{"id":9619,"date":"2026-02-03T11:00:00","date_gmt":"2026-02-03T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/the-temptations-silk-pulled-tight-2\/"},"modified":"2026-11-09T07:14:53","modified_gmt":"2026-11-09T06:14:53","slug":"the-temptations-silk-pulled-tight-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-temptations-silk-pulled-tight-2\/","title":{"rendered":"The Temptations – La soie tendue \u00e0 bloc"},"content":{"rendered":"

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Cinq chanteurs Motown, de 1964 \u00e0 Psychedelic Shack<\/h3>\n

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Les Temptations se sont form\u00e9s \u00e0 Detroit en 1960 par la fusion de deux groupes vocaux : les Primes (Eddie Kendricks, Paul Williams) et les Distants (Otis Williams, Melvin Franklin). Un cinqui\u00e8me membre a tourn\u00e9 avant que David Ruffin ne rejoigne d\u00e9finitivement en 1963. Berry Gordy les a sign\u00e9s sur le label Miracle avant de les transf\u00e9rer vers l’enseigne principale Motown. Le nom venait d’un groupe de Miami appel\u00e9 les Elgins, qui avait d\u00e9j\u00e0 d\u00e9pos\u00e9 celui des Primes.<\/p>\n

Les premiers disques n’ont rien donn\u00e9 jusqu’en 1964, quand Smokey Robinson a \u00e9crit et produit ‘The Way You Do the Things You Do’, puis ‘My Girl’ en 1965, avec le baryton de Ruffin en lead. ‘My Girl’ a atteint la premi\u00e8re place du hit-parade pop, ce qui restait inhabituel pour un groupe masculin Motown \u00e0 l’\u00e9poque. Smokey avait compris une r\u00e9partition simple : chaque voix du groupe prend une place dans l’arrangement : le falsetto doux de Kendricks sur ‘Just My Imagination’, le baryton brut de Ruffin sur ‘Ain’t Too Proud to Beg’, Williams et Franklin ancrant les harmonies graves. Les leads tournaient d’un morceau \u00e0 l’autre. C’\u00e9tait le principal avantage du groupe.<\/p>\n

En 1966, le producteur Norman Whitfield a commenc\u00e9 \u00e0 prendre en charge les sessions des Temptations. Le passage a pris environ deux ans, le temps d’arriver \u00e0 Cloud Nine. Whitfield a absorb\u00e9 l’\u00e9nergie de Sly Stone et James Brown et l’a appliqu\u00e9e aux productions Motown : ‘Cloud Nine’ en 1968 a apport\u00e9 guitare wah-wah, arrangement \u00e9tendu et th\u00e9matique de la drogue et a valu \u00e0 Motown son premier Grammy. ‘Psychedelic Shack’ et ‘Ball of Confusion’ ont suivi avec un commentaire social dense et des arrangements sans rapport avec ce que Robinson avait construit. Ces productions s’attaquaient frontalement au Vietnam, aux tensions raciales et au d\u00e9clin urbain.<\/p>\n

David Ruffin est parti en 1968 apr\u00e8s un conflit sur la mise en avant de son nom ; Dennis Edwards l’a remplac\u00e9 avec une efficacit\u00e9 \u00e9quivalente sur le mat\u00e9riel Whitfield. Eddie Kendricks est parti en 1971, remplac\u00e9 par Damon Harris. Paul Williams, aux prises avec de graves probl\u00e8mes de sant\u00e9, a quitt\u00e9 la m\u00eame ann\u00e9e et est d\u00e9c\u00e9d\u00e9 en 1973. Otis Williams et Melvin Franklin, les deux constantes, ont maintenu le groupe \u00e0 travers des changements de personnel qui rendaient la liste des Temptations difficile \u00e0 suivre d’une ann\u00e9e sur l’autre. Le syst\u00e8me rotatif, qui \u00e9tait leur force, faisait aussi qu’un d\u00e9part isol\u00e9 ne les arr\u00eatait pas.<\/p>\n

L’\u00e8re Whitfield a produit ‘Papa Was a Rollin’ Stone’ en 1972, qui d\u00e9passe onze minutes dans sa version album, donc plus long que les 45 tours de groupes vocaux que Motown sortait d’habitude. La ligne de basse et le funk lent p\u00e8sent plus lourd que les disques pop-soul plus courts qui l’ont pr\u00e9c\u00e9d\u00e9. La version album prend son temps. La production a remport\u00e9 trois Grammys et a d\u00e9montr\u00e9 que Motown pouvait rivaliser avec la sophistication croissante de la soul de Philadelphie et du mouvement funk naissant.<\/p>\n

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Face \u00e0 leurs contemporains de Motown, les Temptations occupaient une position distincte. Les Supremes avaient Diana Ross comme lead clairement d\u00e9sign\u00e9e ; les Four Tops avaient Levi Stubbs dominant chaque titre. Les Temptations faisaient tourner les leads selon les chansons, ce qui signifie que l’identit\u00e9 du groupe \u00e9tait collective plut\u00f4t qu’hi\u00e9rarchique. Aucun d\u00e9part n’a mis fin au groupe, ce qui explique sa long\u00e9vit\u00e9. Les formations suivantes ont souvent gard\u00e9 le nom apr\u00e8s le d\u00e9part des voix classiques.<\/p>\n

Les ann\u00e9es 1980 ont amen\u00e9 revivals et tourn\u00e9es de retrouvailles. La r\u00e9union de 1982 avec Ruffin et Kendricks a produit ‘Standing on the Top’ avec Rick James, qui a atteint les charts R&B. Le film t\u00e9l\u00e9vis\u00e9 de 1998 a raviv\u00e9 l’int\u00e9r\u00eat pour le mat\u00e9riel classique. Otis Williams, qui a surv\u00e9cu \u00e0 tous les autres membres originaux, a maintenu les tourn\u00e9es du groupe jusqu’aux ann\u00e9es 2020, ce qui laisse les Temptations parmi les formations les plus durables du catalogue Motown.<\/p>\n

Commencez par la compilation Anthology pour l’arc complet de ‘My Girl’ \u00e0 ‘Papa Was a Rollin’ Stone’. Pour la p\u00e9riode soul psych\u00e9d\u00e9lique sp\u00e9cifiquement, Psychedelic Shack et All Directions sont les albums cl\u00e9s. Aux c\u00f4t\u00e9s des Miracles et des Four Tops, les Temptations sont l’un des groupes vocaux masculins que Motown a gard\u00e9s dans les hit-parades pendant des ann\u00e9es. Ils ont suivi Robinson puis Whitfield et ils ont gard\u00e9 la chor\u00e9graphie quand les producteurs changeaient.<\/p>\n

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Les Temptations ont chant\u00e9 les tubes Motown, de My Girl aux ann\u00e9es de soul psych\u00e9d\u00e9lique de Norman Whitfield.<\/p>\n","protected":false},"author":1,"featured_media":9615,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,289],"tags":[539,1116],"class_list":["post-9619","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-soul-rb-fr","tag-the-temptations-fr","post_format-post-format-video"],"yoast_head":"\nThe Temptations - La soie tendue \u00e0 bloc - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Les Temptations ont chant\u00e9 les tubes Motown, de My Girl aux ann\u00e9es de soul psych\u00e9d\u00e9lique de Norman Whitfield.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/the-temptations-silk-pulled-tight-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Temptations - 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