{"id":9625,"date":"2026-10-20T13:00:00","date_gmt":"2026-10-20T11:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/earth-wind-and-fire-horns-aimed-at-the-sun-2\/"},"modified":"2026-11-09T07:15:08","modified_gmt":"2026-11-09T06:15:08","slug":"earth-wind-and-fire-horns-aimed-at-the-sun-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/groupes\/earth-wind-and-fire-horns-aimed-at-the-sun-2\/","title":{"rendered":"Earth, Wind &#038; Fire &#8211; Cuivres vis\u00e9s vers le soleil"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<h3 class=\"subtitle\">Kalimba, cuivres et ann\u00e9es Columbia<\/h3>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Un piano \u00e0 pouces dans un stade, sur le papier, \u00e7a jure. Maurice White a quand m\u00eame amen\u00e9 le kalimba, celui qu&rsquo;il jouait dans le Ramsey Lewis Trio, dans les concerts d&rsquo;Earth, Wind &#038; Fire. Le petit instrument en bois reste dans l&rsquo;arrangement, \u00e0 c\u00f4t\u00e9 des cuivres, y compris en stade. Philip Bailey chante en falsetto au-dessus des cuivres. La basse de Verdine White est m\u00e9lodique et rude en m\u00eame temps. Les bons soirs, le spectacle aligne capes, pyramides et un vocabulaire spirituel emprunt\u00e9 \u00e0 l&rsquo;\u00c9gypte et au South Side de Chicago, plus une section rythmique qui jouerait un mariage ou une grosse blague avec le m\u00eame s\u00e9rieux.<\/p>\n<p style=\"text-align: justify;\">Maurice a jou\u00e9 de la batterie pour Ramsey Lewis, a appris le studio de l&rsquo;int\u00e9rieur et en 1969 a mont\u00e9 son propre groupe \u00e0 Chicago avant de d\u00e9placer l&rsquo;op\u00e9ration \u00e0 Los Angeles. Les premiers disques cherchent encore un son. Head to the Sky en 1973 et Open Our Eyes en 1974 le fixent : Bailey est l\u00e0, falsetto et baryton en double lead que peu de groupes \u00e9quilibrent. Columbia est le label. Charles Stepney, arrangeur et co-producteur, est celui qui, dans la pi\u00e8ce, entend les cordes comme un rythme. Quand That&rsquo;s the Way of the World arrive en 1975, li\u00e9 \u00e0 un film presque oubli\u00e9 et \u00e0 une bande-son que tout le monde conna\u00eet, Shining Star va num\u00e9ro un. Les id\u00e9es du groupe sont sur la pochette. La ligne de cuivres est ce qu&rsquo;on entend en premier.<\/p>\n<p style=\"text-align: justify;\">Gratitude, live de cette ann\u00e9e, montre le set au travail. Spirit en 1976 est d\u00e9di\u00e9 en partie \u00e0 Stepney, mort en mai. Le groupe ne transforme pas l&rsquo;album suivant en hommage. All &lsquo;n All en 1977 est le sommet : Serpentine Fire, Fantasy, couleur br\u00e9silienne et des arrangements qui restent pr\u00e9cis parce que la batterie reste occup\u00e9e. Puis September, la chanson, pas le mois. \u00c9crite avec Al McKay et enregistr\u00e9e en 1978 pour la premi\u00e8re compilation, elle nomme la nuit du vingt-et-un parce que les syllabes chantent comme \u00e7a, pas \u00e0 cause d&rsquo;un journal intime. White l&rsquo;a dit. La date est pr\u00e9cise. Des couples s&rsquo;en servent encore.<\/p>\n<p style=\"text-align: justify;\">I Am en 1979 touche un public plus large que les albums pr\u00e9c\u00e9dents. Boogie Wonderland, avec the Emotions, met des chanteurs voisins sur le m\u00eame morceau : the Emotions venaient du m\u00eame cercle musical. After the Love Has Gone est la ballade. Le falsetto de Bailey y porte la partie triste. Let&rsquo;s Groove, sur Raise! en 1981, change les costumes et garde les m\u00eames morceaux joyeux. Pendant ces ann\u00e9es les Phenix Horns ne sont pas un ornement. Ils portent des lignes comme un second chanteur. La basse de Verdine continue de bouger sous la voix. La percussion de Ralph Johnson et la batterie de Maurice tiennent le tempo au sol pendant que le spectacle avance.