{"id":9709,"date":"2022-12-04T09:00:00","date_gmt":"2022-12-04T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/the-harder-they-come\/"},"modified":"2026-11-09T07:13:23","modified_gmt":"2026-11-09T06:13:23","slug":"the-harder-they-come","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/the-harder-they-come\/","title":{"rendered":"The Harder They Come"},"content":{"rendered":"

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Jimmy Cliff, crime \u00e0 Kingston et la bande originale Island<\/h3>\n

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The Harder They Come<\/em> est un polar qui voyage gr\u00e2ce aux chansons. Le film jama\u00efcain de Perry Henzell (1972), \u00e9crit avec Trevor Rhone, transforme la l\u00e9gende hors-la-loi de Rhyging en une fiction plus l\u00e2che que Jimmy Cliff peut porter : Ivanhoe Martin, un gar\u00e7on de la campagne qui arrive \u00e0 Kingston avec un air en t\u00eate et aucune intention de rester pauvre. Cliff avait d\u00e9j\u00e0 des hits ; il ne voulait pas le r\u00f4le jusqu’\u00e0 ce que Henzell lui dise qu’il \u00e9tait meilleur acteur que chanteur. Pendant le tournage, alors que le film s’appelait encore Hard Road to Travel<\/em>, Cliff \u00e9crit la chanson-titre en une nuit. Henzell l’entend le lendemain matin et renomme le film. Cette pr\u00e9cipitation est dans la bande originale autant que dans l’intrigue.<\/p>\n

L’histoire est simple et dure. Ivan enregistre un morceau, un producteur ne le paie presque rien, la ville offre le ganja et un flingue et les journaux transforment un homme accul\u00e9 en star. Les couleurs sont la chaleur de Kingston, pas la carte postale. Le patois reste dans la bouche de ceux qui le parlent ; les copies am\u00e9ricaines ont port\u00e9 des sous-titres. C’\u00e9tait g\u00eanant pour l’\u00eele et cela voulait aussi dire que le film n’a pas ponc\u00e9 sa langue pour l’export. L’Ivan de Cliff est vaniteux, dr\u00f4le, effray\u00e9 et convaincu qu’un disque est une sorte de passeport. Le film ne le couronne ni ne le sermonne. Il regarde une industrie qui se sert \u00e0 la fois de la chanson et de la mort.<\/p>\n

La musique ne d\u00e9core pas cet arc ; elle le pousse. La bande originale Island r\u00e9unit You Can Get It If You Really Want<\/em>, Many Rivers to Cross<\/em>, Sitting in Limbo<\/em> et The Harder They Come<\/em> de Cliff \u00e0 c\u00f4t\u00e9 de Pressure Drop<\/em> de Toots and the Maytals, Rivers of Babylon<\/em> des Melodians et Johnny Too Bad<\/em> des Slickers. Pour beaucoup d’auditeurs hors de Jama\u00efque, le reggae a commenc\u00e9 comme cette s\u00e9quence, pas comme un cours de genre. L’album a err\u00e9 dans les dortoirs et les s\u00e9ances de minuit et a fait du film un film que l’on revient voir, avant que les classements aient un rayon propre. Les chansons commentent l’ambition, la foi, la pression et le cool hors-la-loi pendant qu’Ivan poursuit les m\u00eames mythes que la radio vend.<\/p>\n

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Il a un rythme vif et rac\u00e9, en phase avec la musique syncop\u00e9e de l’\u00eele, plus un th\u00e8me social sous-jacent sous les habits d’un r\u00e9cit familier.<\/p>\n<\/blockquote>\n

(Variety, 1972)<\/em><\/p>\n

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Aux \u00c9tats-Unis, le film est devenu un film de s\u00e9ance de minuit, le genre de carri\u00e8re qui construit une fid\u00e9lit\u00e9 plut\u00f4t qu’un seul week-end. Les gens revenaient pour les chansons et restaient pour le reproche au centre : une industrie musicale qui ach\u00e8te une voix \u00e0 bas prix et revend le mythe cher. Le jeu de Cliff est \u00e0 visage d\u00e9couvert ; il laisse Ivan savourer l’affiche de lui-m\u00eame. Henzell, cin\u00e9aste jama\u00efcain filmant sa propre ville, refuse la vue touristique. Motos, lumi\u00e8re de mer, \u00e9glise et cabane d’enregistrement appartiennent \u00e0 une Kingston qui travaille. Le film a gard\u00e9 son public en restant pr\u00e9cis. Culte, dans ce cas, ne veut pas dire obscur.<\/p>\n

Les documentaires reggae plus tardifs et la gloire mondiale de Bob Marley peuvent faire passer The Harder They Come<\/em> pour une pr\u00e9face. C’est un film fini en soi. C’est un objet complet : polar, musical, carte de Kingston et avertissement sur ce qui arrive quand une chanson est le seul bien qu’un homme a le droit de poss\u00e9der. Pour les amateurs de musique, commencer par l’album Island, puis revenir \u00e0 l’\u00e9cran et voir comment chaque passage musical affine la mont\u00e9e et la chute d’Ivan. Cliff a \u00e9crit le refrain alors que les cam\u00e9ras tournaient d\u00e9j\u00e0. On entend encore cette pr\u00e9cipitation dans l’enregistrement. La chanson-titre pose la phrase. Le film garde la fin que les paroles indiquent.<\/p>\n

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The Harder They Come (1972) a Jimmy Cliff pour star et envoie le reggae dans le monde sur une bande originale Island qui d\u00e9finit encore le film.<\/p>\n","protected":false},"author":1,"featured_media":9705,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,291],"tags":[974,479],"class_list":["post-9709","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-films","tag-jimmy-cliff-fr","tag-reggae-ska-fr","post_format-post-format-video"],"yoast_head":"\nThe Harder They Come - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"The Harder They Come (1972) a Jimmy Cliff pour star et envoie le reggae dans le monde sur une bande originale Island qui d\u00e9finit encore le film.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/the-harder-they-come\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Harder They Come - 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