{"id":9558,"date":"2026-03-02T10:00:00","date_gmt":"2026-03-02T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/exodus-bob-marley-the-wailers-2\/"},"modified":"2026-03-02T10:00:00","modified_gmt":"2026-03-02T09:00:00","slug":"exodus-bob-marley-the-wailers-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/exodus-bob-marley-the-wailers-2\/","title":{"rendered":"Exodus &#8211; Bob Marley &#038; The Wailers"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Un exil londonien devenu hymne<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Dans les premiers mois de 1977, Bob Marley &amp; The Wailers sont \u00e0 Londres parce que Kingston n&rsquo;est plus une pi\u00e8ce s\u00fbre, et ils r\u00e9pondent \u00e0 la distance par un disque qui marche. <em>Exodus<\/em> s&rsquo;ouvre sur <em>Natural Mystic<\/em>, une basse qui semble arriver de la rue d&rsquo;\u00e0 c\u00f4t\u00e9, une voix qui ne se hausse pas pour \u00eatre crue. Rien ne se pr\u00e9cipite vers le refrain. La chanson fait confiance \u00e0 l&rsquo;auditeur pour s&rsquo;approcher. Sorti le 3 juin 1977, l&rsquo;album a encore l&rsquo;allure d&rsquo;une procession : une face qui regarde les d\u00e9g\u00e2ts, l&rsquo;autre qui se souvient comment danser sans oublier pourquoi la procession a commenc\u00e9.<\/p>\n<p style=\"text-align: justify;\">La raison de Londres est en d\u00e9cembre 1976. Des hommes arm\u00e9s entrent au 56 Hope Road. Marley, Rita Marley et le manager Don Taylor sont bless\u00e9s. Le concert Smile Jamaica a lieu quand m\u00eame, puis le groupe part. Les studios Island de Basing Street deviennent le pays provisoire. Les Wailers produisent le disque eux-m\u00eames. Aston et Carlton Barrett tiennent le bas comme toujours, les I-Threes plient l&rsquo;harmonie autour du chant, et les morceaux arrivent dans un ordre qui se lit comme une journ\u00e9e : l&rsquo;accusation, puis la survie, puis le titre comme une route, puis le soir. L&rsquo;exil n&rsquo;adoucit pas la musique. Il lui donne un couloir plus net.<\/p>\n<p style=\"text-align: justify;\">La premi\u00e8re face ne flirte pas. <em>So Much Things to Say<\/em>, <em>Guiltiness<\/em> et <em>The Heathen<\/em> regardent la trahison sans clin d&rsquo;\u0153il. Puis <em>Exodus<\/em> lui-m\u00eame transforme le mot biblique en consigne de rue : avancer, avancer, avancer. La seconde face ouvre les fen\u00eatres. <em>Jamming<\/em> est l&rsquo;invitation, presque sans poids, une main sur l&rsquo;\u00e9paule. <em>Waiting in Vain<\/em> est une chanson d&rsquo;amour qui refuse de supplier aux endroits habituels ; la guitare skanke et la fiert\u00e9 reste. <em>Turn Your Lights Down Low<\/em> est la pi\u00e8ce apr\u00e8s minuit. <em>Three Little Birds<\/em> est le proverbe que les gens fredonnent maintenant sans la guerre autour, ce qui est une sorte de victoire et une sorte de perte. <em>One Love<\/em>, tress\u00e9e avec <em>People Get Ready<\/em> de Curtis Mayfield, ferme la porte sans la verrouiller.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Every song is a classic, from the messages of love to the anthems of revolution. But more than that, the album is a political and cultural nexus, drawing inspiration from the Third World and then giving voice to it the world over.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\"><em>(Time, The Best of the Century, 31 d\u00e9cembre 1999)<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">En d\u00e9cembre 1999, Time nomme <em>Exodus<\/em> l&rsquo;album du si\u00e8cle, devant des disques aux services marketing plus bruyants. Le choix surprend ceux qui avaient rang\u00e9 le reggae comme un climat plut\u00f4t que comme une litt\u00e9rature. \u00c9coutez dans l&rsquo;ordre et l&rsquo;argument est plus simple. La premi\u00e8re moiti\u00e9 ne vous laisse pas danser pour sortir de la responsabilit\u00e9. La seconde ne laisse pas la responsabilit\u00e9 abolir la joie. Cet \u00e9quilibre est la vraie politique du disque. C&rsquo;est aussi pourquoi les chansons ont surv\u00e9cu aux affiches. Un hymne qui ne peut pas se chanter dans une cuisine ne dure pas. Ceux-ci le peuvent.<\/p>\n<p style=\"text-align: justify;\">Mettez-le en fin d&rsquo;apr\u00e8s-midi, quand la lumi\u00e8re est ordinaire. La basse fait le travail qu&rsquo;un discours ne peut pas faire : elle garde le tempo pour des gens \u00e0 qui l&rsquo;on a dit que leur temps ne compte pas. Marley chante comme si l&rsquo;auditeur \u00e9tait une personne, pas un stade, m\u00eame quand le refrain est b\u00e2ti pour une foule. Londres n&rsquo;est dans la pi\u00e8ce que comme une distance. Kingston est dans les histoires. La route entre les deux est le titre, et elle est encore ouverte.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Dans les premiers mois de 1977, Bob Marley &#038; The Wailers sont \u00e0 Londres parce que Kingston n&rsquo;est plus une pi\u00e8ce s\u00fbre, et ils r\u00e9pondent \u00e0 la distance par un disque qui marche.<\/p>\n","protected":false},"author":1,"featured_media":9548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[288,287],"tags":[412,479],"class_list":["post-9558","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-bob-marley-fr","tag-reggae-ska-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Exodus - Bob Marley &amp; The Wailers - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/exodus-bob-marley-the-wailers-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exodus - Bob Marley &amp; 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