{"id":9781,"date":"2026-09-19T23:44:18","date_gmt":"2026-09-19T21:44:18","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/lauryn-hill-fr\/"},"modified":"2026-09-19T23:44:18","modified_gmt":"2026-09-19T21:44:18","slug":"lauryn-hill-fr","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/","title":{"rendered":"Lauryn Hill – Le sermon et le sample"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Un disque arriv\u00e9 d\u00e9j\u00e0 fini<\/h3>\n

[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n

\u00c0 l’\u00e9t\u00e9 1998, Lauryn Hill pose tout un argument sur un seul disque, puis, pour l’essentiel, recule. The Miseducation of Lauryn Hill<\/em> ne sonne pas comme un premier album solo qui se couvre. Il sonne comme quelqu’un qui avait d\u00e9j\u00e0 chant\u00e9 les refrains que la radio voulait, au sein des Fugees, et qui avait d\u00e9cid\u00e9 que le document suivant contiendrait le refrain, la r\u00e9primande et la le\u00e7on du dimanche. N\u00e9e Lauryn Noelle Hill \u00e0 South Orange, dans le New Jersey, le 26 mai 1975, elle avait jou\u00e9, elle avait rapp\u00e9, et sur The Score<\/em> en 1996 sa voix sur Killing Me Softly<\/em> et Ready or Not<\/em> avait port\u00e9 un groupe dans toutes les voitures de cet \u00e9t\u00e9-l\u00e0.<\/p>\n

L’album solo, publi\u00e9 le 25 ao\u00fbt 1998, est b\u00e2ti comme une journ\u00e9e d’\u00e9cole. Entre les chansons, une classe d’enfants parle d’amour, un cadre qui aurait pu \u00eatre mignon et ne l’est pas, parce que les chansons autour sont pr\u00e9cises. Doo Wop (That Thing)<\/em> gronde et balance dans la m\u00eame mesure. Ex-Factor<\/em> est un adieu qui ne part pas tout \u00e0 fait. To Zion<\/em> s’adresse \u00e0 son fils et au conseil de carri\u00e8re qui lui disait qu’un b\u00e9b\u00e9 g\u00e2cherait le plan. Lost Ones<\/em> est le morceau rap, sec et personnel. Elle en produit l’essentiel elle-m\u00eame, avec un groupe plut\u00f4t qu’une pile de boucles emprunt\u00e9es, m\u00eame si les emprunts sont l\u00e0 et seront plus tard discut\u00e9s au tribunal. L’accord de gospel et la poche hip-hop partagent une pi\u00e8ce sans que l’un s’excuse aupr\u00e8s de l’autre.<\/p>\n

Le groupe qui a rendu l’album solo possible avait failli rater. Blunted on Reality<\/em>, en 1994, avec Wyclef Jean et Pras Michel, n’annon\u00e7ait pas un ph\u00e9nom\u00e8ne. The Score<\/em> l’a fait, deux ans plus tard, et ses couplets sur les disques des autres, dont If I Ruled the World<\/em> avec Nas, montraient une rappeuse capable d’entrer dans un morceau sans en emprunter la temp\u00e9rature. Elle avait vingt-trois ans \u00e0 la sortie de Miseducation<\/em>. Les sketches de classe ont \u00e9t\u00e9 enregistr\u00e9s avec de vrais enfants, un petit choix de production qui emp\u00eache le cadre de devenir un costume d’album-concept. Plus tard, des musiciens qui avaient jou\u00e9 sur les sessions ont contest\u00e9 les cr\u00e9dits, et le litige s’est r\u00e9gl\u00e9. Les chansons ne sont pas devenues moins les siennes \u00e0 l’\u00e9coute. Elles sont devenues le rappel qu’un disque qui sonne fini est aussi une pi\u00e8ce pleine de gens, et qu’elle s’\u00e9tait tenue au milieu, jeune, certaine, et d\u00e9j\u00e0 en train, peut-\u00eatre, de pr\u00e9voir la sortie.<\/p>\n

Les Grammy de 1999 donnent \u00e0 l’album cinq prix, dont l’album de l’ann\u00e9e, sur dix nominations. La soir\u00e9e confirme un fait que les chansons avaient d\u00e9j\u00e0 rendu \u00e9vident: une femme pouvait se tenir au centre du plus grand prix du hip-hop et sonner, sur le disque, comme si elle n’avait pas demand\u00e9 la permission. Puis le centre se vide. MTV Unplugged No. 2.0<\/em>, en 2002, est le contraire d’un tour d’honneur. Gorge \u00e0 vif, guitare \u00e0 peine accord\u00e9e, elle parle autant qu’elle chante, et elle chante des titres neufs qui mettent en cause l’industrie, l’image, et sa propre certitude d’avant. Certains ont entendu un effondrement. La bande entend une chanteuse qui refuse la version lisse d’une voix devenue trop utile aux autres.<\/p>\n

