{"id":9715,"date":"2024-12-31T11:00:00","date_gmt":"2024-12-31T10:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/this-is-spinal-tap\/"},"modified":"2026-11-09T07:14:21","modified_gmt":"2026-11-09T06:14:21","slug":"this-is-spinal-tap","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/this-is-spinal-tap\/","title":{"rendered":"This Is Spinal Tap"},"content":{"rendered":"

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Une tourn\u00e9e metal qui r\u00e9tr\u00e9cit et un mockumentary dont les riffs tiennent presque<\/h3>\n

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This Is Spinal Tap<\/em> pr\u00e9tend respecter un groupe d\u00e9j\u00e0 en train de s’effondrer en public. Le mockumentary de Rob Reiner (1984) suit le groupe de heavy metal britannique Spinal Tap sur une tourn\u00e9e am\u00e9ricaine qui devient plus petite au fil du temps, avec Reiner lui-m\u00eame en Marty DiBergi, le cin\u00e9aste s\u00e9rieux au carnet et au visage impassible. Nigel Tufnel (Christopher Guest), David St. Hubbins (Michael McKean) et Derek Smalls (Harry Shearer) improvisent l’essentiel de ce qu’ils disent, d’o\u00f9 la texture de souvenir de leur b\u00eatise. Personne ne fait un clin d’\u0153il assez gros pour sortir du r\u00f4le. La blague d\u00e9pend d’une cam\u00e9ra qui se comporte comme si ces hommes \u00e9taient un vrai groupe digne d’\u00eatre film\u00e9.<\/p>\n

Ces gags sont cit\u00e9s si souvent qu’ils comptent maintenant comme du folklore. Un ampli dont les chiffres montent jusqu’\u00e0 onze. Un d\u00e9cor Stonehenge livr\u00e9 en pouces au lieu de pieds. Une pochette d’album, Smell the Glove<\/em>, n\u00e9goci\u00e9e jusqu’au noir sur noir. Une procession de batteurs qui ne survivent pas au poste. Des chansons comme Big Bottom<\/em> et Hell Hole<\/em> sont ridicules et, si l’on a d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e8s d’une certaine sc\u00e8ne, pas assez ridicules. Elles ont \u00e9t\u00e9 \u00e9crites pour \u00eatre mauvaises d’une fa\u00e7on pr\u00e9cise : trois accords, un mythe, une blague graveleuse, une note tenue. La grandeur du metal et sa paperasse sont dans la m\u00eame loge. Le film laisse la porte ouverte.<\/p>\n

Ce qui l’emp\u00eache de devenir une revue de sketches, c’est l’affection m\u00eal\u00e9e \u00e0 la pr\u00e9cision. Guest, McKean et Shearer savent comment un guitariste touche un manche quand il est nerveux, comment un chanteur explique un texte qui n’a pas d’explication, comment un manager promet une salle d\u00e9j\u00e0 annul\u00e9e. DiBergi est le double du public et aussi une partie du probl\u00e8me : le documentaire qui flatte un groupe jusqu’\u00e0 lui faire croire son propre dossier de presse. Quand les dates r\u00e9tr\u00e9cissent, la croyance ne suit pas. Cette note triste sous le rire explique pourquoi les musiciens citent encore le film quand une tourn\u00e9e tourne mal.<\/p>\n

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\n

This Is Spinal Tap est l’un des films les plus dr\u00f4les, les plus intelligents et les plus originaux de l’ann\u00e9e.<\/p>\n<\/blockquote>\n

(Roger Ebert, Chicago Sun-Times, 1985)<\/em><\/p>\n

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Ebert visait l’intelligence autant que les r\u00e9pliques. Les mockumentaries suivants ont emprunt\u00e9 la forme et souvent rat\u00e9 la musique. Spinal Tap marche parce que la musique est presque bonne. Si les riffs n’\u00e9taient qu’un dessin anim\u00e9, les salles vides seraient inoffensives. Parce qu’ils convainquent presque, l’humiliation porte. Le culte hard rock du volume, du cuir et du destin est examin\u00e9 par des gens qui auraient pu le rejoindre ; ils ont pr\u00e9f\u00e9r\u00e9 retourner les retours de sc\u00e8ne. Pour un amateur de musique, le plaisir est double : rire des clich\u00e9s, puis remarquer \u00e0 quel point Big Bottom<\/em> est proche de l’emphase r\u00e9elle qu’il moque et \u00e0 quel point le gag de la pochette noire ressemble encore \u00e0 une r\u00e9union A&R entendue par hasard.<\/p>\n

Le groupe a ensuite \u00e9chapp\u00e9 au film et est devenu une vraie formation en tourn\u00e9e, derni\u00e8re blague et sorte de preuve. La fiction \u00e9tait assez pr\u00e9cise pour que le monde moqu\u00e9 engage le groupe. This Is Spinal Tap<\/em> reste le film musical qui a appris au public \u00e0 entendre la pause avant qu’un guitariste dise quelque chose qu’il croit profond. Cette pause porte la sc\u00e8ne. Onze n’est que le chiffre peint sur le cadran. La tourn\u00e9e r\u00e9tr\u00e9cit de salle en salle. Les riffs sont assez proches de la vraie emphase pour que les salles vides comptent encore.<\/p>\n

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