{"id":9570,"date":"2021-07-03T16:00:00","date_gmt":"2021-07-03T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/monterey-1967-otis-redding-2\/"},"modified":"2026-11-09T07:12:40","modified_gmt":"2026-11-09T06:12:40","slug":"monterey-1967-otis-redding","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/concerts-fr\/monterey-1967-otis-redding\/","title":{"rendered":"Monterey 1967 – Otis Redding"},"content":{"rendered":"

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Monterey Pop, cinq mois avant le crash<\/h3>\n

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Monterey, samedi soir jusqu’au dimanche matin, 17 juin 1967. Le festival a d\u00e9j\u00e0 jou\u00e9 pour son public rock : Jefferson Airplane, les h\u00e9ritiers du Dylan \u00e9lectrique, des fleurs sur la banni\u00e8re. Puis le mat\u00e9riel change. Booker T. and the M.G.’s s’installent, Booker T. Jones, Steve Cropper, Donald \u00ab Duck \u00bb Dunn, Al Jackson Jr., avec les cuivres des Mar-Keys et Otis Redding entre devant une foule qui n’est pas son samedi habituel. Il a vingt-cinq ans. Il lui reste cinq mois. Personne dans le bol ne conna\u00eet le second fait. Il semble conna\u00eetre le premier : environ vingt minutes pour convaincre des gens venus pour d’autres noms.<\/p>\n

Il ne les m\u00e9nage pas. Shake<\/em> entre fort. Respect<\/em> est encore plus sa chanson cet \u00e9t\u00e9-l\u00e0 que celle de quiconque, m\u00eame si la version d’Aretha Franklin est d\u00e9j\u00e0 dans l’air. Puis il ralentit expr\u00e8s et parle. Robert Christgau, dans le public, note les phrases. This is the love crowd, right? We all love each other, don’t we? Le champ dit yeah, parce que c’est ce qu’un champ fait quand un homme de cette taille demande. Puis I’ve Been Loving You Too Long<\/em> : Cropper touche \u00e0 peine la guitare, les cuivres arrivent tard et \u00e9normes, Redding supplie un couplet qui est surtout une n\u00e9gociation. Can you do that one more time. Down on my knees. La love crowd, qui \u00e9tait un slogan sur une banni\u00e8re, devient un bruit dans la foule.<\/p>\n

Il reprend aussi (I Can’t Get No) Satisfaction<\/em> des Rolling Stones et la chante comme si la chanson \u00e9tait \u00e0 lui. Try a Little Tenderness<\/em> ferme le set. Les cam\u00e9ras de D. A. Pennebaker, qui fixeront la performance dans le film Monterey Pop<\/em>, le perdent et le retrouvent. On ne cadre pas un chanteur qui bouge tout son corps sur chaque phrase. Bob Weir des Grateful Dead dira plus tard qu’il \u00e9tait \u00e0 peu pr\u00e8s s\u00fbr d’avoir vu Dieu sur cette sc\u00e8ne. La phrase est trop large. La performance est ce qui rend la phrase compr\u00e9hensible.<\/p>\n

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C’est le love crowd, hein ? On s’aime tous, non ? J’ai raison ? Dites-moi yeah.<\/p>\n<\/blockquote>\n

(Otis Redding, Monterey Pop, 1967)<\/em><\/p>\n

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Le 10 d\u00e9cembre 1967, un avion plonge dans un lac du Wisconsin et Redding dispara\u00eet, des jours apr\u00e8s l’enregistrement de (Sittin’ On) The Dock of the Bay<\/em> \u00e0 Stax. Monterey est la derni\u00e8re grande salle publique qu’il a eue. C’est aussi le moment o\u00f9 la soul cesse d’\u00eatre une nouveaut\u00e9 que la presse rock range sous R&B. Le festival blanc ne l’a pas d\u00e9couvert. Il \u00e9tait d\u00e9j\u00e0 une star du chitlin’ circuit et des charts. Ce que le festival a fait, c’est laisser ces journalistes dans la foule sans \u00e9tiquette facile pour le set.<\/p>\n

Ici, c’est un homme en costume sombre, en sueur, qui demande \u00e0 une foule \u00e9trang\u00e8re d’admettre qu’elle aime quelqu’un, puis qui n’autorise pas la r\u00e9ponse \u00e0 rester facile. Le yeah est facile. La chanson apr\u00e8s le yeah est le concert. La bande sonne encore comme un chanteur qui ne s’arr\u00eate pas.<\/p>\n

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Tard le 17 juin 1967, Otis Redding demande au Monterey Pop Festival si c’est la love crowd, puis chante I’ve Been Loving You Too Long devant eux.<\/p>\n","protected":false},"author":1,"featured_media":9524,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,290],"tags":[1104,539],"class_list":["post-9570","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-concerts-fr","tag-otis-redding-fr","tag-soul-rb-fr","post_format-post-format-video"],"yoast_head":"\nMonterey 1967 - Otis Redding - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Tard le 17 juin 1967, Otis Redding demande au Monterey Pop Festival si c'est la love crowd, puis chante I've Been Loving You Too Long devant eux.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/concerts-fr\/monterey-1967-otis-redding\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Monterey 1967 - 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