{"id":9673,"date":"2026-09-18T16:00:00","date_gmt":"2026-09-18T14:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/trainspotting\/"},"modified":"2026-09-18T16:00:00","modified_gmt":"2026-09-18T14:00:00","slug":"trainspotting","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/trainspotting\/","title":{"rendered":"Trainspotting"},"content":{"rendered":"

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Choisis la vie, puis la chute<\/h3>\n

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Lust for Life<\/em> d’Iggy Pop frappe avant qu’\u00c9dimbourg ait le temps de se pr\u00e9senter. Trainspotting<\/em> de Danny Boyle, sorti en Grande-Bretagne en f\u00e9vrier 1996, s’ouvre au sprint : Ewan McGregor en Renton, les pieds dans la rue, un monologue qui dresse l’inventaire de la vie ordinaire pour la refuser. Le sc\u00e9nario de John Hodge, tir\u00e9 du roman d’Irvine Welsh paru en 1993, n’explique pas l’h\u00e9ro\u00efne \u00e0 ceux qui connaissent d\u00e9j\u00e0 la blague. La blague, c’est qu’il n’y en a pas, et la cam\u00e9ra court quand m\u00eame.<\/p>\n

Une grande part de la ville \u00e0 l’\u00e9cran est Glasgow qui tient lieu de Leith. La tricherie n’a pas d’importance. Ce qui compte, c’est la bande, film\u00e9e comme un climat. Le Spud d’Ewen Bremner s’excuse avec tout le corps. Le Sick Boy de Jonny Lee Miller traite le charme comme une arme. Le Begbie de Robert Carlyle n’a pas besoin de drogue pour \u00eatre le plus dangereux de la pi\u00e8ce. La Diane de Kelly Macdonald arrive plus tard et les regarde comme si elle avait d\u00e9j\u00e0 lu la fin. Boyle monte comme un single, trop vite et trop juste, le montage d’une culture qui venait de r\u00e9apprendre \u00e0 danser sur des guitares et ne faisait pas confiance au matin.<\/p>\n

La bande-son est l’autre metteur en sc\u00e8ne. Perfect Day<\/em> de Lou Reed se couche sur une overdose et donne \u00e0 l’horreur l’air d’une carte postale. Blur, Pulp, Temptation<\/em> de New Order, Brian Eno, Leftfield : le Britpop et ce qui se tenait \u00e0 c\u00f4t\u00e9 servent de mobilier, pas d’argument commercial. Puis le g\u00e9n\u00e9rique, et Born Slippy .NUXX<\/em> d’Underworld, un morceau qui n’\u00e9tait pas n\u00e9 pour ce film et en est devenu l’image r\u00e9manente. Pendant un an, on ne pouvait plus entendre cette grosse caisse sans voir un sol, un choix, un mensonge dit \u00e0 toute vitesse.<\/p>\n

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\n

Jou\u00e9 avec une libert\u00e9 d’expression souvent stup\u00e9fiante.<\/p>\n<\/blockquote>\n

(Derek Malcolm, The Guardian, 1996)<\/em><\/p>\n

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On a reproch\u00e9 au film, t\u00f4t et souvent, d’avoir rendu la mis\u00e8re \u00e9l\u00e9gante. Le reproche n’est pas vide. Les affiches orange, les cr\u00e2nes ras\u00e9s, les blagues, ont voyag\u00e9 plus loin que le b\u00e9b\u00e9 au plafond. La r\u00e9ponse de Boyle est dans la forme circulaire du r\u00e9cit. Personne n’est am\u00e9lior\u00e9 par un discours. Renton s’en sort en volant, ce que le film ni ne b\u00e9nit ni ne cache. Le livre de Welsh \u00e9tait un choeur de dialectes. Le film choisit une paire d’yeux et laisse quand m\u00eame les autres bousculer le cadre. C’est pour cela qu’en 1996 il avait le go\u00fbt d’une nouvelle, et qu’il a encore celui d’une pi\u00e8ce qu’il ne faut pas ranger.<\/p>\n

Vingt ans plus tard, la suite a voulu revoir les m\u00eames corps et les a trouv\u00e9s plus vieux, seule suite honn\u00eate pour un film sur le temps vol\u00e9. Le premier Trainspotting<\/em> reste celui qui a \u00e9pous\u00e9 une humeur nationale sans demander \u00e0 la repr\u00e9senter : l’ironie comme armure, la pop comme adr\u00e9naline, l’amiti\u00e9 comme une mauvaise habitude bien minut\u00e9e. Iggy ouvre encore la porte. Underworld la ferme encore. Entre les deux, une g\u00e9n\u00e9ration a entendu son propre pouls et a fait semblant, le temps d’une chanson, que la chute \u00e9tait une fa\u00e7on de voler.<\/p>\n

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Lust for Life d’Iggy Pop frappe avant qu’\u00c9dimbourg ait le temps de se pr\u00e9senter.<\/p>\n","protected":false},"author":1,"featured_media":9669,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,291],"tags":[311,874],"class_list":["post-9673","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-films","tag-alternative-indie-punk-fr","tag-iggy-pop","post_format-post-format-video"],"yoast_head":"\nTrainspotting - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/trainspotting\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trainspotting - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Lust for Life d'Iggy Pop frappe avant qu'\u00c9dimbourg ait le temps de se pr\u00e9senter.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/trainspotting\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-18T14:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Couverture-Fb-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1640\" \/>\n\t<meta property=\"og:image:height\" content=\"924\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Trainspotting\",\"datePublished\":\"2026-09-18T14:00:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/\"},\"wordCount\":664,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/Trainspotting.jpg\",\"keywords\":[\"Alternative \\\/ Indie \\\/ Punk\",\"Iggy Pop\"],\"articleSection\":[\"Chroniques\",\"Films\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/trainspotting\\\/\",\"name\":\"Trainspotting - 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