{"id":9607,"date":"2025-06-28T19:00:00","date_gmt":"2025-06-28T17:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/chic-the-locked-grin-of-the-groove-2\/"},"modified":"2026-11-09T07:14:40","modified_gmt":"2026-11-09T06:14:40","slug":"chic-the-locked-grin-of-the-groove-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/","title":{"rendered":"Chic – Le sourire verrouill\u00e9 du groove"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Nile Rodgers, Bernard Edwards, Studio 54<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Chic s’est form\u00e9 \u00e0 New York en 1976 autour du guitariste Nile Rodgers et du bassiste Bernard Edwards, deux musiciens qui avaient pass\u00e9 des ann\u00e9es dans le circuit des sessions de la ville avant de d\u00e9cider que ce qu’ils entendaient dans les clubs m\u00e9ritait un cadre musical s\u00e9rieux. Tony Thompson les a rejoints \u00e0 la batterie ; Norma Jean Wright a d’abord chant\u00e9 en lead, puis Alfa Anderson et Luci Martin ont pris en charge les parties vocales. Le groupe a sign\u00e9 chez Atlantic Records en 1977.<\/p>\n

‘Dance Dance Dance (Yowsah Yowsah Yowsah)’ a perc\u00e9 cette m\u00eame ann\u00e9e. ‘Everybody Dance’ a suivi, puis ‘Le Freak’ en 1978, qui est devenu l’un des singles les plus vendus de l’histoire d’Atlantic Records. Le morceau serait n\u00e9 d’une soir\u00e9e du R\u00e9veillon o\u00f9 Rodgers et Edwards s’\u00e9taient fait refouler \u00e0 la porte du Studio 54, la frustration devenue le riff du single. ‘Good Times’ (1979), construite sur une ligne de basse si pr\u00e9cis\u00e9ment \u00e9labor\u00e9e qu’elle est devenue fondatrice de la premi\u00e8re vague du hip-hop, a compl\u00e9t\u00e9 ce qui fut sans doute la s\u00e9rie de hits pour piste de danse la plus concentr\u00e9e de l’\u00e9poque.<\/p>\n

Le rythme de Chic vaut qu’on le d\u00e9fasse sur le disque. Les lignes de basse d’Edwards ne font pas que remplir l’espace. Elles portent les accords de chaque titre pendant que la batterie tient le temps. La guitare rythmique de Rodgers se cale sur la basse. Les autres groupes disco de cette p\u00e9riode gardaient rarement les deux parties aussi serr\u00e9es. Les productions sont nettes : cordes et cuivres arrang\u00e9s selon les sp\u00e9cifications de Rodgers et Edwards, percussion s\u00e8che, voix superpos\u00e9es qui soutiennent le groove plut\u00f4t que de rivaliser avec lui. Le mixage privil\u00e9gie la clart\u00e9 des m\u00e9diums, ce qui explique pourquoi ces disques fonctionnent aussi bien sur de petites enceintes que dans de grandes salles.<\/p>\n

L’histoire d’origine du Studio 54 illustre quelque chose de r\u00e9el sur la position du groupe. Chic n’\u00e9tait pas un pur produit de l’establishment disco : Rodgers \u00e9coutait du jazz, Gil Scott-Heron, Roxy Music et ces disques se retrouvent dans les couleurs d’accords et dans le refus de laisser les arrangements devenir pr\u00e9visibles. Le groupe partageait la piste de danse avec Donna Summer et les Bee Gees mais venait musicalement d’un endroit diff\u00e9rent, plus proche du jazz-funk que du disco pop droit.<\/p>\n

Les productions ont \u00e9tendu l’influence du groupe bien au-del\u00e0 de leurs propres disques. Rodgers et Edwards ont produit ‘We Are Family’ et ‘He’s the Greatest Dancer’ pour Sister Sledge en 1979. ‘Upside Down’ et ‘I’m Coming Out’ pour Diana Ross ont suivi en 1980. En 1983, Let’s Dance de Bowie a donn\u00e9 \u00e0 Rodgers un cr\u00e9dit de production rock qui a chang\u00e9 la fa\u00e7on dont l’industrie musicale dans son ensemble le percevait. ‘Like a Virgin’ de Madonna (1984) est venu ensuite : au milieu des ann\u00e9es 1980, Rodgers \u00e9tait l’un des producteurs les plus recherch\u00e9s de la pop, tous genres confondus.<\/p>\n

[\/vc_column_text][vc_single_image image=\u00a0\u00bb11017″ img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790075966984{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

Le retour de b\u00e2ton anti-disco de 1979 a coup\u00e9 court \u00e0 la course commerciale de Chic, comme pour la plupart des groupes associ\u00e9s au genre. Risque (1979) et Real People (1980) ont moins bien march\u00e9 que les ann\u00e9es de pointe et le groupe s’est dissous en 1983. Edwards est d\u00e9c\u00e9d\u00e9 en 1996 apr\u00e8s un concert \u00e0 Tokyo. Rodgers a reform\u00e9 des versions de Chic pour des tourn\u00e9es et a continu\u00e9 \u00e0 enregistrer, ramenant finalement le groupe \u00e0 l’attention dans les ann\u00e9es 2010 avec des collaborations incluant Pharrell Williams sur ‘Get Lucky’ et plus tard Dua Lipa.<\/p>\n

