{"id":9570,"date":"2026-09-19T15:49:00","date_gmt":"2026-09-19T13:49:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/monterey-1967-otis-redding-2\/"},"modified":"2026-09-19T15:49:00","modified_gmt":"2026-09-19T13:49:00","slug":"monterey-1967-otis-redding","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/monterey-1967-otis-redding\/","title":{"rendered":"Monterey 1967 – Otis Redding"},"content":{"rendered":"

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Cinq mois, et une love crowd<\/h3>\n

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Monterey, samedi soir jusqu’au dimanche matin, 17 juin 1967. Le festival a d\u00e9j\u00e0 tendu au public rock son propre miroir : Jefferson Airplane, les enfants du Dylan \u00e9lectrique, des fleurs sur la banderole. Puis le mat\u00e9riel change. Booker T. and the M.G.’s s’installent, Booker T. Jones, Steve Cropper, Donald Dunn, Al Jackson Jr., avec les cuivres des Mar-Keys, et Otis Redding entre dans une foule qui n’est pas son samedi habituel. Il a vingt-cinq ans. Il lui reste cinq mois. Personne dans la cuvette ne conna\u00eet le second fait. Il a l’air de conna\u00eetre le premier, \u00e0 savoir qu’il a une vingtaine de minutes pour devenir incontestable \u00e0 des gens venus pour d’autres noms.<\/p>\n

Il ne les m\u00e9nage pas. Shake<\/em> frappe comme une porte. Respect<\/em>, encore plus sa chanson cet \u00e9t\u00e9-l\u00e0 que celle de quiconque, m\u00eame si la version d’Aretha est d\u00e9j\u00e0 dans l’air. Puis il ralentit, expr\u00e8s, et il parle. Robert Christgau, dans le public, a not\u00e9 les phrases. C’est la love crowd, hein ? On s’aime tous, non ? Le champ dit yeah, parce que c’est ce qu’un champ fait quand un homme de cette taille demande. Puis I’ve Been Loving You Too Long<\/em>, Cropper qui effleure \u00e0 peine la guitare, les cuivres qui arrivent tard et \u00e9normes, Redding suppliant un couplet qui est en r\u00e9alit\u00e9 une n\u00e9gociation. Est-ce que vous pouvez le refaire une fois. \u00c0 genoux. La love crowd, qui n’\u00e9tait qu’un slogan sur une banderole, devient un son.<\/p>\n

Il prend aussi (I Can’t Get No) Satisfaction<\/em> des Rolling Stones et la chante comme si Jagger ne faisait que la louer. Try a Little Tenderness<\/em> ferme l’argument. Les cam\u00e9ras de D. A. Pennebaker, qui rendront la performance immortelle dans Monterey Pop<\/em>, le perdent et le retrouvent, ce qui est la bonne grammaire. On ne tient pas un chanteur qui se sert de tout son corps comme d’une voyelle. Bob Weir, du Grateful Dead, a dit plus tard qu’il \u00e9tait \u00e0 peu pr\u00e8s s\u00fbr d’avoir vu Dieu sur cette sc\u00e8ne. La phrase est trop grande. La performance supporte l’exc\u00e8s.<\/p>\n

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\n

C’est la love crowd, hein ? On s’aime tous, non ? J’ai raison ? Je veux vous entendre dire yeah.<\/p>\n<\/blockquote>\n

(Otis Redding, Monterey Pop, 1967)<\/em><\/p>\n

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Le 10 d\u00e9cembre 1967 un avion tombe dans un lac du Wisconsin et Redding n’est plus, quelques jours apr\u00e8s que (Sittin’ On) The Dock of the Bay<\/em> a \u00e9t\u00e9 enregistr\u00e9. Monterey est la derni\u00e8re grande salle publique qu’il a eue. C’est aussi le moment o\u00f9 la soul cesse d’\u00eatre un secret que la presse rock peut classer en curiosit\u00e9. Le festival blanc ne le d\u00e9couvre pas. Il est d\u00e9j\u00e0 une star. Ce que le festival fait, c’est manquer d’adjectifs devant des t\u00e9moins qui \u00e9crivent dans des magazines.<\/p>\n

Mettez de c\u00f4t\u00e9 la chemise d’h\u00f4pital, le vaisseau et le moonwalk. Celui-ci est un homme en costume sombre, en sueur, qui demande \u00e0 une foule \u00e9trang\u00e8re d’admettre qu’elle aime quelqu’un, puis qui ne laisse pas l’aveu rester bon march\u00e9. Le yeah est facile. La chanson apr\u00e8s le yeah, c’est le concert. Elle sonne encore comme une personne qui refuse de s’arr\u00eater.<\/p>\n

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Tard le 17 juin 1967, Otis Redding demande au Monterey Pop Festival si c’est bien la love crowd, puis chante I’ve Been Loving You Too Long comme s’il fallait m\u00e9riter la r\u00e9ponse.<\/p>\n","protected":false},"author":1,"featured_media":9524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[273,281],"tags":[811,537],"class_list":["post-9570","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chronicles","category-concerts","tag-otis-redding","tag-soul-rb","post_format-post-format-video"],"yoast_head":"\nMonterey 1967 - Otis Redding - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/monterey-1967-otis-redding\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Monterey 1967 - 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