Ce qui suit n’est pas un second Miseducation<\/em> et ne s’est jamais laiss\u00e9 expliquer de fa\u00e7on convaincante par la paresse. Des tourn\u00e9es, une r\u00e9union des Fugees qui s’effiloche, des proc\u00e8s, de longs silences, et des soirs o\u00f9 elle arrive en retard ou pas du tout. Il y a aussi des soirs o\u00f9 la voix, plus \u00e2g\u00e9e et moins int\u00e9ress\u00e9e par le vernis de 1998, ouvre encore Ex-Factor<\/em> et la salle se conduit comme si la chanson avait attendu. Elle a parl\u00e9 de la pression de ce premier album, de la foi, de vouloir que le travail p\u00e8se plus qu’un cycle de singles. Le catalogue est rest\u00e9 court expr\u00e8s, ou par d\u00e9g\u00e2t, ou les deux. La bri\u00e8vet\u00e9 fait partie de la fa\u00e7on dont on l’\u00e9coute maintenant.<\/p>\n

Des chanteuses plus jeunes ont pris le m\u00e9lange, le m\u00e9lisme sur un breakbeat, le droit de gronder \u00e0 l’int\u00e9rieur d’une chanson d’amour, et rarement le refus. On met The Miseducation of Lauryn Hill<\/em> et il semble encore fini, sensation \u00e9trange chez une artiste dont l’histoire publique est devenue celle de ce qu’elle ne finirait pas ensuite. Le sermon et le sample sont dans la m\u00eame mesure. Elle a dit ce qu’elle avait \u00e0 dire. Puis elle n’a gard\u00e9 le micro que lorsqu’elle le pensait.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"

