{"id":9727,"date":"2024-04-15T09:00:00","date_gmt":"2024-04-15T07:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-categorise\/dont-look-back\/"},"modified":"2026-11-09T07:14:02","modified_gmt":"2026-11-09T06:14:02","slug":"dont-look-back","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/","title":{"rendered":"Don’t Look Back"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Pennebaker, Dylan et la derni\u00e8re tourn\u00e9e acoustique en Angleterre<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

Le film s’ouvre dans une ruelle : cartons, cam\u00e9ra \u00e0 l’\u00e9paule et Bob Dylan qui feuillette les paroles de Subterranean Homesick Blues<\/em> pendant qu’Allen Ginsberg et Bob Neuwirth restent en bord de cadre. Don’t Look Back<\/em> (1967) de D. A. Pennebaker suit la tourn\u00e9e anglaise du printemps 1965 de Dylan, sans narrateur et presque sans exposition. Le set est encore acoustique. La patience, elle, est d\u00e9j\u00e0 partie. Pennebaker reste dans les couloirs d’h\u00f4tel, les voitures et les loges et traite les concerts comme des dates sur un calendrier, pas comme des r\u00e9v\u00e9lations. Le titre vient d’un vers de She Belongs to Me<\/em>. Le film s’y tient. Il ne remonte pas jusqu’au gar\u00e7on de Hibbing. Il reste avec le jeune homme de vingt-quatre ans, fatigu\u00e9 de r\u00e9pondre aux m\u00eames questions de chaque journal local.<\/p>\n

Au Savoy Hotel de Londres, Joan Baez chante dans la chambre pendant que Dylan tape \u00e0 la machine ; ils partagent un espace, pas une trajectoire. Albert Grossman, le manager, n\u00e9gocie cachets et facturation dans les portes. Un reporter de Time<\/em> obtient une interview et d\u00e9couvre que l’acc\u00e8s n’est pas la m\u00eame chose que des r\u00e9ponses. Dylan est cassant, grossier, accul\u00e9, dr\u00f4le. Le film refuse d’en faire le porte-parole officiel du folk. En 1965, le circuit des coffeehouses le revendiquait encore. Sur cette tourn\u00e9e, il rend la revendication sans s’en servir. Les conf\u00e9rences de presse jouent comme des rounds. Les bouderies se lisent comme des tactiques. La gentillesse, quand elle appara\u00eet, est assez br\u00e8ve pour \u00eatre cr\u00e9dible.<\/p>\n

Ce que le film n’est pas – et la chronologie compte – c’est la rupture \u00e9lectrique de l’ann\u00e9e suivante. Le cri \u00ab\u00a0Judas\u00a0\u00bb au Manchester Free Trade Hall appartient \u00e0 1966, \u00e0 une autre tourn\u00e9e et \u00e0 un autre film. Don’t Look Back<\/em> est le dernier regard soutenu sur le circuit acoustique, quand les chansons avaient d\u00e9j\u00e0 d\u00e9pass\u00e9 le contrat folk et que les foules n’avaient pas encore choisi la trahison. On entend The Times They Are a-Changin’<\/em>, To Ramona<\/em>, It’s All Over Now, Baby Blue<\/em> comme des soir\u00e9es de travail dans des salles anglaises, pas comme un best-of. Le grain 16 mm noir et blanc est la pellicule qui pouvait courir dans ces couloirs, pas un filtre d’ambiance ajout\u00e9 en postprod. Ici la musique est le travail : la sc\u00e8ne est le lieu o\u00f9 Dylan livre encore, le couloir celui o\u00f9 il refuse d’expliquer.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719644035{padding-top: 30px !important;padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

\n

She’s got everything she needs, she’s an artist, she don’t look back.<\/p>\n<\/blockquote>\n

(Bob Dylan, She Belongs to Me, 1965)<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1453719649507{padding-top: 25px !important;padding-bottom: 33px !important;}\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

Le direct cinema, \u00e9tiquette coll\u00e9e plus tard sur cette approche, peut sonner comme un s\u00e9minaire. \u00c0 l’\u00e9cran, c’est un ensemble de choix : pas d’interview assise pr\u00e9par\u00e9e, pas de partition sous un gros plan, pas de coupe qui vous dit pour qui applaudir. Pennebaker avait d\u00e9j\u00e0 film\u00e9 musiciens et politiques. Avec Dylan, il a un sujet qui joue m\u00eame en refusant de jouer pour la presse. Le gag des cartons dans la ruelle \u00e9nonce la m\u00e9thode aussi clairement qu’un manifeste : les mots peuvent \u00eatre brandis puis jet\u00e9s. Le reste du film regarde un auteur-compositeur faire la m\u00eame chose avec les questions qu’on lui pose.<\/p>\n