<\/p>\n<p style=\"text-align: justify;\">Les catalogues plus tardifs, Powerlight, Electric Universe, reunions et longues tourn\u00e9es, sont la vie d&rsquo;un groupe rest\u00e9 sur les affiches de festival, avec les anciens morceaux. La sant\u00e9 de Maurice White le force \u00e0 quitter la route. Il meurt le 3 f\u00e9vrier 2016. Bailey et Verdine portent le nom : la voix haute et la basse qui ne marche pas en ligne droite. \u00c0 chaque r\u00e9\u00e9coute, les arrangements montrent encore les musiciens qui jouent.<\/p>\n<p>[\/vc_column_text][vc_single_image image=\u00a0\u00bb11023&Prime; img_size=\u00a0\u00bbfull\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1790075981303{padding-top: 24px !important;padding-right: 48px !important;padding-bottom: 24px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Les disques empilent la soul de Chicago, les voix de big band jazz, la percussion br\u00e9silienne et l&rsquo;\u00e9lan du gospel. Le c\u00f4t\u00e9 \u00e9glise reste sur la piste de danse. Face au funk de f\u00eate de Kool &#038; the Gang ou au spectacle spatial de Parliament, Earth, Wind &#038; Fire garde des partitions de cuivres serr\u00e9es et des refrains faits pour un ch\u0153ur.<\/p>\n<p style=\"text-align: justify;\">\u00c9coutez le kalimba contre les cuivres, le falsetto de Bailey l\u00e0 o\u00f9 un autre groupe aurait mis des cordes, la basse m\u00e9lodique de Verdine et la batterie de Maurice qui tient le tempo pendant que le spectacle avance. La production des disques Columbia pr\u00e9f\u00e8re un mix clair \u00e0 un mix rugueux, pour que chaque ligne de cuivre reste audible.<\/p>\n<p style=\"text-align: justify;\">Plusieurs disques peuvent servir de d\u00e9part. That&rsquo;s the Way of the World pour la perc\u00e9e. All &lsquo;n All pour les arrangements les plus fournis. La premi\u00e8re compilation pour September et les tubes radio. Ajoutez Shining Star, Fantasy et After the Love Has Gone : le tube, le sommet et la ballade, dans la m\u00eame s\u00e9ance.<\/p>\n<p style=\"text-align: justify;\">\u00c0 c\u00f4t\u00e9 du travail de studio de Stevie Wonder ou des disques de cuivres de Chicago, Earth, Wind &#038; Fire partage les m\u00e9lodies claires mais garde son propre spectacle et son propre son de cuivres. \u00c0 c\u00f4t\u00e9 des groupes disco, ils sonnent comme un groupe avec une section de cuivres, chanteurs du groupe compris.<\/p>\n<p style=\"text-align: justify;\">Mettez September \u00e0 c\u00f4t\u00e9 de That&rsquo;s the Way of the World : la m\u00eame invitation, \u00e0 deux volumes. L&rsquo;un est une soir\u00e9e. L&rsquo;autre est l&rsquo;album de 1975. Entre les deux, un groupe en capes et en pyramides, qui r\u00e9p\u00e9tait les arrangements. Les cuivres jouent la partie claire que les paroles appellent le soleil.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Earth, Wind &#038; Fire a mis kalimba, cuivres et refrains de ch\u0153ur sur des tubes Columbia qui remplissaient les salles.<\/p>\n","protected":false},"author":1,"featured_media":9621,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,289],"tags":[428,1118],"class_list":["post-9625","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-groupes","tag-discofunk-fr","tag-earth-wind-fire-fr","post_format-post-format-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Earth, Wind &amp; Fire - Cuivres vis\u00e9s vers le soleil - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Earth, Wind &amp; 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