u00c0 l’u00e9tu00e9 1998, Lauryn Hill pose tout un argument sur un seul disque, puis, pour l’essentiel, recule.<\/p>\n","protected":false},"author":1,"featured_media":9777,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273,279],"tags":[257,898],"class_list":["post-9781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chronicles","category-singers","tag-hiphop-rap","tag-lauryn-hill"],"yoast_head":"\nLauryn Hill - Le sermon et le sample - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lauryn Hill - Le sermon et le sample - RIFFS AND BEATS\" \/>\n<meta property=\"og:description\" content=\"u00c0 l'u00e9tu00e9 1998, Lauryn Hill pose tout un argument sur un seul disque, puis, pour l'essentiel, recule.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/\" \/>\n<meta property=\"og:site_name\" content=\"RIFFS AND BEATS\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61576819018054\" \/>\n<meta property=\"article:published_time\" content=\"2026-09-19T21:44:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Couverture-Fb-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1640\" \/>\n\t<meta property=\"og:image:height\" content=\"924\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"pgorce\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:site\" content=\"@riffsandbeats99\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"pgorce\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/\"},\"author\":{\"name\":\"pgorce\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\"},\"headline\":\"Lauryn Hill – Le sermon et le sample\",\"datePublished\":\"2026-09-19T21:44:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/\"},\"wordCount\":861,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/lauryn-hill.jpg\",\"keywords\":[\"Hip Hop \\\/ Rap\",\"Lauryn Hill\"],\"articleSection\":[\"Chronicles\",\"Singers\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/\",\"name\":\"Lauryn Hill - Le sermon et le sample - RIFFS AND BEATS\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/lauryn-hill.jpg\",\"datePublished\":\"2026-09-19T21:44:18+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#primaryimage\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/lauryn-hill.jpg\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2026\\\/09\\\/lauryn-hill.jpg\",\"width\":1200,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/chronicles\\\/lauryn-hill-fr\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Lauryn Hill – Le sermon et le sample\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"name\":\"RIFFS AND BEATS\",\"description\":\"Soundtrack Of Our Lives\",\"publisher\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#organization\",\"name\":\"RIFFS AND BEATS\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"contentUrl\":\"https:\\\/\\\/riffsandbeats.com\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Logo-RIFFS-BEATS-500x500-1.png\",\"width\":500,\"height\":500,\"caption\":\"RIFFS AND BEATS\"},\"image\":{\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=61576819018054\",\"https:\\\/\\\/x.com\\\/riffsandbeats99\",\"https:\\\/\\\/www.instagram.com\\\/riffsandbeatsofficial\",\"https:\\\/\\\/www.youtube.com\\\/@RiffsandBeats\",\"https:\\\/\\\/www.tiktok.com\\\/@riffsandbeats\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/#\\\/schema\\\/person\\\/a6a40143836f6c8a45376e05d9879346\",\"name\":\"pgorce\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g\",\"caption\":\"pgorce\"},\"sameAs\":[\"https:\\\/\\\/riffsandbeats.com\"],\"url\":\"https:\\\/\\\/riffsandbeats.com\\\/fr\\\/author\\\/pgorce\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lauryn Hill - Le sermon et le sample - RIFFS AND BEATS","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/","og_locale":"fr_FR","og_type":"article","og_title":"Lauryn Hill - Le sermon et le sample - RIFFS AND BEATS","og_description":"u00c0 l'u00e9tu00e9 1998, Lauryn Hill pose tout un argument sur un seul disque, puis, pour l'essentiel, recule.","og_url":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/","og_site_name":"RIFFS AND BEATS","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=61576819018054","article_published_time":"2026-09-19T21:44:18+00:00","og_image":[{"width":1640,"height":924,"url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/06\/Couverture-Fb-2.png","type":"image\/png"}],"author":"pgorce","twitter_card":"summary_large_image","twitter_creator":"@riffsandbeats99","twitter_site":"@riffsandbeats99","twitter_misc":{"\u00c9crit par":"pgorce","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#article","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/"},"author":{"name":"pgorce","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346"},"headline":"Lauryn Hill – Le sermon et le sample","datePublished":"2026-09-19T21:44:18+00:00","mainEntityOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/"},"wordCount":861,"commentCount":0,"publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/lauryn-hill.jpg","keywords":["Hip Hop \/ Rap","Lauryn Hill"],"articleSection":["Chronicles","Singers"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/","url":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/","name":"Lauryn Hill - Le sermon et le sample - RIFFS AND BEATS","isPartOf":{"@id":"https:\/\/riffsandbeats.com\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#primaryimage"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#primaryimage"},"thumbnailUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/lauryn-hill.jpg","datePublished":"2026-09-19T21:44:18+00:00","breadcrumb":{"@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#primaryimage","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/lauryn-hill.jpg","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2026\/09\/lauryn-hill.jpg","width":1200,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/riffsandbeats.com\/fr\/chronicles\/lauryn-hill-fr\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/riffsandbeats.com\/fr\/"},{"@type":"ListItem","position":2,"name":"Lauryn Hill – Le sermon et le sample"}]},{"@type":"WebSite","@id":"https:\/\/riffsandbeats.com\/fr\/#website","url":"https:\/\/riffsandbeats.com\/fr\/","name":"RIFFS AND BEATS","description":"Soundtrack Of Our Lives","publisher":{"@id":"https:\/\/riffsandbeats.com\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/riffsandbeats.com\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/riffsandbeats.com\/fr\/#organization","name":"RIFFS AND BEATS","url":"https:\/\/riffsandbeats.com\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","contentUrl":"https:\/\/riffsandbeats.com\/wp-content\/uploads\/2025\/05\/Logo-RIFFS-BEATS-500x500-1.png","width":500,"height":500,"caption":"RIFFS AND BEATS"},"image":{"@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=61576819018054","https:\/\/x.com\/riffsandbeats99","https:\/\/www.instagram.com\/riffsandbeatsofficial","https:\/\/www.youtube.com\/@RiffsandBeats","https:\/\/www.tiktok.com\/@riffsandbeats"]},{"@type":"Person","@id":"https:\/\/riffsandbeats.com\/fr\/#\/schema\/person\/a6a40143836f6c8a45376e05d9879346","name":"pgorce","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/484068c4d218ddc4145a6c113ec5c24e0f5ee74e20a2c8d473780a29ab6587b7?s=96&d=mm&r=g","caption":"pgorce"},"sameAs":["https:\/\/riffsandbeats.com"],"url":"https:\/\/riffsandbeats.com\/fr\/author\/pgorce\/"}]}},"_links":{"self":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/comments?post=9781"}],"version-history":[{"count":0,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/posts\/9781\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media\/9777"}],"wp:attachment":[{"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/media?parent=9781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/categories?post=9781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/riffsandbeats.com\/fr\/wp-json\/wp\/v2\/tags?post=9781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}