour s’arr\u00eater.<\/p>\n","protected":false},"author":1,"featured_media":8861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[870],"class_list":["post-8865","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-lcd-soundsystem"],"yoast_head":"\nAll My Friends - LCD Soundsystem - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/all-my-friends-lcd-soundsystem-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"All My Friends - 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