{"id":9679,"date":"2017-11-15T09:00:00","date_gmt":"2017-11-15T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/stop-making-sense\/"},"modified":"2026-11-09T07:10:31","modified_gmt":"2026-11-09T06:10:31","slug":"stop-making-sense","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/stop-making-sense\/","title":{"rendered":"Stop Making Sense"},"content":{"rendered":"

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Talking Heads construisent un concert depuis une sc\u00e8ne vide<\/h3>\n

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David Byrne entre seul avec un boombox et une guitare acoustique. Le concert a d\u00e9j\u00e0 commenc\u00e9. Stop Making Sense<\/em> de Jonathan Demme n’est pas un documentaire rock au sens habituel. Tourn\u00e9 sur plusieurs soirs de d\u00e9cembre 1983 au Pantages Theatre \u00e0 Hollywood et sorti \u00e0 l’automne 1984, le film ne coupe presque jamais vers le public. Il ne s’arr\u00eate presque jamais pour une interview et ne fouille ni les enfances ni les querelles de groupe. L’histoire, c’est la sc\u00e8ne qui se remplit, musicien apr\u00e8s musicien, titre apr\u00e8s titre, jusqu’\u00e0 ce qu’un groupe new wave soit devenu devant vous un groupe funk de neuf musiciens.<\/p>\n

Tina Weymouth arrive, puis Chris Frantz, puis Jerry Harrison. Chaque entr\u00e9e change la taille de la musique sans changer le morceau en dessous. Psycho Killer<\/em> commence en solo nerveux. Quand Bernie Worrell, Alex Weir, Steve Scales, Lynn Mabry et Ednah Holt sont en place, les quatre musiciens sortis d’une \u00e9cole d’art sont devenus une f\u00eate qui garde encore une structure claire. Byrne a con\u00e7u les \u00e9crans nus et les lumi\u00e8res. Jordan Cronenweth, qui avait photographi\u00e9 Blade Runner<\/em>, tient la cam\u00e9ra assez stable pour que la danse reste \u00e9trange toute seule. Demme n’utilise pas de zoom brutal pour prouver que la nuit fonctionne. Il reste avec les musiciens et les chansons.<\/p>\n

Le set vient de la tourn\u00e9e Speaking in Tongues<\/em>, mais le film traite les tubes comme des \u00e9tapes d’une mont\u00e9e, pas comme des troph\u00e9es. Once in a Lifetime<\/em>, Burning Down the House<\/em>, This Must Be the Place (Naive Melody)<\/em>, Life During Wartime<\/em> : chacun ajoute une partie. Le concert ne ralentit pas. Le costume d\u00e9mesur\u00e9 que Byrne porte pour Girlfriend Is Better<\/em> est \u00e0 la fois une blague et un point sur les chanteurs. Le costume en fait la caricature d’un chanteur. \u00c0 l’int\u00e9rieur, il a l’air plus ordinaire. Le passage Tom Tom Club laisse Weymouth et Frantz prendre le micro sur leurs propres morceaux. Demme ne coupe jamais vers un fan qui pleure \u00e0 la demande. Le sentiment est dans le rythme et dans la fa\u00e7on dont le concert est construit.<\/p>\n

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Stop Making Sense est le seul film du moment qui est une dose de bonheur du d\u00e9but \u00e0 la fin.<\/p>\n<\/blockquote>\n

(Pauline Kael, The New Yorker, 1984)<\/em><\/p>\n

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Talking Heads avaient d\u00e9j\u00e0 fait Remain in Light<\/em> et appris, de l’enregistrement africain et du funk, qu’un seul rythme peut porter plus d’une id\u00e9e \u00e0 la fois. Le film montre cette le\u00e7on sous les projecteurs. Ailleurs, la new wave voulait souvent dire une coupe de cheveux et un r\u00e9glage de synth\u00e9. Ici, c’est une construction : sc\u00e8ne vide, un homme, un rythme sorti d’une machine bon march\u00e9, puis un groupe complet. Quand une copie restaur\u00e9e est revenue en salles en 2023, un public plus jeune a vu que le plaisir tenait au dispositif, visible pendant qu’on le construit. Ce n’est pas seulement de la nostalgie.<\/p>\n

Pour quiconque aime la musique live \u00e0 l’\u00e9cran, Stop Making Sense<\/em> reste le film de concert que les r\u00e9alisateurs suivants citent quand ils veulent s\u00e9rieux et joie dans le m\u00eame cadre. Pauline Kael a entendu une dose de bonheur. Le film est strict et il reste un concert joyeux. La pr\u00e9cision et la sueur sont dans les m\u00eames chansons. Byrne finit la nuit avec les musiciens qui n’\u00e9taient pas en sc\u00e8ne au d\u00e9but. Le costume tombe. Pour les fans de musique, l’intrigue est le groupe qui se compl\u00e8te, titre apr\u00e8s titre, avec le son laiss\u00e9 au premier plan.<\/p>\n

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