Les biographies plus tardives ont empil\u00e9 motifs, femmes, drogues, l’accident de moto de juillet 1966, les basement tapes \u00e0 Woodstock. Don’t Look Back<\/em> n’a pas besoin de la pile. C’est le document d’un printemps anglais o\u00f9 un auteur \u00e9tait le plus vif dans chaque pi\u00e8ce et en avait assez des pi\u00e8ces. Sur un site qui range souvent country et folk sur l’\u00e9tag\u00e8re du calme, ce film prouve que le calme \u00e9tait un r\u00f4le dont les autres avaient plus besoin que lui. Dylan regarde Londres par la vitre d’une voiture pendant que la ville demande un message et le film ne se retourne pas pour en inventer un. Ce qui reste, c’est le travail : les chansons, les dates et une cam\u00e9ra rest\u00e9e dans le couloir.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.<\/p>\n","protected":false},"author":1,"featured_media":9723,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[287,291],"tags":[410,416],"class_list":["post-9727","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-chroniques","category-films","tag-bob-dylan-fr","tag-country-folk-fr","post_format-post-format-video"],"yoast_head":"\nDon't Look Back - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don't Look Back - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-15T07:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-11-09T06:14:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\"},\"headline\":\"Don’t Look Back\",\"datePublished\":\"2024-04-15T07:00:00+00:00\",\"dateModified\":\"2026-11-09T06:14:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/\"},\"wordCount\":784,\"commentCount\":9,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/DontLookBack.jpg\",\"keywords\":[\"Bob Dylan\",\"Country \\\/ Folk\"],\"articleSection\":[\"Chroniques\",\"Films\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/\",\"name\":\"Don't Look Back - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/DontLookBack.jpg\",\"datePublished\":\"2024-04-15T07:00:00+00:00\",\"dateModified\":\"2026-11-09T06:14:02+00:00\",\"description\":\"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/DontLookBack.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/DontLookBack.jpg\",\"width\":1200,\"height\":675,\"caption\":\"Don't Look Back\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chroniques\\\/films\\\/dont-look-back\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Don’t Look Back\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\"],\"description\":\"Chroniques musicales, concerts, albums, titres et uchronies. Un r\u00e9cit documentaire pour les auditeurs qui tiennent aux chansons.\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/1f742458457cfc69e236f2bfdaad9599\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Don't Look Back - RIFFS AND BEATS","description":"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/","og_locale":"fr_FR","og_type":"article","og_title":"Don't Look Back - RIFFS AND BEATS","og_description":"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.","og_url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2024-04-15T07:00:00+00:00","article_modified_time":"2026-11-09T06:14:02+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg","type":"image\/jpeg"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"pgorce","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599"},"headline":"Don’t Look Back","datePublished":"2024-04-15T07:00:00+00:00","dateModified":"2026-11-09T06:14:02+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/"},"wordCount":784,"commentCount":9,"publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg","keywords":["Bob Dylan","Country \/ Folk"],"articleSection":["Chroniques","Films"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/","url":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/","name":"Don't Look Back - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg","datePublished":"2024-04-15T07:00:00+00:00","dateModified":"2026-11-09T06:14:02+00:00","description":"Cartons dans une ruelle : Pennebaker filme la tourn\u00e9e anglaise 1965 de Dylan, set acoustique, patience d\u00e9j\u00e0 partie.","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/DontLookBack.jpg","width":1200,"height":675,"caption":"Don't Look Back"},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/fr\/chroniques\/films\/dont-look-back\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Don’t Look Back"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/fr\/#website","url":"https:\/\/riffsandbeats.com\/fr\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/fr\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.instagram.com\/riffsandbeatsofficial"],"description":"Chroniques musicales, concerts, albums, titres et uchronies. Un r\u00e9cit documentaire pour les auditeurs qui tiennent aux chansons."},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/1f742458457cfc69e236f2bfdaad9599","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"]}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/comments?post=9727"}],"version-history":[{"count":5,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9727\/revisions"}],"predecessor-version":[{"id":38356,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9727\/revisions\/38356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media\/9723"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media?parent=9727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/categories?post=9727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/tags?post=9727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}