Un regard sur les contemporains montre o\u00f9 se pla\u00e7ait Chic. Les Bee Gees amenaient des chansons d’auteurs dans le disco. Earth, Wind and Fire utilisait un vocabulaire jazz et soul plus profond. Donna Summer et Giorgio Moroder poussaient les productions vers l’\u00e9lectronique. Chic \u00e9tait le plus pr\u00e9cis du lot. La section rythmique restait serr\u00e9e. Les arrangements restaient nets. La basse et la guitare, Bernard Edwards et Nile Rodgers, en \u00e9taient le centre. La ligne de basse de ‘Good Times’ appara\u00eet dans ‘Another One Bites the Dust’ de Queen, dans ‘Rapper’s Delight’ de Sugarhill Gang et dans des dizaines d’autres disques.<\/p>\n

Commencez par C’est Chic pour ‘Le Freak’ et ‘I Want Your Love’. Risque contient ‘Good Times’. Le coffret Chic Organization couvre les productions pour Sister Sledge aux c\u00f4t\u00e9s des enregistrements propres au groupe. Pour le travail ult\u00e9rieur de Rodgers, Let’s Dance de Bowie relie directement la p\u00e9riode disco au grand public pop des ann\u00e9es 1980. Ces disques passent encore clairement, sur une petite enceinte comme dans une grande salle. Les parties se calent, de la basse \u00e0 la guitare jusqu’aux voix. Les productions n’empilent pas des couches en trop.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu’\u00e0 Good Times et au-del\u00e0.<\/p>\n","protected":false},"author":1,"featured_media":9603,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,289],"tags":[1112,428],"class_list":["post-9607","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-chic-fr","tag-discofunk-fr","post_format-post-format-video"],"yoast_head":"\nChic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-28T17:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Chic – Le sourire verrouill\u00e9 du groove\",\"datePublished\":\"2025-06-28T17:00:00+00:00\",\"dateModified\":\"2026-11-09T06:14:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/\"},\"wordCount\":885,\"commentCount\":11,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/chic.jpg\",\"keywords\":[\"Chic\",\"Disco Funk\"],\"articleSection\":[\"Chroniques\",\"Groupes\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/\",\"name\":\"Chic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/chic.jpg\",\"datePublished\":\"2025-06-28T17:00:00+00:00\",\"dateModified\":\"2026-11-09T06:14:40+00:00\",\"description\":\"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/chic.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/chic.jpg\",\"width\":1200,\"height\":700,\"caption\":\"Chic - The locked grin of the groove\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/groupes\\\/chic-the-locked-grin-of-the-groove-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Chic – Le sourire verrouill\u00e9 du groove\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\"],\"description\":\"Chroniques musicales, concerts, albums, titres et uchronies. Un r\u00e9cit documentaire pour les auditeurs qui tiennent aux chansons.\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Chic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS","description":"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/","og_locale":"fr_FR","og_type":"article","og_title":"Chic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS","og_description":"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.","og_url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2025-06-28T17:00:00+00:00","article_modified_time":"2026-11-09T06:14:40+00:00","og_image":[{"width":1200,"height":700,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"pgorce","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"Chic – Le sourire verrouill\u00e9 du groove","datePublished":"2025-06-28T17:00:00+00:00","dateModified":"2026-11-09T06:14:40+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/"},"wordCount":885,"commentCount":11,"publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg","keywords":["Chic","Disco Funk"],"articleSection":["Chroniques","Groupes"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/","url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/","name":"Chic - Le sourire verrouill\u00e9 du groove - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg","datePublished":"2025-06-28T17:00:00+00:00","dateModified":"2026-11-09T06:14:40+00:00","description":"Chic a ancr\u00e9 le disco dans une grille de basse et de guitare via Nile Rodgers et Bernard Edwards, du refus au Studio 54 jusqu'\u00e0 Good Times et au-del\u00e0.","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/chic.jpg","width":1200,"height":700,"caption":"Chic - The locked grin of the groove"},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/chic-the-locked-grin-of-the-groove-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Chic – Le sourire verrouill\u00e9 du groove"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/fr\/#website","url":"https:\/\/riffsandbeats.com\/fr\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/fr\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.instagram.com\/riffsandbeatsofficial"],"description":"Chroniques musicales, concerts, albums, titres et uchronies. Un r\u00e9cit documentaire pour les auditeurs qui tiennent aux chansons."},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"]}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9607","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/comments?post=9607"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9607\/revisions"}],"predecessor-version":[{"id":38320,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9607\/revisions\/38320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media\/9603"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media?parent=9607"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/categories?post=9607"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/tags?post=9607"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}