{"id":8877,"date":"2026-09-03T11:00:00","date_gmt":"2026-09-03T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/last-nite-the-strokes-2\/"},"modified":"2026-09-19T23:59:36","modified_gmt":"2026-09-19T21:59:36","slug":"last-nite-the-strokes-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/last-nite-the-strokes-2\/","title":{"rendered":"Last Nite – The Strokes"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un riff qu’ils ont avou\u00e9, et une nuit qui ne se r\u00e9p\u00e9terait pas<\/h3>\n

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L’aller de mediator est si r\u00e9gulier qu’il semble emprunt\u00e9, ce qu’il est en partie. Julian Casablancas chante Last Nite<\/em> derri\u00e8re un rideau de sa propre indiff\u00e9rence, les mots sur le fait de partir, sur un amour d\u00e9j\u00e0 discut\u00e9 \u00e0 mort, livr\u00e9s comme si la discussion l’ennuyait et que l’ennui \u00e9tait la blessure. La guitare d’Albert Hammond Jr. garde la figure nette. Nikolai Fraiture et Fabrizio Moretti verrouillent une poche qui aurait pu venir d’une d\u00e9cennie moins ch\u00e8re et n’en venait pas. La chanson est courte. Elle n’explique pas la relation.<\/p>\n

Gordon Raphael a enregistr\u00e9 Is This It<\/em> au Transporterraum, sa petite pi\u00e8ce \u00e0 New York, en 2001, le groupe serr\u00e9 et les voix plus loin, Casablancas ayant demand\u00e9 un disque qui pourrait sonner comme un classique trouv\u00e9 dans le futur. Last Nite<\/em> fut le second single, sorti cet automne, et c’est lui qui a voyag\u00e9. La figure d’ouverture s’assoit pr\u00e8s d’American Girl<\/em> de Tom Petty, assez pr\u00e8s pour qu’on demande. Casablancas, cit\u00e9 dans Rolling Stone, n’a pas b\u00e2ti de d\u00e9fense. Ouais, on l’a pomp\u00e9e. Vous \u00e9tiez o\u00f9 ? Petty, en 2006, a dit que l’aveu l’avait fait rire, que \u00e7a ne le d\u00e9rangeait pas, et les Strokes ont plus tard assur\u00e9 des premi\u00e8res parties pour lui, absolution plus rare que la plupart des riffs emprunt\u00e9s n’en re\u00e7oivent. Le solo hoche ailleurs, vers Freddie King. La chanson est un collage qui fait semblant d’\u00eatre un seul geste. Le semblant a march\u00e9 parce que le geste \u00e9tait serr\u00e9.<\/p>\n

En Grande-Bretagne le single en a fait le groupe dont la semaine parlait. \u00c0 New York ils \u00e9taient d\u00e9j\u00e0 une rumeur avec un blouson de cuir. Le clip est le groupe dans une pi\u00e8ce, budget correct pour une chanson sur une pi\u00e8ce qu’on a quitt\u00e9e. En concert, Last Nite<\/em> est devenue celle que Casablancas a depuis appel\u00e9e \u00e0 peu pr\u00e8s morte pour lui, un morceau qu’il couperait peut-\u00eatre s’il passait \u00e0 la radio, tout en nommant d’autres qui bougent encore une foule sans le fatiguer autant. Cette fatigue est une sorte de preuve. La chanson a si compl\u00e8tement fait son travail que le chanteur ne peut plus l’entendre comme une chanson. Le public, si.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

Les gens disaient, tu connais cette chanson American Girl de Tom Petty ? Tu ne trouves pas que \u00e7a sonne un peu comme \u00e7a ? Et je r\u00e9pondais, ouais, on l’a pomp\u00e9e. Vous \u00e9tiez o\u00f9 ?<\/p>\n<\/blockquote>\n

(Julian Casablancas, Rolling Stone, 2012)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Ce que le cool cache, c’est la sortie. Le texte ne parle pas d’une nuit glorieuse. Il parle de la d\u00e9cision d’arr\u00eater la conversation. La distance de Casablancas, la fameuse distance, fait ici un travail de personnage, pas seulement de style. Une voix plus proche aurait suppli\u00e9. Celle-ci est d\u00e9j\u00e0 partie et vous le dit depuis la rue. Le son de la pi\u00e8ce de Raphael emp\u00eache la rue de devenir un stade. Le stade est venu plus tard, quand le riff pomp\u00e9 s’est r\u00e9v\u00e9l\u00e9 celui dont les gens se servaient pour expliquer tout un revival. Le revival \u00e9tait plus fort que la prise. La prise est encore le meilleur document.<\/p>\n

Ce qui reste, c’est l’aveu. Last Nite<\/em> est plus int\u00e9ressante parce qu’ils ont dit d’o\u00f9 venait la figure, et parce que Petty a ri. Un d\u00e9ni en aurait fait un proc\u00e8s. Le haussement d’\u00e9paules en a fait une lign\u00e9e, New York jusqu’\u00e0 Gainesville jusqu’\u00e0 un petit studio o\u00f9 cinq personnes se tenaient assez pr\u00e8s pour entendre le c\u00e2ble. La nuit derni\u00e8re, dans le titre, n’arr\u00eate pas d’arriver. Le chanteur, de son propre aveu, a quitt\u00e9 la pi\u00e8ce. L’aller de mediator, non.<\/p>\n

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L’aller de mediator est si r\u00e9gulier qu’il semble emprunt\u00e9, ce qu’il est en partie.<\/p>\n","protected":false},"author":1,"featured_media":8873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,278],"tags":[347],"class_list":["post-8877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-tracks","tag-the-strokes"],"yoast_head":"\nLast Nite - The Strokes - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/last-nite-the-strokes-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Last Nite - The Strokes - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"L'aller de mediator est si r\u00e9gulier qu'il semble emprunt\u00e9, ce qu'il est en partie.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/last-nite-the-strokes-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-03T09:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-09-19T21:59:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/158.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Last Nite – The Strokes\",\"datePublished\":\"2026-09-03T09:00:00+00:00\",\"dateModified\":\"2026-09-19T21:59:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/\"},\"wordCount\":751,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/158.jpg\",\"keywords\":[\"The Strokes\"],\"articleSection\":[\"Chronicles\",\"Tracks\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/last-nite-the-strokes-2\\\/\",\"name\":\"Last Nite - 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